The Big Broadcast, 1920-1950

The Big Broadcast, 1920-1950
Author: Frank Buxton
Publisher:
Total Pages: 456
Release: 1997
Genre: Performing Arts
ISBN:

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Organized as an A to Z listing, this book will guide readers in their search for an inside look at radio and how it shaped the lives and the attitudes of the American people through the Twenties, the Depression, World War II and beyond. If you collect recollections and want a complete reference book on what and who wafted over the air, then this tome is your tonic... --ENTERTAINMENT TODAY

The Big Broadcast,1920-1950

The Big Broadcast,1920-1950
Author: Frank Buxton
Publisher:
Total Pages: 301
Release: 1972
Genre:
ISBN:

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The Big Broadcast 1920-1950

The Big Broadcast 1920-1950
Author: Frank Buxton
Publisher:
Total Pages: 392
Release: 1966
Genre: Broadcasting
ISBN:

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The Big Broadcast 1920-1950

The Big Broadcast 1920-1950
Author: Frank Buxton
Publisher:
Total Pages: 301
Release: 1972
Genre: Radio programs
ISBN:

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Encyclopedia of Radio 3-Volume Set

Encyclopedia of Radio 3-Volume Set
Author: Christopher H. Sterling
Publisher: Routledge
Total Pages: 2848
Release: 2004-03
Genre: Reference
ISBN: 1135456496

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Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.

Mass Communications Research Resources

Mass Communications Research Resources
Author: Christopher H. Sterling
Publisher: Routledge
Total Pages: 316
Release: 2016-05-06
Genre: Language Arts & Disciplines
ISBN: 1136694544

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This reference book is designed as a road map for researchers who need to find specific information about American mass communication as expeditiously as possible. Taking a topical approach, it integrates publications and organizations into subject-focused chapters for easy user reference. The editors define mass communication to include print journalism and electronic media and the processes by which they communicate messages to their audiences. Included are newspaper, magazine, radio, television, cable, and newer electronic media industries. Within that definition, this volume offers an indexed inventory of more than 1,400 resources on most aspects of American mass communication history, technology, economics, content, audience research, policy, and regulation. The material featured represents the carefully considered judgment of three experts -- two of them librarians -- plus four contributors from different industry venues. The primary focus is on the domestic American print and electronic media industries. Although there is no claim to a complete census of all materials on print journalism and electronic media -- what is available is now too vast for any single guide -- the most important and useful items are here. The emphasis is on material published since 1980, though useful older resources are included as well. Each chapter is designed to stand alone, providing the most important and useful resources of a primary nature -- organizations and documents as well as secondary books and reports. In addition, online resources and internet citations are included where possible.

Hollywood TV

Hollywood TV
Author: Christopher Anderson
Publisher: University of Texas Press
Total Pages: 356
Release: 2013-10-11
Genre: Performing Arts
ISBN: 0292759533

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The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.

Radio Cultures

Radio Cultures
Author: Michael C. Keith
Publisher: Peter Lang
Total Pages: 374
Release: 2008
Genre: Biography & Autobiography
ISBN: 9780820486482

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"Radio Cultures examines the manifold ways in which radio has influenced the nation's social and cultural environment since its inception nearly a century ago. Written by leading scholars in the field, chapters address a wide range of topics, including how this powerful medium has impacted and affected non-mainstream segments of the population throughout its history and how these repressed and neglected groups have employed radio to counter and overcome discrimination and bias. The use of the audio medium for political, economic, and religious purposes is comprehensively probed and analyzed in this insightful and innovative volume."--Back cover.

Say Goodnight, Gracie

Say Goodnight, Gracie
Author: Jim Cox
Publisher: McFarland
Total Pages: 225
Release: 2015-09-16
Genre: Performing Arts
ISBN: 0786462396

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Until the late 1940s, most Americans relied heavily upon radio, the only means of mass communication they knew, for information and entertainment. But with the 1950s came television sets and prosperity enabled more people to afford them. Radio began a decline. This work examines what could be called the final decade of AM network radio and the many factors that contributed to its decline. The first chapter is an overview of AM radio in the 1950s. The second chapter covers 1950 through 1953, when radio was still a popular medium but faced a need to make changes in its programming. Bill Paley and David Sarnoff strongly promoted radio in those years and the networks attempted to increase the ratings of their programs. Chapter three covers 1954 through 1956, three years in which radio experienced losses of its primary audience and some of its most popular shows (because of the pullout of advertisers), and an effort was made by the networks to keep their programs going and to convince audiences the medium was not on its way out. Chapter four, 1957 through 1960, chronicles the "end" of AM radio in homes, the cancellation of almost all remaining programs, network affiliates' going independent, and the rise in popularity of "drive time" radio. Chapter five covers 1961 to the present and summarizes the major changes that have taken place.