A Dylan Thomas Companion
Author | : John Ackerman |
Publisher | : MacMillan |
Total Pages | : 352 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : |
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Author | : John Ackerman |
Publisher | : MacMillan |
Total Pages | : 352 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : John Ackerman |
Publisher | : Springer |
Total Pages | : 336 |
Release | : 1994-01-14 |
Genre | : Literary Criticism |
ISBN | : 1349133736 |
Opening with Thomas's life, the book offers vignettes of Swansea in the 1920s and 1930s, pre- and post-war Laugharne and rural West Wales, wartime London and New York City in the early 1950s, seen through the poet's eyes. Thomas's political views are focused on, as well as his social attitudes.
Author | : John Goodby |
Publisher | : University of Wales Press |
Total Pages | : 297 |
Release | : 2017-03-31 |
Genre | : Literary Criticism |
ISBN | : 1783169648 |
Discovering Dylan Thomas is a companion to Dylan Thomas’s published and notebook poems. It includes hitherto-unseen material contained in the recently-discovered fifth notebook, alongside poems, drafts and critical material including summaries of the critical reception of individual poems. The introductory essay considers the task of editing and annotating Thomas, the reception of the Collected Poems and the state of the Dylan Thomas industry, and the nature of Thomas’s reading, ‘influences’, allusions and intertextuality. It is followed by supplementary poems, including juvenilia and the notebook poems ‘The Woman Speaks’, original versions of ‘Grief thief of time’ and ‘I fellowed sleep’, and ‘Jack of Christ’, all of which were omitted from the Collected Poems. These are followed by annotations beginning with a discussion of Thomas’s juvenilia, and the relationship between plagiarism and parody in his work; poem-by-poem entries offer glosses, new material from the fifth notebook, critical histories for each poem, and variants of poems such as ‘Holy Spring’ and ‘On a Wedding Anniversary’ (including a magnificent, previously unpublished first draft of ‘A Refusal to Mourn’). The closing appendices deal with text and publication details for the collections Thomas published in his lifetime, the provenance and contents of the fifth notebook, and errata for the hardback edition of the Collected Poems.
Author | : John Goodby |
Publisher | : University of Wales Press |
Total Pages | : 329 |
Release | : 2017-03-31 |
Genre | : Literary Criticism |
ISBN | : 1783169656 |
Discovering Dylan Thomas is a companion to Dylan Thomas’s published and notebook poems. It includes hitherto-unseen material contained in the recently-discovered fifth notebook, alongside poems, drafts and critical material including summaries of the critical reception of individual poems. The introductory essay considers the task of editing and annotating Thomas, the reception of the Collected Poems and the state of the Dylan Thomas industry, and the nature of Thomas’s reading, ‘influences’, allusions and intertextuality. It is followed by supplementary poems, including juvenilia and the notebook poems ‘The Woman Speaks’, original versions of ‘Grief thief of time’ and ‘I fellowed sleep’, and ‘Jack of Christ’, all of which were omitted from the Collected Poems. These are followed by annotations beginning with a discussion of Thomas’s juvenilia, and the relationship between plagiarism and parody in his work; poem-by-poem entries offer glosses, new material from the fifth notebook, critical histories for each poem, and variants of poems such as ‘Holy Spring’ and ‘On a Wedding Anniversary’ (including a magnificent, previously unpublished first draft of ‘A Refusal to Mourn’). The closing appendices deal with text and publication details for the collections Thomas published in his lifetime, the provenance and contents of the fifth notebook, and errata for the hardback edition of the Collected Poems.
Author | : James A. Davies |
Publisher | : Greenwood |
Total Pages | : 0 |
Release | : 1998-04-16 |
Genre | : Literary Criticism |
ISBN | : 0313287740 |
Almost a half century after his death in 1953, the Welsh author Dylan Thomas continues to capture the attention of scholars and critics. Though he attained some measure of fame before he died, he never enjoyed financial prosperity. His life was plagued with difficulties of all kinds, and he was only 39 years old at the time of his death. Some of his works, such as Fern Hill and Do not go gentle into that good night are frequently included in anthologies, and Thomas is now often considered one of the most important and original poets of the 20th century. During his trips to the United States, he read his works to large audiences on college campuses. He also made a number of radio broadcasts and recordings, and his moving voice made scores of listeners respond emotionally to his poems. Though Dylan Thomas has earned his place in literary history, readers often find his poems difficult to understand. This reference book is a valuable guide to his life and work. Because his writings are so very much a product of his troubled life, the volume begins with an insightful biography that provides a context for understanding Thomas's works. The second section then systematically overviews his works. While his poems receive much attention, the section also includes discussions of his prose works, his filmscripts, and his broadcasts. A third section then surveys the critical and scholarly response to his writings, with separate chapters detailing his reception in Wales, England, and North America. A selected bibliography lists editions of Thomas's works, along with the most important general studies of his writings.
