Telepresence & Bio Art

Telepresence & Bio Art
Author: Eduardo Kac
Publisher: University of Michigan Press
Total Pages: 342
Release: 2005
Genre: Art
ISBN: 9780472068104

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"Eduardo Kac's work represents a turning point. What it questions is our current attitudes to creativity, taking that word in its most fundamental sense." -Edward Lucie-Smith, author of Visual Arts in the 20th Century "His works introduce a vital new meaning into what had been known as the creative process while at the same time investing the notion of the artist-inventor with an original social and ethical responsibility." -Frank Popper, author of Origins and Development of Kinetic Art "Kac's radical approach to the creation and presentation of the body as a wet host for artificial memory and 'site-specific' work raises a variety of important questions that range from the status of memory in digital culture to the ethical dilemmas we are facing in the age of bioengineering and tracking technology." -Christiane Paul, Whitney Museum of Art For nearly two decades Eduardo Kac has been at the cutting edge of media art, first inventing early online artworks for the web and continuously developing new art forms that involve telecommunications and robotics as a new platform for art. Interest in telepresence, also known as telerobotics, exploded in the 1990s, and remains an important development in media art. Since that time, Kac has increasingly moved into the fields of biology and biotechnology. Telepresence and Bio Art is the first book to document the evolution of bio art and the aesthetic development of Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba. Kac covers a broad range of topics within media art, including telecommunications media, interactive systems and the Internet, telematics and robotics, and the contact between electronic art and biotechnology. Addressing emerging and complex topics, this book will be essential reading for anyone interested in contemporary art.

Eduardo Kac

Eduardo Kac
Author: Eduardo Kac
Publisher:
Total Pages: 152
Release: 2000
Genre: Art and telecommunication
ISBN:

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Media Borders, Multimodality and Intermediality

Media Borders, Multimodality and Intermediality
Author: L. Elleström
Publisher: Springer
Total Pages: 277
Release: 2010-02-12
Genre: Social Science
ISBN: 0230275206

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A groundbreaking collection of essays looking at the concepts of 'intermediality' and 'multimodality' - the relationship between various forms of art and new media - and including case studies ranging from music, film and architecture to medieval ballads, biopoetry and Lettrism.

Porneia

Porneia
Author: Eduardo Kac
Publisher:
Total Pages: 0
Release: 2022-09-27
Genre: Conceptual art
ISBN: 9781643620268

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"Porneia features a selection of works by Eduardo Kac realized in the context of the Porn Art Movement, a vanguard that emerged in 1980 under a military dictatorship in Brazil and which, for two intense years, straddled the line between relentless formal experimentation and the outlying demimonde where boundary-busting gender reinvention took place. Through performances, poetry and visual works, as well as through interventions in daily life, between 1980 and 1982 Kac carried out a radical body-based program that upturned the semiotics of normative pornography at the service of activism and imagination."--From back cover.

Telematic Embrace

Telematic Embrace
Author: Roy Ascott
Publisher: Univ of California Press
Total Pages: 462
Release: 2003
Genre: Art
ISBN: 9780520218031

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Annotation Telematic Embrace combines a provocative collection of writings from 1964 to the present by the preeminent artist and art theoretician Roy Ascott, with a critical essay by Edward Shanken that situates Ascott's work within a history of ideas in art, technology, and philosophy.

Information Arts

Information Arts
Author: Stephen Wilson
Publisher: MIT Press
Total Pages: 980
Release: 2003-02-28
Genre: Social Science
ISBN: 9780262731584

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An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.

Ecosee

Ecosee
Author: Sidney I. Dobrin
Publisher: State University of New York Press
Total Pages: 343
Release: 2009-04-16
Genre: Language Arts & Disciplines
ISBN: 1438425953

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How do supporters of the environmental movement manipulate and promote images of "nature" to achieve support and sympathy? From the Sierra Club's use of Ansel Adams's stark and pristine portraits of the western United States to close-ups of plastic bottles and dead fish floating in Rust Belt waterways, visual depictions of landscapes and the degradation caused by humans have profoundly shaped popular notions of environmentalism and the environment. Despite the rhetorical power of images connected with the environmental movement over the past forty years, scholarship in environmental communication has focused almost exclusively on verbal rather than visual rhetoric. Ecosee offers a deeper and fuller understanding of the communicative strategies and power of the environmental movement by looking closely at the visual rhetorics involved in photographs, paintings, television and filmic images, video games, and other forms of image-based media.

