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| Author | : Bret L. Rothstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 280 |
| Release | : 2005-06-08 |
| Genre | : Art |
| ISBN | : 9780521832786 |
Publisher Description
| Author | : Ingrid Falque |
| Publisher | : BRILL |
| Total Pages | : 659 |
| Release | : 2019-11-04 |
| Genre | : Art |
| ISBN | : 9004409734 |
This is the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is an appendix to the book Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. The catalogue can be accessed and downloaded for free as well as be purchased in hardback.
| Author | : Ingrid Falque |
| Publisher | : BRILL |
| Total Pages | : 334 |
| Release | : 2019-09-16 |
| Genre | : Art |
| ISBN | : 9004397604 |
an interpretation of early Netherlandish paintings with devotional portraits according to which many of these images act as visualisation of the spiritual process of the sitters.
| Author | : Ingrid Falque |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-05-29 |
| Genre | : |
| ISBN | : 9789004409743 |
A 800 page hard-cover catalogue of art works accompanying ISBN 978-90-04-36975-7 and ISBN 978-90-04-39760-6
| Author | : Andrea Pearson |
| Publisher | : BRILL |
| Total Pages | : 378 |
| Release | : 2019-02-26 |
| Genre | : Art |
| ISBN | : 9004393102 |
In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
| Author | : Bernhard Ridderbos |
| Publisher | : Amsterdam University Press |
| Total Pages | : 506 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9789053566145 |
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 422 |
| Release | : 2011-10-14 |
| Genre | : History |
| ISBN | : 900422243X |
In response to the dominance of Latin as the language of intellectual debate in early modern Europe, regional centers started to develop a new emphasis on vernacular languages and forms of cultural expression. This book shows that the local acts as a mark of distinction in the early modern cultural context. Interdisciplinary in scope, essays examine vernacular strands in the visual arts, architecture and literature from the fourteenth to seventeenth centuries. Contributions focus on change, rather than consistencies, by highlighting the transformative force of the vernacular over time and over different regions, as well as the way the concept of the vernacular itself shifts depending on the historical context. Contributors include James J. Bloom, Jessica E. Buskirk, C. Jean Campbell, Lex Hermans, Sun Jing, Trudy Ko, David A. Levine, Eelco Nagelsmit, Alexandra Onuf, Bart Ramakers, and Jamie L. Smith
| Author | : Andrea Pearson |
| Publisher | : Routledge |
| Total Pages | : 259 |
| Release | : 2016-12-05 |
| Genre | : Art |
| ISBN | : 1351872265 |
As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.
| Author | : Walter Melion |
| Publisher | : BRILL |
| Total Pages | : 1088 |
| Release | : 2014-03-10 |
| Genre | : History |
| ISBN | : 9004262016 |
This volume consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular. Contributors include Giovanni Careri, Joseph Chorpenning, James Clifton, Nathalie de Brézé, Maria Deiters, Ralph Dekoninck, Arthur diFuria, Caroline van Eck, Dagmar Eichberger, Ingrid Falque, Wim François, Merel Groentjes, Agnès Guiderdoni, Barbara Haeger, Alexander Linke, Walter Melion, Jürgen Müller, Birgit Ulrike Münch, Colette Nativel, Wolfgang Neuber, Shelley Perlove, Leopoldine Prosperetti, Todd Richardson, Bret Rothstein, Tatiana Senkevitch, Larry Silver, Jamie Smith, Trudelien van 't Hof, Michel Weemans, and Elliott Wise
| Author | : ArthurJ. DiFuria |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351565788 |
Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a more expansive array of accessible meanings in genre's deft grafting of everyday scenarios with a rich complex of experiential, cultural, political, and religious references. Authors deploy a variety of approaches to detail genre's multivalent relations to older, more established pictorial and literary categories, the interplay between the meaning of the everyday and its translation into images, and the multifaceted concerns genre addressed for its rapidly expanding, unprecedentedly diverse audience.
