When Journalism was a Thing

When Journalism was a Thing
Author: Alexandra Kitty
Publisher: John Hunt Publishing
Total Pages: 422
Release: 2018-07-27
Genre: Language Arts & Disciplines
ISBN: 1785356550

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Journalism used to be a thing. It used to be a powerful and wonderful thing, yet now it has become a curiosity, and not even the Internet can resurrect it. When Journalism was a Thing considers the downfall and the reasons why, but also offers a model for a new approach to the once-noble profession.

That's the Way It Is

That's the Way It Is
Author: Charles L. Ponce de Leon
Publisher: University of Chicago Press
Total Pages: 331
Release: 2016-09-09
Genre: History
ISBN: 022642152X

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Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."

Chicago Journalism

Chicago Journalism
Author: Wayne Klatt
Publisher: McFarland
Total Pages: 324
Release: 2009-10-02
Genre: History
ISBN:

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This history of Chicago journalism is framed against the larger landscape of American media and the ways in which technology and mergers have altered news gathering and presenting. The book demonstrates how daily operations at the newspapers and broadcast stations have changed with the times. Audience tastes and interests ran a parallel course with technology, a sharp decline in print readership, competition in television news, and the explosion of the Internet.

Journalism in the Movies

Journalism in the Movies
Author: Matthew C. Ehrlich
Publisher: University of Illinois Press
Total Pages: 210
Release: 2010-10-01
Genre: Performing Arts
ISBN: 0252091086

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From cynical portrayals like The Front Page to the nuanced complexity of All the President’s Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days. Often depicted as disrespectful, hard-drinking, scandal-mongering misfits, journalists also receive Hollywood's frequent respect as an essential part of American life. Matthew C. Ehrlich tells the story of how Hollywood has treated American journalism. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. He also delves into the genre's always-evolving myths and dualisms to analyze the tensions—hero and oppressor, objectivity and subjectivity, truth and falsehood—that allow journalism films to examine conflicts in society at large.

Covering America

Covering America
Author: Christopher B. Daly
Publisher:
Total Pages: 0
Release: 2018
Genre: History
ISBN: 9781625342980

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Journalism is in crisis, with traditional sources of news under siege, a sputtering business model, a resurgence of partisanship, and a persistent expectation that information should be free. In Covering America, Christopher B. Daly places the current crisis within historical context, showing how it is only the latest challenge for journalists to overcome. In this revised and expanded edition, Daly updates his narrative with new stories about legacy media like the New York Times and the Washington Post, and the digital natives like the Huffington Post and Buzzfeed. A new final chapter extends the study of the business crisis facing journalism by examining the platform revolution in media, showing how Facebook, Twitter, and other social media are disrupting the traditional systems of delivering journalism to the public. In an era when the factual basis of news is contested and when the government calls journalists the enemy of the American people or the opposition party, Covering America brings history to bear on the vital issues of our times.

The Elements of Journalism

The Elements of Journalism
Author: Bill Kovach
Publisher: Crown
Total Pages: 208
Release: 2001-07-24
Genre: Language Arts & Disciplines
ISBN: 0609504312

