Roma come era e come e
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Total Pages | : 70 |
Release | : 1962 |
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Author | : |
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Total Pages | : 70 |
Release | : 1962 |
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Author | : Romolo A. Staccioli |
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Total Pages | : 90 |
Release | : 2001 |
Genre | : Travel |
ISBN | : 9788881620036 |
Author | : Romolo A. Staccioli |
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Total Pages | : 104 |
Release | : 2001 |
Genre | : Travel |
ISBN | : 9788881621156 |
Author | : Giuseppe LUGLI (Professor in the University of Rome.) |
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Total Pages | : |
Release | : 1930 |
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Author | : Giuliana Coletta |
Publisher | : |
Total Pages | : 95 |
Release | : 2007 |
Genre | : Social Science |
ISBN | : 9788866680444 |
Ancient Rome reconstructed to its original magnificence ; An archeological guide to Imperial era monuments as they were and as they are today.
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Total Pages | : 70 |
Release | : 196? |
Genre | : Rome (Italy) |
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Author | : Adriano La Regina |
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Total Pages | : 8 |
Release | : 1981 |
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Author | : Giuseppe Moretti |
Publisher | : |
Total Pages | : 52 |
Release | : 1961 |
Genre | : Ara Pacis (Rome, Italy) |
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Author | : Aldo Rossi |
Publisher | : Cambridge, Mass. : MIT Press |
Total Pages | : 136 |
Release | : 1981 |
Genre | : Architects |
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Postscript by Vincent Scully Based on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations-photographs, evocative images, as well as a set of drawings of Rossi's major architectural projects prepared particularly for this publicationwere personally selected by the author to augment the text.
Author | : Patrick R. Crowley |
Publisher | : University of Chicago Press |
Total Pages | : 337 |
Release | : 2019-12-10 |
Genre | : Art |
ISBN | : 022664829X |
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.