Victorian Print Media

Victorian Print Media
Author: Andrew King
Publisher: Oxford University Press, USA
Total Pages: 452
Release: 2005-11-24
Genre: History
ISBN: 0199270376

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Publisher description

Victorian Print Media

Victorian Print Media
Author: John Plunkett
Publisher: OUP Oxford
Total Pages: 452
Release: 2005-11-24
Genre: Literary Criticism
ISBN: 0191533653

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Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. Victorian Print Media: A Reader consists of edited extracts from nineteenth-century sources which discuss all aspects of the production and circulation of print media. The extracts are organised into themed sections such as authorship and journalism, reading spaces, and the influence of print.

Victorian Print Media

Victorian Print Media
Author: Andrew King
Publisher:
Total Pages: 0
Release: 2023
Genre: Popular literature
ISBN: 9781383041392

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This volume consists of edited extracts from 19th century sources which discuss all aspects of the production and circulation of print media. The extracts are organized into themed sections such as authorship and journalism, reading spaces, and the influence of print.

Media and Print Culture Consumption in Nineteenth-Century Britain

Media and Print Culture Consumption in Nineteenth-Century Britain
Author: Paul Raphael Rooney
Publisher: Springer
Total Pages: 247
Release: 2016-10-27
Genre: Literary Criticism
ISBN: 113758761X

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This book explores Victorian readers’ consumption of a wide array of reading matter. Established scholars and emerging researchers examine nineteenth-century audience encounters with print culture material such as periodicals, books in series, cheap serials, and broadside ballads. Two key strands of enquiry run through the volume. First, these studies of historical readership during the Victorian period look to recover the motivations or desired returns that underpinned these audiences’ engagement with this reading matter. Second, contributors investigate how nineteenth-century reading and consumption of print was framed and/or shaped by contemporaneous engagement with content disseminated in other media like advertising, the stage, exhibitions, and oral culture.

Slow Print

Slow Print
Author: Elizabeth Carolyn Miller
Publisher: Stanford University Press
Total Pages: 392
Release: 2013-01-09
Genre: Literary Criticism
ISBN: 0804784655

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This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life. Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886

Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886
Author: Catherine Waters
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2019-02-25
Genre: History
ISBN: 9783030038601

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This book analyses the significance of the special correspondent as a new journalistic role in Victorian print culture, within the context of developments in the periodical press, throughout the second half of the nineteenth century. Examining the graphic reportage produced by the first generation of these pioneering journalists, through a series of thematic case studies, it considers individual correspondents and their stories, and the ways in which they contributed to, and were shaped by, the broader media landscape. While commonly associated with the reportage of war, special correspondents were in fact tasked with routinely chronicling all manner of topical events at home and abroad. What distinguished the work of these journalists was their effort to ‘picture’ the news, to transport readers imaginatively to the events described. While criticised by some for its sensationalism, special correspondence brought the world closer, shrinking space and time, and helping to create our modern news culture.

First-person Anonymous

First-person Anonymous
Author: Alexis Easley
Publisher: Routledge
Total Pages: 230
Release: 2004
Genre: Biography & Autobiography
ISBN:

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This book investigates the role of anonymous periodical journalism in the fashioning of women's authorial identities during the Victorian period. Alexis Easley provides a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations - she instead emphasizes the ways in which women writers were able to exploit the gendered field of Victorian literary culture to create their own spaces of agency and meaning. Since it touches on two issues central to the study of literary history - the construction of the author and changes in media technology - this study will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century cultural history.

Making Pictorial Print

Making Pictorial Print
Author: Alison Hedley
Publisher: University of Toronto Press
Total Pages: 246
Release: 2021
Genre: Literary Criticism
ISBN: 1487506732

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Applying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.

How to Do Things with Books in Victorian Britain

How to Do Things with Books in Victorian Britain
Author: Leah Price
Publisher: Princeton University Press
Total Pages: 361
Release: 2012-04-09
Genre: Literary Criticism
ISBN: 1400842182

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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.