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| Author | : Judith Flanders |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 560 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9780393052091 |
A rich selection from diaries, letters, advice books, magazines, and paintings creates a rooms-by-room portrait of Victorian life--from childbirth in the master bedroom to separate gender domains in the drawing room and parlor.
| Author | : Peter Funnell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Portrait painting, British |
| ISBN | : 9781855144354 |
The Victorians and Edwardians believed passionately in the historical importance of their age and wanted to record the great figures of their time. During Queen Victoria's reign (1837-1901) Britain became the world's first industrialised commercial power. This wealth, combined with the prestige of the British empire, created an extraordinary source of patronage for portraiture, and a legacy that includes the world's first dedicated gallery of portraits - the National Portrait Gallery, London. This informative and accessible guide reveals an astonishing range of styles,techniques and subjects from the nineteenth and early-twentieth centuries. Illustrations and engaging commentaries on sitters, from Charles Darwin to Virginia Woolf, shed light on the various ways in which people chose to be presented - wherever possible using the actual words of the artists, photographers and their subjects themselves. Although Edward VII's reign lasted for less than a decade (1901-10), he oversaw not only the growth of a more democratic state, but also the development of art education and training for women artists. The Edwardian sitters featured in this book reveal the changing society that came to influence twentieth-century British portraiture.
| Author | : Laura Joh Rowland |
| Publisher | : Crooked Lane Books |
| Total Pages | : 358 |
| Release | : 2021-01-12 |
| Genre | : Fiction |
| ISBN | : 1643854739 |
For fans of C. S. Harris comes Laura Joh Rowland's fifth Victorian mystery where Sarah must confront her own ghosts--and face her most elusive and deadly adversary yet. Victorian London is a city gripped by belief in the supernatural--but a grisly murder becomes a matter of flesh and blood for intrepid photographer Sarah Bain. London, October 1890. Crime scene photographer Sarah Bain is overjoyed to marry her beloved Detective Sergeant Barrett--but the wedding takes a sinister turn when the body of a stabbing victim is discovered in the crypt of the church. Not every newlywed couple begins their marriage with a murder investigation, but Sarah and Barrett, along with their friends Lord Hugh Staunton and Mick O'Reilly, take the case. The dead man is Charles Firth, whose profession is "spirit photography"-- photographing the ghosts of the deceased. When Sarah develops the photographs he took in the church, she discovers one with a pale, blurred figure attacking the victim. The city's spiritualist community believes the church is haunted and the figure is a ghost. But Sarah is a skeptic, and she and her friends soon learn that the victim had plenty of enemies in the human world--including a scientist who studies supernatural phenomena, his psychic daughter, and an heiress on a campaign to debunk spiritualism and expose fraudulent mediums. In the tunnels beneath a demolished jail, a ghost-hunting expedition ends with a new murder, and new suspects. While Sarah searches for the truth about both crimes, she travels a dark, twisted path into her own family's sordid history. Her long lost father is the prime suspect in a cold-case murder, and her reunion with him proves that even the most determined skeptic can be haunted by ghosts from the past.
| Author | : Frances Dickey |
| Publisher | : University of Virginia Press |
| Total Pages | : 367 |
| Release | : 2012-06-29 |
| Genre | : Literary Criticism |
| ISBN | : 0813932696 |
In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J. M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T. S. Eliot, William Carlos Williams, Amy Lowell, E. E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet’s realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.
| Author | : Phillip Prodger |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2018 |
| Genre | : Art, Victorian |
| ISBN | : |
This major exhibition is the first to examine the relationship between four ground-breaking Victorian artists: Julia Margaret Cameron (1815-79), Lewis Carroll (1832-98), Lady Clementina Hawarden (1822-65) and Oscar Rejlander (1813-75). Drawn from public and private collections internationally, the exhibition features some of the most breath-taking images in photographic history. Influenced by historical painting and frequently associated with the Pre-Raphaelite Brotherhood, the four artists formed a bridge between the art of the past and the art of the future, standing as true giants in Victorian photography.--National Portrait Gallery.
| Author | : National Portrait Gallery (Great Britain) |
| Publisher | : |
| Total Pages | : 650 |
| Release | : 1974 |
| Genre | : Art |
| ISBN | : |
| Author | : Percy Colson |
| Publisher | : |
| Total Pages | : 274 |
| Release | : 1932 |
| Genre | : Great Britain |
| ISBN | : |
| Author | : Russell James |
| Publisher | : Pen and Sword |
| Total Pages | : 323 |
| Release | : 2011-06-13 |
| Genre | : Art |
| ISBN | : 1844687309 |
The Victorian era produced many famous artists and styles. John Everett Millais and Dante Gabriel Rossetti were part of the famous pre-Raphaelite Brotherhood whose willowy models were often seen in the works of several of the artists. One of the most famous was Elizabeth Siddall, an artist in her own right, who posed for Millais Ophelia, married to Rossetti, and posed for him, Holman Hunt and Walter Deverell. This fascinating book is a must for everyone interested in art and the Victorian era, and in the genres, styles and relationships between art and the events of the day. There are biographies of the artists and models, glimpses of their most famous pieces new insights into the vibrant Victorian art-world - the lives and loves, and the artists dealings with their patrons.Did you know?Rossetti tucked a book of his own poetry into Siddalls hair in her coffin and, later, arranged for her exhumation to reclaim it. After several years, the coffin had preserved her ethereal red hair.
| Author | : David Newsome |
| Publisher | : Rutgers University Press |
| Total Pages | : 342 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9780813527581 |
David Newsome's monumental history, The Victorian World Picture, takes a good, long look at the Victorian age and what distinguishes it so prominently in the history of both England and the world. The Victorian World Picture presents a vivid canvas of the Victorians as they saw themselves and as the rest of the world saw them.
| Author | : Helen Groth |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 266 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780199256242 |
"Photography symbolized the possibility of creating an ideal archive to many Victorians, an archive in which no moment or experience need be forgotten. This seductive idea had particular appeal for a generation of writers preoccupied with their own mortality and the erosion of tradition in an age distracted by the ever-changing spectacle of the present. many early photographers and publishers shared this temporal anxiety and the nostalgic archival proclivities it induced, and these mutual preoccupations resulted in the production of the early photographically illustrated books, verse anthologies, lantern shows, guide books, magazines and cartes de visite collections which are the subject of this book. Groth argues that these various early forms of photlographic illustration reflected and contributed to a growing alignment of reading with taking a moment out of time, and of literary experience with the nostalgic reinventions of an emerging heritage culture. Nostalgia operates both creatively and regressively in this context, providing the catalyst for new cultural forms and memory practices, whilst nurturing an intrinsically conservative desire to find a refuge from the exigencies of the present in an increasingly idealized world of tradition, family, nature, and community; a world where time appeared, for a moment at least, to stand still"--Dust jacket.
