Kurt Baschwitz

Kurt Baschwitz
Author: Jaap van Ginneken
Publisher:
Total Pages: 0
Release: 2018
Genre: Holocaust, Jewish (1939-1945)
ISBN: 9789462986046

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Kurt Baschwitz (1886-1968) had a lifelong fascination for 'the riddle of the mass' in both its visible and invisible forms. He was a major pioneer of communication and media studies on the European continent, an early student of the social, political, and mass psychology of crowds, publics, audiences, and public opinion, as well as a versatile social historian. Half a century after his death, however, he risks being forgotten and misunderstood, falling through the cracks of history.

Chabot Museum and the environs of the Museumpark villas

Chabot Museum and the environs of the Museumpark villas
Author: Ellie Adriaansz
Publisher: Nai010 Publishers
Total Pages: 128
Release: 2009
Genre: Architecture
ISBN:

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Designed in 1938, the Chabot Museum in Rotterdam is a classic example of Dutch International Style Modern architecture. Today it houses an important collection of Dutch Expressionist work by Henk Chabot (1894-1949). This volume showcases the architecture and the collection.

Romans and Batavians

Romans and Batavians
Author: W. J. H. Willems
Publisher:
Total Pages: 506
Release: 1986
Genre: Archaeology
ISBN:

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Video Revolutions

Video Revolutions
Author: Michael Z. Newman
Publisher: Columbia University Press
Total Pages: 160
Release: 2014-04-15
Genre: Performing Arts
ISBN: 0231169515

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Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the presentÑoften the very problems associated with television and the society shaped by itÑand to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.

Technological Visions

Technological Visions
Author: Marita Sturken
Publisher: Temple University Press
Total Pages: 388
Release: 2004
Genre: Social Science
ISBN: 9781592132270

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For as long as people have developed new technologies, there has been debate over the purposes, shape, and potential for their use. In this exciting collection, a range of contributors, including Sherry Turkle, Lynn Spigel, John Perry Barlow, Langdon Winner, David Nye, and Lord Asa Briggs, discuss the visions that have shaped "new" technologies and the cultural implications of technological adaptation. Focusing on issues such as the nature of prediction, community, citizenship, consumption, and the nation, as well as the metaphors that have shaped public debates about technology, the authors examine innovations past and present, from the telegraph and the portable television to the Internet, to better understand how our visions and imagination have shaped the meaning and use of technology. Author note: Marita Sturken is Associate Professor in the Annenberg School for Communication at the University of Southern California and the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering and Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright). Douglas Thomas is Associate Professor in the Annenberg School for Communication at the University of Southern California. He is author of three books, most recently Hacker Culture. Sandra Ball-Rokeach is a Professor and Director of the Communication Technology and Community Program in the Annenberg School for Communication at the University of Southern California. She is author of several books, including Theories of Mass Communication (with M. L. De Fleur).

Timeshift

Timeshift
Author: Sean Cubitt
Publisher: Routledge
Total Pages: 296
Release: 2003-09-02
Genre: Social Science
ISBN: 1134979479

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Focusing on the aesthetics of video, Timeshift tests current semiotic, postmodernist and psychoanalytic approaches in the laboratory of real-life video viewing.

Electric Sounds

Electric Sounds
Author: Steve J. Wurtzler
Publisher: Columbia University Press
Total Pages: 424
Release: 2007
Genre: Mass media
ISBN: 9780231136778

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The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.

Roman and Native in the Low Countries

Roman and Native in the Low Countries
Author: Roel Brandt
Publisher: British Archaeological Reports Oxford Limited
Total Pages: 246
Release: 1983
Genre: History
ISBN:

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Papers from a symposium held Dec. 17-18, 1980, at the Archaeological Institute, Free University of Amsterdam.

Television in the Age of Radio

Television in the Age of Radio
Author: Philip W. Sewell
Publisher: Rutgers University Press
Total Pages: 235
Release: 2014-02-13
Genre: Performing Arts
ISBN: 0813562716

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Television existed for a long time before it became commonplace in American homes. Even as cars, jazz, film, and radio heralded the modern age, television haunted the modern imagination. During the 1920s and 1930s, U.S. television was a topic of conversation and speculation. Was it technically feasible? Could it be commercially viable? What would it look like? How might it serve the public interest? And what was its place in the modern future? These questions were not just asked by the American public, but also posed by the people intimately involved in television’s creation. Their answers may have been self-serving, but they were also statements of aspiration. Idealistic imaginations of the medium and its impact on social relations became a de facto plan for moving beyond film and radio into a new era. In Television in the Age of Radio, Philip W. Sewell offers a unique account of how television came to be—not just from technical innovations or institutional struggles, but from cultural concerns that were central to the rise of industrial modernity. This book provides sustained investigations of the values of early television amateurs and enthusiasts, the fervors and worries about competing technologies, and the ambitions for programming that together helped mold the medium. Sewell presents a major revision of the history of television, telling us about the nature of new media and how hopes for the future pull together diverse perspectives that shape technologies, industries, and audiences.

Rethinking Media Change

Rethinking Media Change
Author: David Thorburn
Publisher: MIT Press
Total Pages: 422
Release: 2004-09-17
Genre: Computers
ISBN: 9780262264945

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The essays in Rethinking Media Change center on a variety of media forms at moments of disruption and cultural transformation. The editors' introduction sketches an aesthetics of media transition—patterns of development and social dispersion that operate across eras, media forms, and cultures. The book includes case studies of such earlier media as the book, the phonograph, early cinema, and television. It also examines contemporary digital forms, exploring their promise and strangeness. A final section probes aspects of visual culture in such environments as the evolving museum, movie spectaculars, and "the virtual window." The contributors reject apocalyptic scenarios of media revolution, demonstrating instead that media transition is always a mix of tradition and innovation, an accretive process in which emerging and established systems interact, shift, and collude with one another.