Variety International Film Guide 2002
Author | : Peter Cowie |
Publisher | : |
Total Pages | : 408 |
Release | : 2002-03-01 |
Genre | : Performing Arts |
ISBN | : 9781879505650 |
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Author | : Peter Cowie |
Publisher | : |
Total Pages | : 408 |
Release | : 2002-03-01 |
Genre | : Performing Arts |
ISBN | : 9781879505650 |
Author | : |
Publisher | : |
Total Pages | : 436 |
Release | : 2005 |
Genre | : Motion pictures |
ISBN | : |
Author | : Ian Aitken |
Publisher | : Routledge |
Total Pages | : 1561 |
Release | : 2013-10-18 |
Genre | : Performing Arts |
ISBN | : 1135206279 |
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Author | : Toby Miller |
Publisher | : Bloomsbury Publishing |
Total Pages | : 448 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838715940 |
Substantially revised and updated, this book highlights how Hollywood has transformed itself to attain ever global clout and reach and the material factors underlining Hollywood's apparent artistic success. Takes into consideration recent events affecting Hollywood such as 9/11, US foreign policy and developments in consumer technology.
Author | : Jinhee Choi |
Publisher | : Hong Kong University Press |
Total Pages | : 284 |
Release | : 2009-06-01 |
Genre | : Social Science |
ISBN | : 9622099734 |
This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures. Individual essays highlight common themes including technology, digital media, adolescent audience sensibilities, transnational co-productions, pan-Asian marketing techniques, and variations on good vs. evil evident in many Asian horror films. Contributors include Kevin Heffernan, Adam Knee, Chi-Yun Shin, Chika Kinoshita, Robert Cagle, Emilie Yeh Yueh-yu, Neda Ng Hei-tung, Hyun-suk Seo, Kyung Hyun Kim, and Robert Hyland.
Author | : Eddie Dyja |
Publisher | : British Film Institute |
Total Pages | : 452 |
Release | : 2003-11-01 |
Genre | : Performing Arts |
ISBN | : 9780851709901 |
No Marketing Blurb
Author | : Ian Aitken |
Publisher | : Routledge |
Total Pages | : 1104 |
Release | : 2013 |
Genre | : Performing Arts |
ISBN | : 0415596424 |
This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues.
Author | : Peter H. Rist |
Publisher | : Rowman & Littlefield |
Total Pages | : 761 |
Release | : 2014-05-08 |
Genre | : Performing Arts |
ISBN | : 0810880369 |
The Historical Dictionary of South American Cinema covers the long history of cinema in Portuguese-speaking Brazil and the nine Spanish-speaking countries. These films include Los tres berretines, Prisioneros de la tierra, La balandra Isabel llegó esta tarde, La hora de los hornos, El chacal de Nahueltoro, La teta asustada, Abrir puertas y ventanas, El secreto de sus ojos, and NO. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on directors, producers, performers, films, film studios and genres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the South American Cinema.
Author | : Sarah Barrow |
Publisher | : Bloomsbury Publishing |
Total Pages | : 350 |
Release | : 2018-03-30 |
Genre | : History |
ISBN | : 1838608206 |
WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2019 The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path' left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history.
Author | : |
Publisher | : BRILL |
Total Pages | : 414 |
Release | : 2007-10-30 |
Genre | : Political Science |
ISBN | : 9047427831 |
Under the simultaneous influences of globalization and localization, there has emerged a prevalent social formation based on a hybridized culture in which the cultural norms are many and various: boundary transcendence, alternative cultures, cultural hybridity, cultural creativity, connectivity, tolerance, multiculturalism, cosmopolitanism. While the economic forces shaping globalization are powerful and seemingly getting stronger, they are not immutable, nor are their effects predictable or necessarily overwhelming. Contributors to this book are optimistic that the socio-cultural formations of the future, such as cultural hybridity and cosmopolitanism, will be a viable option for constructing new or renewed global communities of migrants around the world. It is on these diasporic communities that the self-definition (the self-identity) and cultural expansion of all migrants depend, and it is with these tools that migrants are best equipped to navigate the raging torrents of globalization in the new millennium of a post-postmodern era. Globalization brings with it a fear, a sense of loss and demise. It also brings with it a new sense of opportunity and hope. It is in this spirit that this book should be read. Contributors: Chan Kwok-bun, Jan W. Walls, David Hayward, Michael E. DeGolyer, Lam Wai-man, Georgette Wang, Emilie Yeh Yueh-yu, Lu Fang, Nan M. Sussman, Rie Ito, Oscar Bulaong Jr., Brian Chan Hok-shing, Millie Creighton, Anthony Y.H. Fung, Ho Wai-chung, Chiou Syuan-Yuan, Chris Wood, Chung Ling, Steve Fore, Todd Joseph Miles Holden, Ashley Tellis, Jeffrey S. Wilkinson, Steven McClung