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| Author | : Jean Benedetti |
| Publisher | : Routledge |
| Total Pages | : 177 |
| Release | : 2013-12-04 |
| Genre | : Performing Arts |
| ISBN | : 1136758046 |
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Konstantin Stanislavski |
| Publisher | : Taylor & Francis |
| Total Pages | : 762 |
| Release | : 2016-10-04 |
| Genre | : Performing Arts |
| ISBN | : 1315474247 |
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
| Author | : Konstantin Stanislavski |
| Publisher | : Routledge |
| Total Pages | : 488 |
| Release | : 2009-09-01 |
| Genre | : Performing Arts |
| ISBN | : 1135203431 |
An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.
| Author | : Konstantin Sergeevič Stanislavskij |
| Publisher | : |
| Total Pages | : 295 |
| Release | : 1967 |
| Genre | : |
| ISBN | : |
| Author | : Jean Benedetti |
| Publisher | : Psychology Press |
| Total Pages | : 180 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 9780878300907 |
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Christina Gutekunst |
| Publisher | : A&C Black |
| Total Pages | : 307 |
| Release | : 2014-01-16 |
| Genre | : Performing Arts |
| ISBN | : 1408184508 |
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can: respond to our thoughts, senses, feelings, imagination and will fully express language in content and form communicate imaginary circumstances and human experience transform to adapt to different roles connect to a variety of audiences and spaces Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.
| Author | : Nick O'Brien |
| Publisher | : Routledge |
| Total Pages | : 277 |
| Release | : 2010-10-04 |
| Genre | : Performing Arts |
| ISBN | : 1136945598 |
Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter
| Author | : Constantin Stanislavski |
| Publisher | : Routledge |
| Total Pages | : 347 |
| Release | : 2013-12-04 |
| Genre | : Performing Arts |
| ISBN | : 1135855269 |
Building a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy. An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.” Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor. These three volumes belong on any actor’s short shelf of essential books.
| Author | : Stephanie Daventry French |
| Publisher | : Routledge |
| Total Pages | : 632 |
| Release | : 2016-02-11 |
| Genre | : Performing Arts |
| ISBN | : 1136519343 |
This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored. Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting. A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance. The book’s companion website is full of downloadable worksheets and resources for teachers and students. Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.
| Author | : John Gillett |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 321 |
| Release | : 2007-10-29 |
| Genre | : Performing Arts |
| ISBN | : 1408147742 |
"A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West "I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general." Matt Peover, LAMDA trainer and theatre director. "Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner." Simon Dunmore, Editor Actor's Yearbook An inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offers a step-by-step and demystifying Stanislavski-based approach to text, role, rehearsal and performance to be used in everyday work, and gathers together in one volume the essential tools for recreating human experience. A nuts-and-bolts practical guide with exercises for the actor to work through sequentially. Contains a Foreword by Sam West. John Gillett builds on his experience of teaching at drama school level as well as many decades of acting. This book, by an actor for actors, is a comprehensive, clear and inspirational guide to creating a truthful, dynamic and audience-captivating performance.
