Variations on "La Ci Darem la Mano"
Author | : Frédéric Chopin |
Publisher | : |
Total Pages | : |
Release | : 19?? |
Genre | : |
ISBN | : |
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Author | : Frédéric Chopin |
Publisher | : |
Total Pages | : |
Release | : 19?? |
Genre | : |
ISBN | : |
Author | : H. Baldenecker |
Publisher | : |
Total Pages | : 12 |
Release | : 1816 |
Genre | : |
ISBN | : |
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 13 |
Release | : 1969 |
Genre | : |
ISBN | : |
Author | : Alexander Wheelock Thayer |
Publisher | : Princeton University Press |
Total Pages | : 636 |
Release | : 1992-04-12 |
Genre | : Biography & Autobiography |
ISBN | : 9780691027173 |
Although some portions of Thayer's original text have been deleted because recent Beethoven research has proved them inaccurate, "the majority of the text used consists of the coordinated treatment of Thayer's notes and manuscript by these three editors [H. Deiters, H. Riemann, and H. Krehbiel]" with additions and corrections by the present editor.
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 0 |
Release | : 1969 |
Genre | : |
ISBN | : |
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 36 |
Release | : 1969 |
Genre | : Variations (Bassoon, clarinet, flute), Arranged |
ISBN | : |
Author | : Jan Ekier |
Publisher | : Pwm |
Total Pages | : 0 |
Release | : 2013 |
Genre | : |
ISBN | : 9781480390850 |
(PWM). The Variations on "La ci darem la mano" from Mozart's Don Giovanni are also published in a solo piano version in 132229, and a two piano reduction in 00132232. The National Edition of the Works of Fryderyk Chopin Published by PWM Exclusively Distributed by Hal Leonard Corporation Co-Editors Jan Ekier and Pawel Kaminski The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology. The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort. The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume. The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the "harmonic legato" (a performance technique often used by Chopin and now forgotten). About the National Edition Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin
Author | : Saverio Mercadante |
Publisher | : |
Total Pages | : |
Release | : 1984 |
Genre | : |
ISBN | : |
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : |
Release | : 19?? |
Genre | : |
ISBN | : |
Author | : Julian Littlewood |
Publisher | : Plumbago Books and Arts |
Total Pages | : 384 |
Release | : 2004 |
Genre | : Variations |
ISBN | : 0954012348 |
Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.