The American Drive-In Movie Theater

The American Drive-In Movie Theater
Author: Don Sanders
Publisher: MBI Publishing Company
Total Pages: 160
Release: 2003-07
Genre: Architecture
ISBN: 9780760317075

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The drive-in movie theater brought together two distinct American institutions: cars and movies. Since the earliest drive-ins of the 1930s, these entertainment complexes have been an integral part of American culture. Their appeal stretched to people from all corners of the country, offering a place for social gathering and various amusements. Take a ride down memory lane in this entertaining look at every aspect of the drive-in movie theater: the architecture, the marquees, the cars, the food, and much more. Black-and-white and color photos, along with period ads and other memorabilia, provide a highly illustrated tour from the origins of the drive-in, through its heyday in the 1950s, its decline, and its subsequent revival.

Drive-in Theaters

Drive-in Theaters
Author: Kerry Segrave
Publisher: McFarland
Total Pages: 296
Release: 2006-04-21
Genre: Performing Arts
ISBN: 0786426306

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A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.

The American Drive-In Movie Theatre

The American Drive-In Movie Theatre
Author: Don Sanders
Publisher: Crestline Books
Total Pages: 0
Release: 2013-01-15
Genre: Antiques & Collectibles
ISBN: 9780785829751

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The American Drive-in Movie Theatre relives the magic and excitement of the drive-in experience through rare photographs, lively text, and entertaining personal stories. From the first theaters of the early 1930s to the successful ozoners of today, the glorious history of the drive-in is told. For those who fondly recall watching movies under the stars, this book of nostalgia is sure to take you back to the days when life was good, cars had style, and the drive-in theatre was the epitome of American entertainment. The drive-in's appeal was universal and attracted everyone in nearly every town across the country. Even celebrities—like Elvis Presley, John Wayne, Frankie Avalon, Annette Funicello, and The Beatles—enjoyed the pleasures of the drive-in experience. With great films, wonderful food, kiddie amusement parks, and opulaent architecture, the ozoner was the place to be!

Going Attractions: The Definitive Story of the American Drive-In Movie

Going Attractions: The Definitive Story of the American Drive-In Movie
Author:
Publisher:
Total Pages:
Release:
Genre: Documentary-style films
ISBN:

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A product of post World War II optimism, the drive-in movie theater emerged as the perfect blend of entertainment and car culture. Fueled by the baby boom, drive-ins became an integral part of the American teenage experience.. But in the late 60s, the culture changed drastically in the United States, sending the drive-in business into a downward spiral for almost three decades with successive blows from political and economic conditions and new inventions like the multi-plex and home video.. In light of the recent resurgence of drive-in theaters, Going Attractions studies the factors that affected the drive-in's dramatic rise, decline and rebirth, and examining how American culture and family have evolved in the last 60 years.

Cinema Under the Stars

Cinema Under the Stars
Author: Elizabeth McKeon
Publisher: Cumberland House Publishing
Total Pages: 0
Release: 1998-10
Genre: History
ISBN: 9781630262952

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When Richard M. Hollingshead Jr. first projected a movie onto a white bedsheet stretched between two trees at his home in Camden, New Jersey, in 1933, little did he know that he was on the verge of creating an entirely new entertainment industry. With America just beginning its romance with the automobile, it's no surprise that the general public found this new form of moviegoing irresistible. Fun and affordable, the drive-in quickly gained popularity among families with young children. And, of course, the local drive-in was a favorite weekend hangout for teenagers: a place where they could go just to meet friends or take a sweetheart for a romantic evening of movies under the stars. Although drive-ins are no longer as popular as they once were, in many communities a devoted following still seeks out the open-air theaters at twilight. Cinema Under the Stars"" is a reminder of those wonderful times, as well as a recounting of the history of the drive-in experience. Here is the story, and here are the memories: B movies, concession stands loaded with goodies, screen towers, ticket booths, scratchy speakers, speaker poles, and intermission. It is all here - a nostalgic look at one of America's all-time favorite pastimes. ""

The Drive-In

The Drive-In
Author: Guy Barefoot
Publisher: Bloomsbury Publishing USA
Total Pages: 273
Release: 2023-11-16
Genre: Performing Arts
ISBN: 1501365908

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The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.

Shared Pleasures

Shared Pleasures
Author: Douglas Gomery
Publisher: Univ of Wisconsin Press
Total Pages: 412
Release: 1992
Genre: Business & Economics
ISBN: 9780299132149

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Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR

Cinema Under the Stars

Cinema Under the Stars
Author: Elizabeth McKeon
Publisher: Cumberland House Publishing
Total Pages: 124
Release: 1998
Genre: History
ISBN: 9781581820027

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When Richard M. Hollingshead Jr. first projected a movie onto a white bedsheet stretched between two trees at his home in Camden, New Jersey, in 1933, little did he know that he was on the verge of creating an entirely new entertainment industry. With America just beginning its romance with the automobile, it's no surprise that the general public found this new form of moviegoing irresistible. Fun and affordable, the drive-in quickly gained popularity among families with young children. And, of course, the local drive-in was a favorite weekend hangout for teenagers: a place where they could go just to meet friends or take a sweetheart for a romantic evening of movies under the stars. Although drive-ins are no longer as popular as they once were, in many communities a devoted following still seeks out the open-air theaters at twilight. Cinema Under the Stars"" is a reminder of those wonderful times, as well as a recounting of the history of the drive-in experience. Here is the story, and here are the memories: B movies, concession stands loaded with goodies, screen towers, ticket booths, scratchy speakers, speaker poles, and intermission. It is all here - a nostalgic look at one of America's all-time favorite pastimes. ""

Car Hops and Curb Service

Car Hops and Curb Service
Author: Jim Heimann
Publisher:
Total Pages: 140
Release: 1996-03
Genre: Architecture
ISBN:

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Engagingly illustrated with historical photographs and a rich assortment of related ephemera, from menus to matchbox covers, Car Hops and Curb Service chronicles a unique chapter of popular culture for anyone who sipped a malt, hung a tray, or cruised a drive-in parking lot--or wished they had. 124 color photos.

Horror at the Drive-In

Horror at the Drive-In
Author: Gary D. Rhodes
Publisher: McFarland
Total Pages: 313
Release: 2015-09-03
Genre: Performing Arts
ISBN: 1476610517

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Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States--and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film's embrace of DNA, the use of cinematic form to create a non-Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.