The Sensual Philosophy

The Sensual Philosophy
Author: Colleen Jaurretche
Publisher: Univ of Wisconsin Press
Total Pages: 178
Release: 1997
Genre: History
ISBN: 9780299156206

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Jaurretche (English, U. of California-Los Angeles) traces the development of the Irish writer's mystical aesthetic through his novels to its supreme culmination and negation in Finnegan's Wake. She also shows how the search to surmount all human categories and sensations in order to encounter the divine, arose and developed in the Middle Ages, and was transmitted into modernism during and just before Joyce's time. Annotation copyrighted by Book News, Inc., Portland, OR

The Sensual Philosophy

The Sensual Philosophy
Author: Colleen Marie Jaurretche
Publisher:
Total Pages: 458
Release: 1994
Genre: Mysticism in literature
ISBN:

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Sensual Philosophy

Sensual Philosophy
Author: Alan Levine
Publisher: Lexington Books
Total Pages: 356
Release: 2001
Genre: Philosophy
ISBN: 9780739102473

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Almost since their publication, the writings of Michel de Montaigne (1533-1592) have provided rich fodder for the work of scholars in myriad disciplines. Philosophers have considered Montaigne's views on skepticism; historians have examined his views on the Indians; deconstructionists and literary scholars have examined Montaigne's view of the self; and, political scientists have touched on his arguments for toleration. However, because each of these projects has been done largely in isolation, most scholars have failed to see the relationships between the various aspects of Montaigne's thought. Alan Levine, in Sensual Philosophy, unites Montaigne's thought for the first time, ably and convincingly demonstrating the significant role Montaigne played in establishing the liberal ethos in the West. In exploring Montaigne's grounding for liberalism, Levine considers Montaigne's conceptualization of skepticism and its relationship to toleration. He argues that Montaigne's theories of self ground his idea of toleration without leaving it open to the corrosive charges of relativism and nihilism. Levine also articulates the importance of Montaigne's thought for contemporary conceptions of personal freedom, individuality, subjectivity, and self-creation by bringing him into dialogue with modern and postmodern political theorists such as Heidegger, Nietzsche, and Richard Rorty. This lively book persuades those who might be tempted by postmodernism that they should turn to Montaigne instead.

The Spell of the Sensuous

The Spell of the Sensuous
Author: David Abram
Publisher: Vintage
Total Pages: 344
Release: 2012-10-17
Genre: Philosophy
ISBN: 0307830551

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Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.

Panpsychism

Panpsychism
Author: Peter Ells
Publisher: John Hunt Publishing
Total Pages: 226
Release: 2011-08-26
Genre: Philosophy
ISBN: 1780990189

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Materialism asserts that the universe and everything within it, including ourselves, is a deterministic machine, trapped until the end of time on the rigid tracks of inviolable laws. Only the mechanisms of physics - forces, electrical charges, and so on - are consequential; nothing else matters. Experiences, such as the taste of honey, feelings, thoughts, choices: everything concerning the mind is an illusion, or is at best a useless and absurd epiphenomenon. This accessible and engagingly-written book is a serious philosophical work, giving solid reasons for rejecting materialism, and proposing an alternative metaphysical framework that is fully consistent with science. In the sensuous cosmos, our essence is that we experience the world in all its exquisite, sensual beauty and unbearable suffering.

The Sensual God

The Sensual God
Author: Aviad M. Kleinberg
Publisher: Columbia University Press
Total Pages: 263
Release: 2015-09-08
Genre: Religion
ISBN: 0231540248

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In the Old Testament, God wrestles with a man (and loses). In the Talmud, God wriggles his toes to make thunder and takes human form to shave the king of Assyria. In the New Testament, God is made flesh and dwells among humans. For religious thinkers trained in Greek philosophy and its deep distaste for matter, sacred scripture can be distressing. A philosophically respectable God should be untainted by sensuality, yet the God of sacred texts is often embarrassingly sensual. Setting experts' minds at ease was neither easy nor simple, and often faith and logic were stretched to their limits. Focusing on examples from both Christian and Jewish sources, from the Bible to sources from the Late Middle Ages, Aviad Kleinberg examines the way Christian and Jewish philosophers, exegetes, and theologians attempted to reconcile God's supposed ineffability with numerous biblical and postbiblical accounts of seeing, hearing, smelling, touching, and even tasting the almighty. The conceptual entanglements ensnaring religious thinkers, and the strange, ingenious solutions they used to extricate themselves, tell us something profound about human needs and divine attributes, about faith, hope, and cognitive dissonance.

