Nineteenth-century Pottery and Porcelain in Canada
Author | : Elizabeth Collard |
Publisher | : |
Total Pages | : 472 |
Release | : 1967 |
Genre | : Porcelain |
ISBN | : |
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Author | : Elizabeth Collard |
Publisher | : |
Total Pages | : 472 |
Release | : 1967 |
Genre | : Porcelain |
ISBN | : |
Author | : Elizabeth Collard |
Publisher | : |
Total Pages | : |
Release | : 1967 |
Genre | : |
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Author | : Elizabeth Collard |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 216 |
Release | : 1983 |
Genre | : Art |
ISBN | : 9780773504219 |
This is the first book to be devoted exclusively to potters' view of Canada. Interest in nineteenth-century earthenware decorated with Canadian scenes has grown enormously in recent years. These ceramic pictures have caught the attention of museums and private collectors alike and have become notable features of the rapidly widening interest in Canadiana.
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The History Division of the Canadian Museum of Civilization offers a selection of images of 19th century Canadian pottery and porcelain. The division provides images and descriptions of creamware, salt-glazed stoneware, ironstone, toywares, and more.
Author | : Loren Ruth Lerner |
Publisher | : University of Toronto Press |
Total Pages | : 1646 |
Release | : 1991-01-01 |
Genre | : Architecture |
ISBN | : 9780802058560 |
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Author | : Elizabeth Collard |
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Author | : Rachel Gotlieb |
Publisher | : Bloomsbury Publishing |
Total Pages | : 313 |
Release | : 2023-06-29 |
Genre | : Art |
ISBN | : 1350354856 |
This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.
Author | : William Harcourt Hooper |
Publisher | : |
Total Pages | : 256 |
Release | : 1879 |
Genre | : Porcelain |
ISBN | : |
Author | : Anne Langton |
Publisher | : University of Toronto Press |
Total Pages | : 473 |
Release | : 2008-01-01 |
Genre | : History |
ISBN | : 0802035493 |
. First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada.
Author | : Tom McNulty |
Publisher | : McFarland |
Total Pages | : 333 |
Release | : 2013-12-19 |
Genre | : Art |
ISBN | : 1476613974 |
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.