Author | : Kevin J. H. Dettmar |
Publisher | : Cambridge University Press |
Total Pages | : 205 |
Release | : 2009-02-19 |
Genre | : Literary Criticism |
ISBN | : 1139828436 |
A towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan's creative output. The first Part approaches Dylan's output thematically, tracing the evolution of Dylan's writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Essays in Part II analyse his landmark albums to examine the consummate artistry of Dylan's most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer.
Author | : Daniela Daus |
Publisher | : GRIN Verlag |
Total Pages | : 18 |
Release | : 2006-04-10 |
Genre | : Literary Criticism |
ISBN | : 3638488071 |
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2.3, Johannes Gutenberg University Mainz, course: PS Dylan Thomas, language: English, abstract: Dylan Thomas’s 18 Poems was published in December of 1934, when he was only 20 years old. Even though the poet was almost still a teenager, this collection, “... exhibited the deeper insight and superb craftmanship of a major twentieth century English poet.” Ackerman tells us that18 Poemswas the product of a young and obsessed mind. He also mentions the unity of theme, technique and attitude in Thomas’s first collection of poetry. Actually, the first half of his poetic work was written within eight years. It was produced in his period of adolescence and early manhood. This extraordinary creative period started when Thomas was 16 years old and ended when he was 24 years old. It is very noteworthy that such praised poetry was written at such a young age, since poetry is the most concentrated literary genre. Language is reduced and the core of a problem, or a fact is presented right away. Usually, it takes an experienced and wise mind to produce essential literature like poetry. The poem, which will be discussed in this paper is “Especially When the October Wind”. It was first published on October 24 in 1934, a couple of days before Dylan’s birthday, though he did not publish it as a ‘birthday poem.’ Later, it was also published as one of Dylan’s18 Poemsand therefore belongs to that highly respected series of poems that Dylan produced as a young man. Predominantly, it could be labeled as a fall, or “October poem,”7because a fall scene at the seaside is presented. As always with Thomas however, there are various levels of interpretation possible and the fall scene only seems to be the outward layer of a multidimensional understanding of the poem.
Author | : John Malcolm Brinnin |
Publisher | : |
Total Pages | : 334 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : |
The Welsh poet arrived in New York on his first visit, in 1950, for a programme of readings all over the country. Angelic, devilish, charming, doubting his inner resources for further poetry and pursued by an urge to self-destruction, given to alcoholic binges, he was not what the sober world of American academe expected. The students loved him, though after his first two or three encounters with them, the girls had to be protected. And he made immediate friends with many American writers, journalists and barflies, creating a pop culture mythology of the doomed artist for the late 20th century. This book captures Dylan Thomas's last few years.
Author | : Hilly Janes |
Publisher | : Biteback Publishing |
Total Pages | : 294 |
Release | : 2014-05-15 |
Genre | : Biography & Autobiography |
ISBN | : 1849547475 |
Dylan Thomas was one of the most extraordinary poetic talents of the twentieth century. Poems such as 'Do not go gentle into that good night' regularly top polls of the nation's favourites and his much-loved play Under Milk Wood has never been out of print. Thomas lived a life that was rarely without incident and died a death that has gone down in legend as the epitome of Bohemian dissoluteness. In The Three Lives of Dylan Thomas, journalist Hilly Janes explores that life and its extraordinary legacy through the eyes of her father, the artist Alfred Janes, who was a member of Thomas's inner circle and painted the poet at three key moments: in 1934, 1953 and, posthumously, 1964. Using these portraits as focal points, and drawing on a personal archive that includes drawings, diaries, letters and new interviews with omas's friends and descendants, The Three Lives of Dylan Thomas plots the poet's tempestuous journey from his birthplace in Swansea to his early death in a New York hospital in 1953. In this innovative and powerful narrative, Hilly Janes paints her own portrait: one that ventures beneath Thomas's reputation as a feckless, disloyal, boozy Welsh bard to reveal a much more complex character.
Author | : Barbara Nathan Hardy |
Publisher | : University of Georgia Press |
Total Pages | : 188 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780820322070 |
Dylan Thomas's expressive, highly imaginative re-creation of forms and language intimately portrays his inner self and his time, earning him renown as one of the "great individualists of modern art." In this contemplative, focused study of poems, stories and other works by Thomas, including Portrait of the Artist as a Young Dog and Under Milk Wood, Barbara Hardy emphasizes his creative achievements and high intelligence, analyzing his regional identity; response to other writers, especially James Joyce; modernist style; subject matter; use of language; and themes of art and the natural world. Thomas, a Welsh writer, never a nationalist, put into his writing a subtle response to regional landscape, particular people and places, and social context, including the 1930s depression, rural poverty, and war. His poetry and prose are passionate, sensuous, and artistically self-aware. The poetry is especially congenial in its imaginative celebration of greenness--literal, metaphorical, and political. To adapt the words of Charles Lamb, the poet is in "love with this green earth." Hardy describes Thomas as a resourceful "language-changer" who, like Shakespeare, Dickens, Hopkins, and Joyce, transforms the English language. Through writing so uniquely inventive that it alters the reader's perception of language, Thomas left us with works that are as fresh and relevant to today's world as they were at their debut.