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| Author | : John Joseph Dunphy |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : American literature |
| ISBN | : |
An introduction and information regarding the publication of Voices From the Edge; as well as a history of the Metro East Writers' Workshop, founded in Alton, Illinois. Includes a photocopy of Volume 1, issue 1 of Voices from the Edge.
| Author | : Kenneth R. Timmerman |
| Publisher | : Post Hill Press |
| Total Pages | : 368 |
| Release | : 2022-08-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1637584776 |
And the Rest Is History takes readers on a traveling circus from Paris to Beirut, Baghdad, and beyond, introducing them to spies and terrorists, arms dealers and crooks, and along the way reveals a few surprises about the secret underbelly of recent history you won’t find in WikiLeaks. This book pinpoints precisely when the era of “fake news” actually began in America, and will change the way you think about journalism and journalists. It includes: • riveting testimony of the author’s torture and born-again experience as a hostage in a Beirut cellar; • unusual insight into the beginnings of the Iran–Contra scandal; • eyewitness reporting from the battlefields of the Middle East; • the inside scoop on Saddam Hussein’s WMD programs; • astonishing stories of French government dirty tricks, the intelligence underworld, Israeli hostage negotiations, and the real-life escapades of a Soviet sleeper agent. And the Rest Is History is a reporter’s journey from Left-Bank leftist to born-again Christian conservative. But most of all it’s a rollicking good read full of unusual characters, places, and events you will never hear about on the evening news. “Ken Timmerman is a superb investigative reporter—and old school—which means he does his research. His behind-the-scenes adventures in Iraq, Syria, Egypt, Israel, and even France are a terrific read for those of us who share his passion for tracking down the facts, not molding the facts to a ‘narrative.’” —Peter Schweizer, president of the Government Accountability Institute and NY Times bestselling author of Clinton Cash and Profiles in Corruption “I have followed for some time your excellent reporting on the Mid-East. You consistently provide insights and facts nowhere else available to the public. Your professionalism and persistence make a great contribution to our understanding, to the public debate, and ultimately to our national security.” —R. James Woolsey, former director, Central Intelligence Agency “I have spent my life tracking the murderers of yesterday. Mr. Timmerman is tracking the murderers of tomorrow.” —Nazi hunter Simon Wiesenthal, introducing the author to an audience in Paris, France, in 2002
| Author | : Paul C. Jones |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 252 |
| Release | : 2005 |
| Genre | : Fiction |
| ISBN | : 9781572333277 |
The literature of the antebellum South has often been described in literary histories as little more than glorified propaganda for the aristocratic, slave-owning class. While this might pertain to the region’s historical romances that feature a dashing, resolute hero committed to upholding the dearly held institutions of slave-holding society and that relegate women and African Americans to roles as meek supporters or loyal comic sideshows, this view does not describe all of the South’s literature from this period.In Unwelcome Voices: Subversive Fiction in the Antebellum South, Paul C. Jones argues that there was a subversive group of voices that dared challenge cherished southern traditions and raised questions about the issues facing the South in the years leading up to the Civil War, including slavery, democracy, and women’s rights.Jones examines the work of five southern writers from that era: James Heath, Frederick Douglass, Edgar Allan Poe, John Pendleton Kennedy, and E.D.E.N. Southworth. Each author was subversive in different ways: Heath featured a progressive hero who ignored the aristocratic assumptions of the South; Douglass presented a rebellious slave hero and made the slave-owning class his villains; Poe used horror to highlight the South’s hidden anxieties; Kennedy challenged the romantic visions of the South by opposing them with realistic depictions of the region; and Southworth employed abolitionist rhetoric to undermine traditionalist discourse. Jones clearly shows that the fiction of these writers diverged sharply from the South’s dominant literary formula.Unwelcome Voices represents a major turning point in the study of the literature of the antebellum South. It recognizes those authors who produced the counterweight to the writing meant to prop up the region’s elite class and slaveholding way of life. Unwelcome Voices will be a welcome and needed addition to the libraries of anyone interested in Southern history or the literature of the antebellum period.
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| Total Pages | : 430 |
| Release | : 1834 |
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| Total Pages | : 264 |
| Release | : 1912 |
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| Author | : Frederick Smock |
| Publisher | : University Press of Kentucky |
| Total Pages | : 190 |
| Release | : 2021-10-21 |
| Genre | : Poetry |
| ISBN | : 0813185009 |
The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."
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| Total Pages | : 564 |
| Release | : 1835 |
| Genre | : English literature |
| ISBN | : |
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| Total Pages | : 594 |
| Release | : 1858 |
| Genre | : Great Britain |
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| Author | : Jacqueline Keeler |
| Publisher | : Torrey House Press |
| Total Pages | : 131 |
| Release | : 2017-06-06 |
| Genre | : Literary Collections |
| ISBN | : 1937226727 |
"An important new collection of Native American writers essaying the cultural significance of Utah's Bears Ears landscape." —THE SALT LAKE TRIBUNE In support of tribal efforts to protect the Bears Ears, Native writers bear testimony to the fragile and essential nature of this sacred landscape in America's remote red rock country. Through poem and essay, these often–ignored voices explore the ways many native people derive tradition, sustenance, and cultural history from the Bears Ears. "To us, these places represent more than grass, hills, mountains, and trees…they hold the links to our past and our future." —Martie Simmons, Ho–Chunk The fifteen contributors are multi–generational writers, poets, activists, teachers, students, and public officials, each with a strong tie to landscape and a particular story to tell. Willie Grayeyes, Chairman of Utah Diné Bikéyah, shares his ancestral ties to the Bears Ears. Klee Benally, Diné activist, musician, and filmmaker, asks, "What part of sacred don't you understand?" Morning Star Gali, Tribal Historic Preservation Officer at Pit River Tribe, speaks to the fight for cultural preservation. The fifteen contributors speak for the Bears Ears and elevate the conversation around tribal sovereignty and sacred places across the US. Editor JACQUELINE KEELER is a Navajo/Dakota writer who lives in Portland, Oregon. She is co–founder of Eradicating Offensive Native Mascotry, which seeks to end the use of racial groups as mascots, as well as the use of other stereotypical representations in popular culture. Her work has appeared in The Nation, Indian Country Today, Earth Island Journal, Salon.com, and elsewhere.
| Author | : Chad Berry |
| Publisher | : University of Illinois Press |
| Total Pages | : 239 |
| Release | : 2015-06-15 |
| Genre | : Education |
| ISBN | : 0252097343 |
In this collection, contributors reflect on scholarly, artistic, activist, educational, and practical endeavor known as Appalachian Studies. Following an introduction to the field, the writers discuss how Appalachian Studies illustrates the ways interdisciplinary studies emerge, organize, and institutionalize themselves, and how they engage with intellectual, political, and economic forces both locally and around the world. Essayists argue for Appalachian Studies' integration with kindred fields like African American studies, women's studies, and Southern studies, and they urge those involved in the field to globalize the perspective of Appalachian Studies; to commit to continued applied, participatory action, and community-based research; to embrace more fully the field's capacity for bringing about social justice; to advocate for a more accurate understanding of Appalachia and its people; and to understand and overcome the obstacles interdisciplinary studies face in the social and institutional construction of knowledge. Contributors: Chris Baker, Chad Berry, Donald Edward Davis, Amanda Fickey, Chris Green, Erica Abrams Locklear, Phillip J. Obermiller, Douglas Reichert Powell, Michael Samers, Shaunna L. Scott, and Barbara Ellen Smith.