Life Extreme

Life Extreme
Author: Eduardo Kac
Publisher: Dis voir
Total Pages: 0
Release: 2007
Genre: Art
ISBN: 9782914563345

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Humankind has imagined and depicted fantastical creatures since the formation of the first societies. Beasts such as the Chimera, the Golem, the Minotaur and Galatea could be said to be culturally symptomatic. Today, in the twenty-first century, we witness the emergence of a new class of beings: organisms that are first imagined and then--through the agency of biotechnologies--brought to life. What once was myth is today a medium. In Eduardo Kac: Life Extreme, Kac, the pioneer of "bio art" who is internationally recognized for celebrated works such as "Genesis" and the fluorescent green "GFP Bunny," has selected 36 new organisms and invited the prominent philosopher Avital Ronell to discover these new beings. The book, published in Dis Voir's new Encounters series, is prefaced by Kac's "Anthroduction" and includes a whimsical taxonomy of taxonomies, offering a unique classification method for future species.

Retracing Political Dimensions

Retracing Political Dimensions
Author: Oliver Grau
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 265
Release: 2020-11-23
Genre: Art
ISBN: 3110670984

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At the beginning of the 21st century, new forms and dynamics of interplay are constituted at the interfaces of media, art and politics. Current challenges in society and ecology, like climate, surveillance, virtualization of the global financial markets, are characterized by hybrid and subtle technologies. They are ubiquitous, turn out to be increasingly complex and act invasively. New media art utilizes its broad range of expression in order to tackle the most urgent topics through multi-sensorial, participatory, and activist approaches. This volume shows how media artists address, with a political lens, the core of these developments critically and productively. With contributions by Elisa Arca, Andrés Burbano, Derek Curry, Yael Eylat Van Essen, Mathias Fuchs, Jennifer Gradecki, Sabine Himmelsbach, Ingrid Hoelzl, Katja Kwastek, José-Carlos Mariátegui, Gerald Nestler, Randall Packer, Viola Rühse, Chris Salter.

Tactical Biopolitics

Tactical Biopolitics
Author: Beatriz Da Costa
Publisher: MIT Press
Total Pages: 535
Release: 2010-08-13
Genre: Social Science
ISBN: 0262514915

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Scientists, scholars, and artists consider the political significance of recent advances in the biological sciences. Popular culture in this “biological century” seems to feed on proliferating fears, anxieties, and hopes around the life sciences at a time when such basic concepts as scientific truth, race and gender identity, and the human itself are destabilized in the public eye. Tactical Biopolitics suggests that the political challenges at the intersection of life, science, and art are best addressed through a combination of artistic intervention, critical theorizing, and reflective practices. Transcending disciplinary boundaries, contributions to this volume focus on the political significance of recent advances in the biological sciences and explore the possibility of public participation in scientific discourse, drawing on research and practice in art, biology, critical theory, anthropology, and cultural studies. After framing the subject in terms of both biology and art, Tactical Biopolitics discusses such topics as race and genetics (with contributions from leading biologists Richard Lewontin and Richard Levins); feminist bioscience; the politics of scientific expertise; bioart and the public sphere (with an essay by artist Claire Pentecost); activism and public health (with an essay by Treatment Action Group co-founder Mark Harrington); biosecurity after 9/11 (with essays by artists' collective Critical Art Ensemble and anthropologist Paul Rabinow); and human-animal interaction (with a framing essay by cultural theorist Donna Haraway). Contributors Gaymon Bennett, Larry Carbone, Karen Cardozo, Gary Cass, Beatriz da Costa, Oron Catts, Gabriella Coleman, Critical Art Ensemble, Gwen D'Arcangelis, Troy Duster, Donna Haraway, Mark Harrington, Jens Hauser, Kathy High, Fatimah Jackson, Gwyneth Jones, Jonathan King, Richard Levins, Richard Lewontin, Rachel Mayeri, Sherie McDonald, Claire Pentecost, Kavita Philip, Paul Rabinow, Banu Subramanian, subRosa, Abha Sur, Samir Sur, Jacqueline Stevens, Eugene Thacker, Paul Vanouse, Ionat Zurr