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| Author | : Miriam Ross |
| Publisher | : Springer |
| Total Pages | : 291 |
| Release | : 2015-03-24 |
| Genre | : Social Science |
| ISBN | : 1137378573 |
3D Cinema: Optical Illusions and Tactile Experiences questions the common frameworks used for discussing 3D cinema, realism and spectacle, in order to fully understand the embodied and sensory dimensions of 3D cinema's unique visuality.
| Author | : Bernard Mendiburu |
| Publisher | : Taylor & Francis |
| Total Pages | : 233 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0240811372 |
Hollywood is going 3D, readers learn how to adapt their production skills to this hot new medium so they can be part of the movement.
| Author | : Nick Jones |
| Publisher | : Film and Culture Series |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : 3-D films |
| ISBN | : 9780231194235 |
History : the long view of 3D film and theory -- Visualisation : from perspective to digital 3D -- Simulation : dematerialising and enframing -- Immersion : entering the screen -- Surveillance : converting image to space, world to data -- Defamiliarisation : rethinking the screen plane -- Distortion : unfamiliar and unconventional space -- Intimacy : the boundedness of stereoscopic media -- Conclusion: Seeing in 3D.
| Author | : Bernard Mendiburu |
| Publisher | : Taylor & Francis |
| Total Pages | : 254 |
| Release | : 2012-11-12 |
| Genre | : Performing Arts |
| ISBN | : 1136040579 |
This book helps you master the technical requirements of shooting 3D stereoscopic images. This title defines the concept of a professional 3D camera system and describes what features are required to make a successful unit to keep your production on schedule and on budget.
| Author | : Owen Weetch |
| Publisher | : Springer |
| Total Pages | : 180 |
| Release | : 2016-09-26 |
| Genre | : Performing Arts |
| ISBN | : 1137542675 |
This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Great Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film’s narrative and themes. Through close reading of these five very different examples, Expressive Spaces in Digital 3D Cinema shows how being sensitive to stereographic manipulation can nuance and enrich the critical appreciation of stereoscopic films. It demonstrates that the expressive placement of characters and objects within 3D film worlds can construct meaning in ways that are unavailable to ‘flat’ cinema.
| Author | : Bernard Mendiburu |
| Publisher | : Taylor & Francis |
| Total Pages | : 233 |
| Release | : 2012-12-06 |
| Genre | : Art |
| ISBN | : 1136137734 |
Hollywood is going 3D, read this book to understand why and how, and to secure your next job on a 3D movie. Making a 3D movie is much more than shooting with a 3D camera and showing it in a 3D theater. Each and every step of the movie production cycle will be affected by 3D, just like sound and color affected the whole industry. After an introduction on how the human brain perceive depth, this book explains, in a step-by-step approach, how 3D affects screen writing, art direction, principal photography, editing, visual effects and even movies distribution. It's a must read for anyone in the profession who wants to understand the next revolution in cinema. The DVD is not included with the E-book. Please contact the publisher for access to the DVD content by emailing [email protected].
| Author | : David A. Cook |
| Publisher | : Anthem Press |
| Total Pages | : 273 |
| Release | : 2021-09-14 |
| Genre | : Performing Arts |
| ISBN | : 1839980141 |
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
| Author | : |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 2008-07 |
| Genre | : |
| ISBN | : |
GameAxis Unwired is a magazine dedicated to bring you the latest news, previews, reviews and events around the world and close to you. Every month rain or shine, our team of dedicated editors (and hardcore gamers!) put themselves in the line of fire to bring you news, previews and other things you will want to know.
| Author | : |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 2008-08 |
| Genre | : |
| ISBN | : |
GameAxis Unwired is a magazine dedicated to bring you the latest news, previews, reviews and events around the world and close to you. Every month rain or shine, our team of dedicated editors (and hardcore gamers!) put themselves in the line of fire to bring you news, previews and other things you will want to know.
| Author | : Ray Zone |
| Publisher | : University Press of Kentucky |
| Total Pages | : 456 |
| Release | : 2012-05-01 |
| Genre | : Performing Arts |
| ISBN | : 0813140706 |
In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood, its present status as an enduring genre was confirmed by Avatar's success. 3-D Revolution: The History of Modern Stereoscopic Cinema traces the rise of modern 3-D technology from Arch Oboler's Bwana Devil (1952), which launched the 50s 3-D boom in Hollywood, to the rapidly-modernizing 3-D industry today. Ray Zone takes a comprehensive approach that not only examines the technology of the films, but also investigates the business, culture, and art of their production. Influencing new generations of filmmakers for decades, the evolution of 3-D cinema technology continues to fill our theaters with summer blockbusters and holiday megahits.
