Zukunft durch Informationstechnik

Zukunft durch Informationstechnik
Author: Informationstechnische Gesellschaft
Publisher: Margret Schneider
Total Pages: 672
Release: 2004
Genre: Information technology
ISBN: 3800728257

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Alltag der Zukunft

Alltag der Zukunft
Author: Kirstin Pöschk
Publisher:
Total Pages: 188
Release: 2000
Genre: Information technology
ISBN:

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Die Fakultät für Informatik/The Faculty of Informatics

Die Fakultät für Informatik/The Faculty of Informatics
Author: Gerald Steinhardt
Publisher: Böhlau Verlag Wien
Total Pages: 150
Release: 2016-01-20
Genre: Computers
ISBN: 3205201299

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The Faculty of Informatics at the TU Wien stands for excellence in research, quality in teaching, and passion for innovation. Its core is formed by application-oriented fundamental research, the topics of which are inspired by practical problems. The Faculty of Informatics is characterised by ongoing top achievements in research, and by its relentless dedication to providing students with the best possible learning environment. The strategic focus of the degree programmes is on the comprehensive interconnection of research and teaching, thus ensuring the absolute topicality and relevance of course contents. Another goal of the faculty is to provide innovative problem-solving solutions which meet the challenges of the information and knowledge society.

Diutiska

Diutiska
Author: Gustav Solling
Publisher:
Total Pages: 432
Release: 1863
Genre:
ISBN:

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Body and Hope

Body and Hope
Author: Johanne Stubbe Teglbjaerg Kristensen
Publisher: Mohr Siebeck
Total Pages: 324
Release: 2013-11-19
Genre: Religion
ISBN: 9783161529139

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In this book, Johanne S. TeglbjAerg Kristensen analyses the relationship between body and hope. She critically investigates the eschatologies of Paul Tillich, Jurgen Moltmann and Wolfhart Pannenberg from the perspective of the phenomenology of the body represented by Maurice Merleau-Ponty. By focusing on the eschatological challenge of the body through a thematization of the issue of continuity, the author constructively interprets the classic eschatological themes of death, resurrection, judgement and the Second Coming. She shows how the classic eschatological issues of the relationship between time and eternity, as well as of the relationship between the individual and the community require new conceptions. By taking the phenomenology of the body into consideration, TeglbjAerg Kristensen suggests both a new eschatological approach and a new conception of eschatology.

Until it is Fulfilled

Until it is Fulfilled
Author: Anders E. Nielsen
Publisher: Mohr Siebeck
Total Pages: 356
Release: 2000
Genre: Religion
ISBN: 9783161474040

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Anders E. Nielsen presents a fresh look on New Testament eschatology by analysing the Gospel of Luke and the Book of Acts. He first of all considers whether ancient literary expressions of farewell motif may or may not lead to an outlook of some sort of transcendental nature, which could play an active role in the composition of the text as read text. He concludes that in a fairly representative number of non-biblical as well as biblical farewell-addresses we do find transcendental outlooks with eschatological implications. Furthermore, these particular outlooks seem to be at work in close relation to the approaching death of the intended speaker of the addresses. Against this background the two major farewell addresses, the one of Jesus in Luke 22 and the one of Paul in Acts 20, are at great length analysed by means of a rhetorical and text-linguistic approach. Anders E. Nielsen divides his exegetical-theological findings into three main-points. First of all the traditional hypothesis of an imminent expectation of the parousia is seen as problematic, because the eschatology in Luke seems to be less a matter of chronology and more a question of quality. Secondly, some of the sayings in a hellenistic work like Luke-Acts may sometimes be free to express a vertical-transcendent aspect with individual-eschatological associations, while other phases are sufficiently vague to call up in the audience both individual and/or collective-eschatological connotations. Thirdly, all this put together suggests that Luke's religious language does in fact not play down eschatology. On the contrary, Anders E. Nielsen suggests that one can speak of some sort of applied eschatology in the sense that all the relevant expressions in the compositions examined suggest a far more parenetic or prescriptive semantic function than an informative one.

Deutiska

Deutiska
Author: Gustav Solling
Publisher:
Total Pages: 436
Release: 1863
Genre:
ISBN:

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PONS Das große Buch der Verben Englisch

PONS Das große Buch der Verben Englisch
Author:
Publisher: Langenscheidt
Total Pages: 577
Release: 2018-10-08
Genre: Education
ISBN: 3125621437

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Alle Formen und alle Zeiten – zum schnellen Nachschlagen Die 555 wichtigsten englischen Verben, alphabetisch sortiert. Alle Verbgruppen berücksichtigt: unregelmäßige und regelmäßige Verben, Modalverben, reflexive Verben … Jedes Verb komplett konjugiert: mit allen Formen und in allen Zeiten. Übersetzung aller Verben ins Deutsche.

German Crime Dramas from Network Television to Netflix

German Crime Dramas from Network Television to Netflix
Author: Sunka Simon
Publisher: Bloomsbury Publishing USA
Total Pages: 361
Release: 2022-12-15
Genre: Social Science
ISBN: 1501368710

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German Crime Dramas from Network Television to Netflix approaches German television crime dramas to uncover the intersections between the genre's media-specific network and post-network formats and how these negotiate with and contribute to concepts of the regional, national, and global. Part I concentrates on the ARD network's long-running flagship series Tatort (Crime Scene 1970-). Because the domestically produced crime drama succeeded in interacting with and competing against dominant U.S. formats during 3 different mediascapes, it offers strategic lessons for post-network television. Situating 9 Tatort episodes in their televisual moment within the Sunday evening flow over 38 years and 3 different German regions reveals how producers, writers, directors, critics, and audiences interacted not only with the cultural socio-political context, but also responded to the challenges aesthetically, narratively, and media-reflexively. Part II explores how post-2017 German crime dramas (Babylon Berlin, Dark, Perfume, and Dogs of Berlin) rework the genre's formal and narrative conventions for global circulation on Netflix. Each chapter concentrates on the dynamic interplay between time-shifted viewing, transmedia storytelling, genre hybridity, and how these interact with projections of cultural specificity and continue or depart from established network practices. The results offer crucial information and inspiration for producers and executives, for creative teams, program directors, and television scholars.