A Literary History of England Vol. 4

A Literary History of England Vol. 4
Author: A Baugh
Publisher: Routledge
Total Pages: 857
Release: 2004-06-02
Genre: Literary Criticism
ISBN: 1136892990

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First published in 1959. The scope of this four volume work makes it valuable as a work of reference, connecting one period with another an placing each author clearly in the setting of his time. This is the fourth volume and includes the Nineteeth Century and after (1789-1939).

A New History of Medieval French Literature

A New History of Medieval French Literature
Author: Jacqueline Cerquiglini-Toulet
Publisher: JHU Press
Total Pages: 176
Release: 2011-12-01
Genre: Literary Criticism
ISBN: 1421403323

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Is it legitimate to conceive of and write a history of medieval French literature when the term “literature” as we know it today did not appear until the very end of the Middle Ages? In this novel introduction to French literature of the period, Jacqueline Cerquiglini-Toulet says yes, arguing that a profound literary consciousness did exist at the time. Cerquiglini-Toulet challenges the standard ways of reading and evaluating literature, considering medieval literature not as separate from that in other eras but as part of the broader tradition of world literature. Her vast and learned readings of both canonical and lesser-known works pose crucial questions about, among other things, the notion of otherness, the meaning of change and stability, and the relationship of medieval literature with theology. Part history of literature, part theoretical criticism, this book reshapes the language and content of medieval works. By weaving together topics such as the origin of epic and lyric poetry, Latin-French bilingualism, women’s writing, grammar, authorship, and more, Cerquiglini-Toulet does nothing less than redefine both philosophical and literary approaches to medieval French literature. Her book is a history of the literary act, a history of words, a history of ideas and works—monuments rather than documents—that calls into question modern concepts of literature.

Literature as Recreation in the Later Middle Ages

Literature as Recreation in the Later Middle Ages
Author: Glending Olson
Publisher: Cornell University Press
Total Pages: 244
Release: 2019-05-15
Genre: Literary Criticism
ISBN: 1501746758

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This book studies attitudes toward secular literature during the later Middle Ages. Exploring two related medieval justifications of literary pleasure—one finding hygienic or therapeutic value in entertainment, and another stressing the psychological and ethical rewards of taking time out from work in order to refresh oneself—Glending Olson reveals that, contrary to much recent opinion, many medieval writers and thinkers accepted delight and enjoyment as valid goals of literature without always demanding moral profit as well. Drawing on a vast amount of primary material, including contemporary medical manuscripts and printed texts, Olson discusses theatrics, humanist literary criticism, prologues to romances and fabliaux, and Chaucer's Canterbury Tales. He offers an extended examination of the framing story of Boccaccio's Decameron. Although intended principally as a contribution to the history of medieval literary theory and criticism, Literature as Recreation in the Later Middle Ages makes use of medical, psychological, and sociological insights that lead to a fuller understanding of late medieval secular culture.

The Ornament of the World

The Ornament of the World
Author: Maria Rosa Menocal
Publisher: Back Bay Books
Total Pages: 262
Release: 2009-11-29
Genre: History
ISBN: 0316092797

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This classic bestseller — the inspiration for the PBS series — is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." —Christopher Hitchens, The Nation

Food in the Middle Ages

Food in the Middle Ages
Author: Melitta Weiss Adamson
Publisher: Routledge
Total Pages: 246
Release: 2020-10-12
Genre: Literary Criticism
ISBN: 1135547890

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First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

A Literary History of England

A Literary History of England
Author: Albert C. Baugh
Publisher: Routledge
Total Pages: 762
Release: 2003-09-02
Genre: Literary Criticism
ISBN: 1134948328

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The paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This first volume covers The Middle Ages (to 1500) in two sections: The Old English Period (to 1100) by Kemp Malone (John Hopkins University), and The Middle English Period (1100-1500) by Albert C. Baugh (University of Pennsylvania).

Scribal Authorship and the Writing of History in Medieval England

Scribal Authorship and the Writing of History in Medieval England
Author: Matthew Fisher
Publisher: Interventions: New Studies Med
Total Pages: 0
Release: 2012
Genre: History
ISBN: 9780814211984

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Based on new readings of some of the least-read texts by some of the best-known scribes of later medieval England, Scribal Authorship and the Writing of History in Medieval England reconceptualizes medieval scribes as authors, and the texts surviving in medieval manuscripts as authored. Culling evidence from history writing in later medieval England, Matthew Fisher concludes that we must reject the axiomatic division between scribe and author. Using the peculiarities of authority and intertextuality unique to medieval historiography, Fisher exposes the rich ambiguities of what it means for medieval scribes to "write" books. He thus frames the composition, transmission, and reception--indeed, the authorship--of some medieval texts as scribal phenomena. History writing is an inherently intertextual genre: in order to write about the past, texts must draw upon other texts. Scribal Authorship demonstrates that medieval historiography relies upon quotation, translation, and adaptation in such a way that the very idea that there is some line that divides author from scribe is an unsustainable and modern critical imposition. Given the reality that a scribe's work was far more nuanced than the simplistic binary of error and accuracy would suggest, Fisher completely overturns many of our assumptions about the processes through which manuscripts were assembled and texts (both canonical literature and the less obviously literary) were composed.

The Arabic Role in Medieval Literary History

The Arabic Role in Medieval Literary History
Author: Maria Rosa Menocal
Publisher: University of Pennsylvania Press
Total Pages: 203
Release: 2010-08-03
Genre: Literary Criticism
ISBN: 0812200713

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Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, María Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary. Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.