The Philosophy of (erotic) Love

The Philosophy of (erotic) Love
Author: Robert C. Solomon
Publisher:
Total Pages: 544
Release: 1991
Genre: Family & Relationships
ISBN:

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Solomon and Higgins have chosen excerpts from the great philosophical texts and combined them with the most exciting new work of philosophers writing today. It examines the mysteries of erotic love from a variety of philosophical perspectives and provides an impressive display of wisdom that the world's best thinkers have brought, and continue to bring, to the study of love.

Language as Prayer in Finnegans Wake

Language as Prayer in Finnegans Wake
Author: Colleen Jaurretche
Publisher: University Press of Florida
Total Pages: 199
Release: 2020-03-31
Genre: Literary Criticism
ISBN: 0813057477

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This innovative analysis shows how James Joyce uses the language of prayer to grapple with profoundly human ideas in Finnegans Wake—the dreamlike masterpiece that critics have called his “book of the night.” Colleen Jaurretche moves beyond what scholars know about how Joyce composed this work to suggest why he wrote and arranged it as he did. Jaurretche provides a sequential reading of the four chapters and corresponding themes of the Wake from the perspective of prayer. She examines image, manifested by the letters of the alphabet and the Book of Kells; magic, which Joyce equates with the workings of language; dreams, which he relates to poetry; and speech, glorified in the Wake for its potential to express emotions and ecstasy. Jaurretche bases her study on important thinkers from antiquity to the present, including Origen of Alexandria, Giambattista Vico, and Giordano Bruno. She demonstrates how these philosophers influenced Joyce’s view that prayer can imbue language with power. This book is an illuminating and much-needed interpretation of a work that abounds with echoes and cadences of sacred language. Jaurretche’s insights will guide readers’ understanding of the style and structure of Finnegans Wake. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

Mr. Palomar

Mr. Palomar
Author: Italo Calvino
Publisher: HMH
Total Pages: 143
Release: 1986-09-22
Genre: Fiction
ISBN: 0547542380

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A novel of a delightful eccentric on a search for truth, by the renowned author of Invisible Cities. In The New York Times Book Review, the poet Seamus Heaney praised Mr. Palomar as a series of “beautiful, nimble, solitary feats of imagination.” Throughout these twenty-seven intricately structured chapters, the musings of the crusty Mr. Palomar consistently render the world sublime and ridiculous. Like the telescope for which he is named, Mr. Palomar is a natural observer. “It is only after you have come to know the surface of things,” he believes, “that you can venture to seek what is underneath.” Whether contemplating a fine cheese, a hungry gecko, or a topless sunbather, he tends to let his meditations stray from the present moment to the great beyond. And though he may fail as an objective spectator, he is the best of company. “Each brief chapter reads like an exploded haiku,” wrote Time Out. A play on a world fragmented by our individual perceptions, this inventive and irresistible novel encapsulates the life’s work of an artist of the highest order, “the greatest Italian writer of the twentieth century” (The Guardian).

Semblance and Event

Semblance and Event
Author: Brian Massumi
Publisher: MIT Press
Total Pages: 233
Release: 2011-09-30
Genre: Social Science
ISBN: 0262297256

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An investigation of the “occurrent arts” through the concepts of the “semblance” and “lived abstraction.” Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of “semblance” as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: “lived abstraction.” A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented—variously known as interactive art, ephemeral art, performance art, art intervention—which he refers to collectively as the “occurrent arts.” Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance. The artwork's relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension.