Tori Amos's Boys for Pele

Tori Amos's Boys for Pele
Author: Amy Gentry
Publisher: Bloomsbury Publishing USA
Total Pages: 193
Release: 2018-11-01
Genre: Music
ISBN: 1501321315

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It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

Tori Amos: "Boys for Pele"

Tori Amos:
Author: Music Sales Corporation
Publisher:
Total Pages:
Release:
Genre:
ISBN: 9780711957947

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Tori Amos

Tori Amos
Author: Kalen Rogers
Publisher:
Total Pages: 126
Release: 1994
Genre: Biography & Autobiography
ISBN:

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The only fully authorized story of the girl and her piano, containing over 150 never-before-seen photographs.

Tori Amos: Piece By Piece

Tori Amos: Piece By Piece
Author: Tori Amos
Publisher:
Total Pages: 0
Release: 2023-12-14
Genre: Biography & Autobiography
ISBN: 9780859655606

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Written with acclaimed music journalist Ann Powers, Piece By Piece is a revelatory account of the most intimate details of Tori Amos's private and public lives. Tori reveals the specifics of her creative process and the way in which she balances her life as a writer and performer with the demands of family life. With photos taken especially for this book by award-winning photographer Loren Haynes, Piece By Piece is a rare treat for all Tori devotees.

Sing Us a Song, Piano Woman

Sing Us a Song, Piano Woman
Author: Adrienne Trier-Bieniek
Publisher: Scarecrow Press
Total Pages: 181
Release: 2013-06-06
Genre: Music
ISBN: 0810885514

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Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos explores the many-layered relationships female fans build with feminist musicians in general and with Tori Amos, in particular. Using original interview research with more than forty fans of Tori Amos, multiple observer-participant experiences at Amos’s concerts, and critical content analysis of Amos’s lyrics and larger body of work, Adrienne Trier-Bieniek utilizes a combination of gender, emotions, music, and activism to unravel the typecasts plaguing female fans. Trier-Bieniek aggressively challenges the popular culture stereotypes that have painted all female fans as screaming, crying teenage girls who are unable to control themselves when a favorite (generally male) performer occupies the stage. In stunning contrast, admirers of Tori Amos comprise a more introspective category of fan. Sing Us a Son, Piano Woman examines the wide range of stories from these listeners, exploring how Amos’s female fans are unique because Amos places the experiences of women at the center of her music. Tori Amos’s fan base is considered devoted because of the deeply emotional, often healing, connection they have to her music, an aspect that has been overlooked, particularly in sociological and cultural research on gender, emotions and music. Tori Amos’s female fans as a social phenomenon are vital for understanding the multi-layered relationships women can have with female singer/songwriters. At a time when superficial women dominate public media presentations, from the Kardashians to the “Real Housewives,” the relationship between Tori Amos and her fans illustrates the continuous search by women for female performers who challenge patriarchal standards in popular culture. Trier-Bieniek’s research serves as a springboard for further study of women in pop culture whose purpose is empower and provoke their fans, as well as change society.

Tori Amos

Tori Amos
Author: Lisa Torem
Publisher: On Track
Total Pages: 160
Release: 2021-08-26
Genre:
ISBN: 9781789521429

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In 1992, Singer, pianist and composer Tori Amos achieved fame with the intensely personal solid gold record, Little Earthquakes, the first of fifteen studio albums. Each new recording cut new ground both musically and thematically. Since then, Amos has performed world-wide, both as a soloist and also accompanied, by a rhythm section, an octet or an orchestra. Her projects have ranged from the musical, A Light Princess to the classically-inspired Night of Hunters. Grammy nominations include: Best Alt. Album for Under The Pink, Boys for Pele and From The Choirgirl Hotel and Best Female Rock Vocal Performance for 'Strange Little Girls.' Amos was the first female artist to chart in the Billboard Top ten in Classical, Alternative and Rock genres simultaneously for Night of Hunters. Amos has also published two biographies: Piece by Piece and Resistance, which delve deeply into her songwriting strategies and political perspectives. She has been strongly involved in Native American issues and was the first spokesperson for RAINN, the largest, anti-sexual violence organization in the U.S. This book provides a track-by-track analysis of those essential recorded works, starting from Tori Amos' late 1980s synth-pop beginnings through 2017's illuminating Native Invader.

Tori Amos's Boys for Pele

Tori Amos's Boys for Pele
Author: Amy Gentry
Publisher: Bloomsbury Publishing USA
Total Pages: 192
Release: 2018-11-01
Genre: Music
ISBN: 1501321331

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It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

Tori Amos' Boys for Pele

Tori Amos' Boys for Pele
Author: Elizabeth Merrick
Publisher: Bloomsbury Academic
Total Pages: 144
Release: 2014-06-19
Genre: Music
ISBN: 9780826429117

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This is a book on Tori Amos's 1996 album Boys for Pele. Her third solo album, the one where she's suckling a pig and holding a shotgun on the cover. The one that enticed her to go off to the Amazon rainforest, take the hallucinogen ayahuasca with some shamans, and come back to us with the crucial information that the devil is really a woman in a white Chanel suit driving an ice cream truck: a bit of insight which ultimately gave root to the song "Father Lucifer." Boys for Pele is rich in mythology and texture. It is also her fans' favorite. (The fans have scientifically proven this on the internet. They love the polls.) On Boys for Pele, Amos bangs the hell out of a harpsichord and paints a sonic landscape that every woman knows but had honestly (I know this sounds weird now, but it was true then) barely heard spoken before. Is she really saying that? She gets the texture down of your most self-hating one-night-stands and obsessions-without being obvious, and by tying it in to much bigger-mythological-stories. These stories, these nooks and crannies of women's hearts, find a shape that makes them matter, makes them mythological, sexual (not just sexy), smart, angry, broken, vulnerable, complex, powerful in a way that is not some kind of cheesy go-girl catchphrase or shoulder-pad business suit. Before Boys for Pele, in the culture at large, going near any of this stuff as content seemed more like a trite Cosmo article on the dangers of cutting or of anorexia, a cheap warning against being too Sylvia Plath. (The album's biggest predecessor, somehow, is Joni Mitchell's Blue.) This is the landscape that Alanis and Fiona Apple try to get to, but Boys for Pele does it with adequate depth and drawing on such rich mythology that the album becomes a transformative work, a key to its listeners' inner worlds, in many cases. Amos has often mentioned Persephone's journey to the underworld in context of this album, and it does in fact take you down through the unconscious realms-and back up again-that are hard to get to otherwise.

Tori Amos's Boys for Pele

Tori Amos's Boys for Pele
Author: Amy Gentry
Publisher: Bloomsbury Publishing USA
Total Pages: 192
Release: 2018-11-01
Genre: Music
ISBN: 1501321323

Download Tori Amos's Boys for Pele Book in PDF, Epub and Kindle

It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

This Is Not Chick Lit

This Is Not Chick Lit
Author: Elizabeth Merrick
Publisher: Random House Trade Paperbacks
Total Pages: 338
Release: 2006-08-01
Genre: Fiction
ISBN: 0812975677

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Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. Including these original stories: “The Thing Around Your Neck” by Chimamanda Ngozi Adichie “Two Days” by Aimee Bender “An Open Letter to Doctor X” by Francine Prose “Gabe” by Holiday Reinhorn “Documents of Passion Love” by Carolyn Ferrell “Volunteers Are Shining Stars” by Curtis Sittenfeld “Selling the General” by Jennifer Egan “The Seventy-two-Ounce Steak Challenge” by Dika Lam “Love Machine” by Samantha Hunt “Ava Bean” by Jennifer S. Davis “Embrace” by Roxana Robinson “The Epiphany Branch” by Mary Gordon “Joan, Jeanne, La Pucelle, Maid of Orléans” by Judy Budnitz “Gabriella, My Heart” by Cristina Henríquez “The Red Coat” by Caitlin Macy “The Matthew Effect” by Binnie Kirshenbaum “The Recipe” by Lynne Tillman “Meaning of Ends” by Martha Witt Praise for This Is Not Chick Lit “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”—Gloria Steinem “These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”—Elle