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In July 1997, twenty-five of America's most influential journalists sat down to try and discover what had happened to their profession in the years between Watergate and Whitewater. What they knew was that the public no longer trusted the press as it once had. They were keenly aware of the pressures that advertisers and new technologies were putting on newsrooms around the country. But, more than anything, they were aware that readers, listeners, and viewers — the people who use the news — were turning away from it in droves. There were many reasons for the public's growing lack of trust. On television, there were the ads that looked like news shows and programs that presented gossip and press releases as if they were news. There were the "docudramas," television movies that were an uneasy blend of fact and fiction and which purported to show viewers how events had "really" happened. At newspapers and magazines, celebrity was replacing news, newsroom budgets were being slashed, and editors were pushing journalists for more "edge" and "attitude" in place of reporting. And, on the radio, powerful talk personalities led their listeners from sensation to sensation, from fact to fantasy, while deriding traditional journalism. Fact was blending with fiction, news with entertainment, journalism with rumor. Calling themselves the Committee of Concerned Journalists, the twenty-five determined to find how the news had found itself in this state. Drawn from the committee's years of intensive research, dozens of surveys of readers, listeners, viewers, editors, and journalists, and more than one hundred intensive interviews with journalists and editors, The Elements of Journalism is the first book ever to spell out — both for those who create and those who consume the news — the principles and responsibilities of journalism. Written by Bill Kovach and Tom Rosenstiel, two of the nation's preeminent press critics, this is one of the most provocative books about the role of information in society in more than a generation and one of the most important ever written about news. By offering in turn each of the principles that should govern reporting, Kovach and Rosenstiel show how some of the most common conceptions about the press, such as neutrality, fairness, and balance, are actually modern misconceptions. They also spell out how the news should be gathered, written, and reported even as they demonstrate why the First Amendment is on the brink of becoming a commercial right rather than something any American citizen can enjoy. The Elements of Journalism is already igniting a national dialogue on issues vital to us all. This book will be the starting point for discussions by journalists and members of the public about the nature of journalism and the access that we all enjoy to information for years to come.

Killing Journalism

Killing Journalism
Author: Joe Strupp
Publisher:
Total Pages: 412
Release: 2018-10-30
Genre: Language Arts & Disciplines
ISBN: 9780997831665

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News coverage has given in to greed with demands for profits, and also laziness by allowing coverage to focus on the easy, "sexy" story. Political coverage focuses much more on the horse race of candidates rather than the issues and often allows spokespeople for both sides to battle on air instead of journalists and political experts with no dog in the fight to explain and review such issues.

All the News Unfit to Print

All the News Unfit to Print
Author: Eric Burns
Publisher: Wiley
Total Pages: 0
Release: 2009-04-27
Genre: History
ISBN: 9780470405239

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You really can't believe everything you read . . . A premature newswire report announces the end of World War I, spurring wild celebrations in American streets days before the actual treaty was signed. A St. Louis newspaper prints reviews of theatrical performances that never took place—they had been canceled due to bad weather. New York newspaper reporters plant evidence in the apartment of the man accused of kidnapping the Lindbergh baby and then call him a liar in the courtroom once the trial begins. These are just a few of the many wrongs that have been reported as right over two centuries of American history. All the News Unfit to Print puts the media under the microscope to expose the many types of mistakes, hoaxes, omissions, and lies that have skewed our understanding of the past, and reveals the range of reasons and motivations—from boredom and haste to politics and greed-behind them. Reviewing a host of journalistic slip-ups involving Ben Franklin, Mark Twain, William Randolph Hearst, Theodore H. White, and many others, this book covers the stories behind the stories to refine incorrect "first drafts" of history from the Revolutionary War era to more recent times. "All the News Unfit to Print is a rollicking joyride that careens through the ridiculous, the odd, and the serious malfeasances in American journalistic history and reminds us of the difference between news and facts." —Neal Gabler, author of Walt Disney: The Triumph of the American Imagination

Encyclopedia of International Media and Communications

Encyclopedia of International Media and Communications
Author: Donald H. Johnston
Publisher: San Diego, Calif. : Academic Press
Total Pages: 792
Release: 2003
Genre: Business & Economics
ISBN: 9780123876744

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Explores the ways that editorial content--from journalism and scholarship to films and infomercials--is developed, presented, stored, analyzed, and regulated around the world. Provides perspective and context about content, delivery systems, and their myriad relationships, as well as clearly drawn avenues for further research.

The Journalist and the Murderer

The Journalist and the Murderer
Author: Janet Malcolm
Publisher: Vintage
Total Pages: 177
Release: 2011-06-22
Genre: Language Arts & Disciplines
ISBN: 0307797872

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A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.