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| Author | : Suzanne Pinckney Stetkevych |
| Publisher | : Indiana University Press |
| Total Pages | : 337 |
| Release | : 2010 |
| Genre | : Laudatory poetry, Arabic |
| ISBN | : 0253354870 |
Includes passages translated into English.
| Author | : Paul Smith |
| Publisher | : CreateSpace |
| Total Pages | : 176 |
| Release | : 2014-12-09 |
| Genre | : |
| ISBN | : 9781503344488 |
SEVEN GOLDEN ODES OF ARABIA The Mu'allaqat Translations, Introduction Paul Smith The Mu'allaqat is the title of a group of seven long Arabic odes or qasidas that have come down from the time before Islam. Each is considered the best work of these pre-Islamic poets. The name means 'The Suspended Qasidas' or 'The Hanging Poems', the traditional explanation being that these poems were hung on or in the Kaaba at Mecca. These famous ancient Arabic qasidas are formed of three parts: they start, with a nostalgic opening in which the poet reflects on what has passed, known as nasib. A common concept is the pursuit of the poet of the caravan of his love; by the time he reaches their campsite they have already moved on. The second section is rahil (travel section) in which the poet contemplates the harshness of nature and life away from the tribe. Finally there is the message of the poem, which can take several forms: praise of the tribe, fakhr; satire about other tribes, hija; or some moral maxims, hikam. Included with each qasida of each poet is a brief biography plus a list of further reading. The correct rhyme-structure has been kept as well as the beauty and meaning of these powerfull poems. CONTENTS: The Introduction... The Mu'allaqat, The Qasida. The Poets... Imra'ul-Qays, Tarafa, Amru, Harith, Antara, Zuhair, Labid. Appendix... Kab's Qasida of the Mantle. Pages... 147. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mu'in, Ghalib, Iqbal, Abu Nuwas and many others, as well as poetry, fiction, plays, biographies and 12 screenplays. www.newhumanitybooksbookheaven.com
| Author | : Suzanne Pinckney Stetkevych |
| Publisher | : Cornell University Press |
| Total Pages | : 355 |
| Release | : 2010-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 1501720171 |
A body of Bedouin oral poetry which was collected in the second or third Islamic century, the pre-Islamic qasidah, or ode, stands with the Qur'an as a twin foundation of Arabo-Islamic literary culture. Throughout the rich fifteen-hundred-year history of classical Arabic literature, the qasidah served as profane anti-text to the sacred text of the Qur'an. While recognizing the esteem in which Arabs have traditionally held this poetry of the pagan past, modern critics in both East and West have yet to formulate a poetics that would provide the means to analyze and evaluate the qasidah. Suzanne Pinckney Stetkevych here offers the first aesthetics appropriate for this orally composed Arabic verse, an aesthetics that is built on—and tested on—close readings of a number of the poems. Drawing on the insights of contemporary literary theory, anthropology, and the history of religions, Stetkevych maintains that the poetry of the qasidah is ritualized in both form and function. She brings to bear an extensive body of lore, legend, and myth as she interprets individual themes and images with references to rites of passage and rituals of sacrifice. Her English translations of the poems under discussion convey the power and beauty of the originals, as well as a sense of their complex intertextuality and distinctive lexicon. The Mute Immortals Speak will be important for students and scholars in the fields of Middle Eastern literatures, Islamic studies, folklore, oral literature, and literary theory, and by anthropologists, comparatists, historians of religion, and medievalists.
| Author | : Sharaf al-Dīn Muḥammad ibn Saʻīd Būṣīrī |
| Publisher | : |
| Total Pages | : 190 |
| Release | : 1987 |
| Genre | : |
| ISBN | : |
| Author | : Paul Smith |
| Publisher | : Independently Published |
| Total Pages | : 174 |
| Release | : 2020-08-22 |
| Genre | : |
| ISBN | : |
THE MU'ALLAQAT: The Seven Golden Odes (Qasidas) of Arabia (Large Print & Large Format Edition) Translation & Introduction Paul Smith. The Mu'allaqat is the title of a group of seven long Arabic odes or qasidas that have come down from the time before Islam. Each is considered the best work of these pre-Islamic poets. The name means 'The Suspended Qasidas' or 'The Hanging Poems', the traditional explanation being that these poems were hung on or in the Kaaba at Mecca. These famous ancient Arabic qasidas are formed of three parts: they start, with a nostalgic opening in which the poet reflects on what has passed, known as nasib. A common concept is the pursuit of the poet of the caravan of his love; by the time he reaches their campsite they have already moved on. The second section is rahil (travel section) in which the poet contemplates the harshness of nature and life away from the tribe. Finally there is the message of the poem, which can take several forms: praise of the tribe, fakhr; satire about other tribes, hija; or some moral maxims, hikam. Included with each qasida of each poet is a brief biography plus a list of further reading. The correct rhyme-structure has been kept as well as the beauty and meaning of these powerful poems. Contents: The Mu'allaqat, The Qasida. The Poets... Imra'ul-Qays, Tarafa, Amru, Harith, Antara, Zuhair, Labid. Appendix... Kab's Qasida of the Mantle. Large Print (16pt) & Large Format (8" x 10") Edition. Pages... 173. Comments on Paul Smith's Translation of Hafiz's 'Divan'. "It is not a joke... the English version of all the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith ( b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mu'in, Ghalib, Iqbal, Abu Nuwas and many others, as well as poetry, fiction, plays, biographies and 12 screenplays.
