15 Red Army Songs
Author | : David J. Grunes |
Publisher | : |
Total Pages | : 68 |
Release | : 1943 |
Genre | : National songs |
ISBN | : |
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Author | : David J. Grunes |
Publisher | : |
Total Pages | : 68 |
Release | : 1943 |
Genre | : National songs |
ISBN | : |
Author | : David J. Grunes |
Publisher | : |
Total Pages | : 60 |
Release | : 1944 |
Genre | : War songs |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 24 |
Release | : 1942 |
Genre | : Choruses, Secular (Men's voices) with piano |
ISBN | : |
Author | : Elena Polyudova |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 250 |
Release | : 2016-02-29 |
Genre | : War songs |
ISBN | : 1443889741 |
This volume presents a unique study of war songs created during and after World War II, known in Russia as the “Great Patriotic War”. The most popular war songs, such as “Katyusha”, “The Sacred War”, “Dark Night”, “My Moscow”, “In the Dugout”, “Victory Day”, provide illuminating insights into the musical culture of the former Soviet Union and modern Russia. In the year of the 70th anniversary of victory in the war, the book studies the cultural heritage of famous war songs from a new perspective, exploring the historical background of their creation and analysing their lyrics as part of Russian cultural heritage. The book also discusses the modifications required when translating the songs from Russian to English. It concludes with a description an educational project studying war songs at Moscow schools run under the auspices of UNESCO.
Author | : |
Publisher | : |
Total Pages | : 60 |
Release | : 1939 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 308 |
Release | : 1942 |
Genre | : World War, 1939-1945 |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 798 |
Release | : 1958 |
Genre | : Europe, Eastern |
ISBN | : |
Author | : Jingzhi Liu |
Publisher | : Chinese University Press |
Total Pages | : 962 |
Release | : 2010 |
Genre | : History |
ISBN | : 9629963604 |
By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
Author | : Boston Public Library |
Publisher | : Boston : G. K. Hall |
Total Pages | : 834 |
Release | : 1972 |
Genre | : Music |
ISBN | : |
Author | : University of Michigan. School of Music |
Publisher | : |
Total Pages | : 570 |
Release | : 1939 |
Genre | : Concert programs |
ISBN | : |