The Adrienne Kennedy Reader

The Adrienne Kennedy Reader
Author: Adrienne Kennedy
Publisher: U of Minnesota Press
Total Pages: 327
Release: 2001-08-13
Genre: Drama
ISBN: 1452904855

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Introduction by Werner Sollors Adrienne Kennedy has been a force in American theatre since the early 1960s, influencing generations of playwrights with her hauntingly fragmentary lyrical dramas. Exploring the violence racism visits upon people's lives, Kennedy's plays express poetic alienation, transcending the particulars of character and plot through ritualistic repetition and radical structural experimentation. Frequently produced, read, and taught, they continue to hold a significant place among the most exciting dramas of the past fifty years. This first comprehensive collection of her most important works traces the development of Kennedy's unique theatrical oeuvre from her Obie-winning Funnyhouse of a Negro (1964) through significant later works such as A Movie Star Has to Star in Black and White (1976), Ohio State Murders (1992), and June and Jean in Concert, for which she won an Obie in 1996. The entire contents of Kennedy's groundbreaking collections In One Act and The Alexander Plays are included, as is her earliest work "Because of the King of France" and the play An Evening with Dead Essex (1972). More recent prose writings "Secret Paragraphs about My Brother," "A Letter to Flowers," and "Sisters Etta and Ella" are fascinating refractions of the themes and motifs of her dramatic works, even while they explore new material on teaching and writing. An introduction by Werner Sollors provides a valuable overview of Kennedy's career and the trajectory of her literary development. Adrienne Kennedy (b. 1931) is a three-time Obie-award winning playwright whose works have been widely performed and anthologized. Among her many honors are the American Academy of Arts and Letters award and the Guggenheim fellowship. In 1995-6, the Signature Theatre Company dedicated its entire season to presenting her work. She has been commissioned to write works for the Public Theater, Jerome Robbins, the Royal Court Theatre, the Mark Taper Forum, and Juilliard, and she has been a visiting professor at Yale, Princeton, Brown, the University of California at Berkeley, and Harvard. She lives in New York City.

People who Led to My Plays

People who Led to My Plays
Author: Adrienne Kennedy
Publisher: Theatre Communications Grou
Total Pages: 148
Release: 1996-07
Genre: Biography & Autobiography
ISBN: 9781559361255

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A revealing collection of words, memories and pictures-an autobiographical scrapbook--by an outstanding contemporary playwright.

Funnyhouse of a Negro

Funnyhouse of a Negro
Author: Adrienne Kennedy
Publisher: Samuel French, Inc.
Total Pages: 26
Release: 1969
Genre: Drama
ISBN: 9780573621666

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"Drama / 3m, 5f / wing and drop"--Back cover.

Ohio State Murders

Ohio State Murders
Author: Adrienne Kennedy
Publisher: Samuel French, Inc.
Total Pages: 41
Release: 2008
Genre: Drama
ISBN: 0573662355

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An intriguing, unusual and chilling look at the destructiveness of racism in the U.S.

He Brought Her Heart Back in a Box and Other Plays

He Brought Her Heart Back in a Box and Other Plays
Author: Adrienne Kennedy
Publisher: Theatre Communications Group
Total Pages: 100
Release: 2020-11-17
Genre: Drama
ISBN: 1559369280

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In her first new work in a decade, Adrienne Kennedy journeys into Georgia and New York City in the 1940s to lay bare the devastating effects of segregation and its aftermath. The story of a doomed interracial love affair unfolds through fragmented pieces--letters, recollections from family members, songs from the time--to present a multifaceted view of our cultural history that resists simple interpretation. This volume also includes Etta and Ella on the Upper West Side and Mom, How Did You Meet The Beatles?

Intersecting Boundaries

Intersecting Boundaries
Author: Paul K. Bryant-Jackson
Publisher: U of Minnesota Press
Total Pages: 254
Release: 1992
Genre: Drama
ISBN: 9780816620166

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Adrienne Kennedy's plays have been highly regarded in the world of American theater for many years. Intersecting Boundaries, a collage of fascinating essays and interviews that represents the first major critical study of her work, explores the complexity and richness of Kennedy's innovative dramas.

Sleep Deprivation Chamber

Sleep Deprivation Chamber
Author: Adam P. Kennedy
Publisher: Dramatists Play Service, Inc.
Total Pages: 68
Release: 1996
Genre: Drama
ISBN: 9780822218128

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THE STORY: In this autobiographical drama, a broken taillight leads to the brutal beating of a highly educated, middle-class black man by a policeman in suburban Virginia. The Kennedys interweave the trial of the victimized son (accused of assaulti

Deadly Triplets

Deadly Triplets
Author: Adrienne Kennedy
Publisher: U of Minnesota Press
Total Pages: 152
Release: 1990
Genre: American drama
ISBN: 9781452901510

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Adrienne Kennedy's plays, which have been said to have transformed the landscape of Black American theatre in the past two decades, are highly experimental. Infused with colliding images of torment and tranquility, violence and peace, horror and beauty, her surrealistic dramas open a window into her life. Her characters are a condensed expression of a theatrical mind that aims to integrate autobiographical, political and aesthetic images into a personal narrative. This book is an extension of Kennedy's plays. It consists of two separate, yet linked, entities, The "Theatre Mystery" (fiction) and "Theatre Journal" (non-fiction) exist as mirror images of one another. Each presents layer upon layer of images rather than progressive action to develop their story, an interior monologue that sees the character as author coming to terms with the life of the author as character.

Contemporary American Drama

Contemporary American Drama
Author: Annette Saddik
Publisher: Edinburgh University Press
Total Pages: 248
Release: 2007-09-13
Genre: Literary Criticism
ISBN: 074863066X

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This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.

Black Performance Theory

Black Performance Theory
Author: Thomas F. DeFrantz
Publisher: Duke University Press
Total Pages: 478
Release: 2014-04-14
Genre: Social Science
ISBN: 0822377012

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Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory. Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young