| Author | : William Jennings |
| Publisher | : |
| Total Pages | : 394 |
| Release | : 1891 |
| Genre | : Chinese poetry |
| ISBN | : |
| Author | : Walter A. Strauss |
| Publisher | : John Wiley & Sons |
| Total Pages | : 467 |
| Release | : 2007-12-21 |
| Genre | : Mathematics |
| ISBN | : 0470054565 |
Our understanding of the fundamental processes of the natural world is based to a large extent on partial differential equations (PDEs). The second edition of Partial Differential Equations provides an introduction to the basic properties of PDEs and the ideas and techniques that have proven useful in analyzing them. It provides the student a broad perspective on the subject, illustrates the incredibly rich variety of phenomena encompassed by it, and imparts a working knowledge of the most important techniques of analysis of the solutions of the equations. In this book mathematical jargon is minimized. Our focus is on the three most classical PDEs: the wave, heat and Laplace equations. Advanced concepts are introduced frequently but with the least possible technicalities. The book is flexibly designed for juniors, seniors or beginning graduate students in science, engineering or mathematics.
| Author | : Suzanne Pinckney Stetkevych |
| Publisher | : Indiana University Press |
| Total Pages | : 410 |
| Release | : 2002-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 9780253215369 |
" . . . transcends the realm of literature and poetic criticism to include virtually every field of Arabic and Islamic studies." —Roger Allen Throughout the classical Arabic literary tradition, from its roots in pre-Islamic Arabia until the end of the Golden Age in the 10th century, the courtly ode, or qasida, dominated other poetic forms. In The Poetics of Islamic Legitimacy, Suzanne Stetkevych explores how this poetry relates to ceremony and political authority and how the classical Arabic ode encoded and promoted a myth and ideology of legitimate Arabo-Islamic rule. Beginning with praise poems to pre-Islamic Arab kings, Stetkevych takes up poetry in praise of the Prophet Mohammed and odes addressed to Arabo-Islamic rulers. She explores the rich tradition of Arabic praise poems in light of ancient Near Eastern rites and ceremonies, gender, and political culture. Stetkevych's superb English translations capture the immediacy and vitality of classical Arabic poetry while opening up a multifaceted literary tradition for readers everywhere.
| Author | : Muhsin J. al-Musawi |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 480 |
| Release | : 2015-04-15 |
| Genre | : Religion |
| ISBN | : 0268158010 |
In The Medieval Islamic Republic of Letters: Arabic Knowledge Construction, Muhsin J. al-Musawi offers a groundbreaking study of literary heritage in the medieval and premodern Islamic period. Al-Musawi challenges the paradigm that considers the period from the fall of Baghdad in 1258 to the collapse of the Ottoman Empire in 1919 as an "Age of Decay" followed by an "Awakening" (al-nahdah). His sweeping synthesis debunks this view by carefully documenting a "republic of letters" in the Islamic Near East and South Asia that was vibrant and dynamic, one varying considerably from the generally accepted image of a centuries-long period of intellectual and literary stagnation. Al-Musawi argues that the massive cultural production of the period was not a random enterprise: instead, it arose due to an emerging and growing body of readers across Islamic lands who needed compendiums, lexicons, and commentaries to engage with scholars and writers. Scholars, too, developed their own networks to respond to each other and to their readers. Rather than addressing only the elite, this culture industry supported a common readership that enlarged the creative space and audience for prose and poetry in standard and colloquial Arabic. Works by craftsmen, artisans, and women appeared side by side with those by distinguished scholars and poets. Through careful exploration of these networks, The Medieval Islamic Republic of Letters makes use of relevant theoretical frameworks to situate this culture in the ongoing discussion of non-Islamic and European efforts. Thorough, theoretically rigorous, and nuanced, al-Musawi's book is an original contribution to a range of fields in Arabic and Islamic cultural history of the twelfth to eighteenth centuries.
| Author | : A. J. Arberry |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2018-10-24 |
| Genre | : Literary Criticism |
| ISBN | : 1315443996 |
These seven poems, translated by A. J. Arberry in 1957, are the most famous survivors of a vast mass of poetry produced in the Arabian Desert in the sixth century. Arberry’s introduction explains to the reader what was known about the poems and how they came to be preserved and distributed over time. The epilogue particularly interrogates the authenticity of the poems and tracks how they have been transmitted over time. This work will be of interest to those studying Persian and Middle-Eastern literature and history.
