Political Torture in Popular Culture

Political Torture in Popular Culture
Author: Alex Adams
Publisher: Routledge
Total Pages: 249
Release: 2016-06-17
Genre: Political Science
ISBN: 1317289382
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Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested. Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects. This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.

Political Torture in Popular Culture

Political Torture in Popular Culture
Author: Alex Adams
Publisher: Routledge
Total Pages: 218
Release: 2016-06-17
Genre: Political Science
ISBN: 1317289390
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Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested. Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects. This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.

Screening Torture

Screening Torture
Author: Michael Flynn
Publisher: Columbia University Press
Total Pages: 327
Release: 2012
Genre: Law
ISBN: 0231153589
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Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.

Punishment in Popular Culture

Punishment in Popular Culture
Author: Austin Sarat
Publisher: NYU Press
Total Pages: 316
Release: 2015-06-05
Genre: Law
ISBN: 1479861952
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Resource added for the Criminal Justice – Law Enforcement 105046 and Professional Studies 105045 programs.

How to Justify Torture

How to Justify Torture
Author: Alex Adams
Publisher: Watkins Media Limited
Total Pages: 137
Release: 2019-09-10
Genre: Philosophy
ISBN: 191224859X
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From Batman Begins to Tom Clancy, How to Justify Torture shows how contemporary culture creates simplified narratives about good guy torturers and bad guy victims, how dangerous this is politically, and what we can do to challenge it. If there was a bomb hidden somewhere in a major city, and you had the person responsible in your custody, would you torture them to get the information needed to stop the bomb exploding, preventing a devastating terrorist attack and saving thousands of lives? This is the ticking bomb scenario -- a thought experiment designed to demonstrate that torture can be justified. In How to Justify Torture, cultural critic Alex Adams examines the ticking bomb scenario in-depth, looking at the ways it is presented in films, novels, and TV shows -- from Batman Begins and Dirty Harry to French military thrillers and home invasion narratives. By critiquing its argument step by step, this short, provocative book reminds us that, despite what the ticking bomb scenario will have us believe, torture can never be justified.

Politics and Popular Culture

Politics and Popular Culture
Author: Leah A. Murray
Publisher: Cambridge Scholars Publishing
Total Pages: 225
Release: 2010-06-09
Genre: Political Science
ISBN: 1443823112
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In recent years we have seen a continuation and perhaps even acceleration in the trend of popular culture having a discernible effect on politics. From The Daily Show to candidates’ use of Facebook and MySpace, politics have opened up to new technologies as we come online for the next generation. Our political world has become popularized, or our popular world has become politicized in a new way, facilitated by the entertainment media and new technologies. This volume’s authors attempt to make sense of the changing political popular world through a series of interdisciplinary essays that explore the ramifications of popular cultural depictions of politics drawing on literature in a variety of fields: political science, history, literature, fine arts and communications. We explore three major phenomena in a politicized popular culture. First, we explore the role that the entertainment media play in understanding politics. What is interesting about our fictional political worlds is we are allowed, as a people, to consider different political ideals without the baggage of our last vote or our ideology. We can step outside ourselves and challenge the way we think on particular issues. Second, we explore the real world of politics as it has been shaped over the last century of new technology. As powerful a medium television proved to be to politics, the latest technological breakthroughs have proved to be a paradigmatic shift. From Twitter to Facebook, our politicians are able to keep in almost constant contact with their constituencies, which has vast implications for the way political discourse will progress. Third, we explore what happens when the real world and media collide. Entertainment media change their messages when major political events happen such as the case when spymaster tropes were forced to evolve when 9/11 changed the international dynamic. Robert Ludlum’s Jason Bourne series had to be conceptualized on film in a new way after this event. The more connected our political world and our popular world become, and given the trends, we can only assume they will become increasingly intertwined, the more important it is for us to understand how these connections affect the world. This volume is a powerful pass at comprehending all that is happening across the politicized popular world.

Gestures of Testimony

Gestures of Testimony
Author: Michael Richardson
Publisher: Bloomsbury Publishing USA
Total Pages: 233
Release: 2018-01-25
Genre: Literary Criticism
ISBN: 1501339400
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After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, the Bush Administration's Torture Memos, and fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels, and Janette Turner Hospital, Michael Richardson traces the workings of affect, biopower, and aesthetics to re-think literary testimony. Gestures of Testimony gives shape to a mode of affective witnessing, a reaching beyond the page in the writing of torture that reveals violent trauma - even as it embodies its veiling.

The Torture Letters

The Torture Letters
Author: Laurence Ralph
Publisher: University of Chicago Press
Total Pages: 267
Release: 2020-01-15
Genre: Social Science
ISBN: 022672980X
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Torture is an open secret in Chicago. Nobody in power wants to acknowledge this grim reality, but everyone knows it happens—and that the torturers are the police. Three to five new claims are submitted to the Torture Inquiry and Relief Commission of Illinois each week. Four hundred cases are currently pending investigation. Between 1972 and 1991, at least 125 black suspects were tortured by Chicago police officers working under former Police Commander Jon Burge. As the more recent revelations from the Homan Square “black site” show, that brutal period is far from a historical anomaly. For more than fifty years, police officers who took an oath to protect and serve have instead beaten, electrocuted, suffocated, and raped hundreds—perhaps thousands—of Chicago residents. In The Torture Letters, Laurence Ralph chronicles the history of torture in Chicago, the burgeoning activist movement against police violence, and the American public’s complicity in perpetuating torture at home and abroad. Engaging with a long tradition of epistolary meditations on racism in the United States, from James Baldwin’s The Fire Next Time to Ta-Nehisi Coates’s Between the World and Me, Ralph offers in this book a collection of open letters written to protesters, victims, students, and others. Through these moving, questing, enraged letters, Ralph bears witness to police violence that began in Burge’s Area Two and follows the city’s networks of torture to the global War on Terror. From Vietnam to Geneva to Guantanamo Bay—Ralph’s story extends as far as the legacy of American imperialism. Combining insights from fourteen years of research on torture with testimonies of victims of police violence, retired officers, lawyers, and protesters, this is a powerful indictment of police violence and a fierce challenge to all Americans to demand an end to the systems that support it. With compassion and careful skill, Ralph uncovers the tangled connections among law enforcement, the political machine, and the courts in Chicago, amplifying the voices of torture victims who are still with us—and lending a voice to those long deceased.

Invisibilities of Political Torture

Invisibilities of Political Torture
Author: Jung Berenike Jung
Publisher: Edinburgh University Press
Total Pages: 304
Release: 2020-06-18
Genre: Performing Arts
ISBN: 1474437028
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Examines the ways in which moving images can help us better understand factual political tortureExamines role of images and film in (mis)understanding of tortureOffers synergised knowledge through comparative angle, exploring differences and continuities of torture cases which were documented to vastly different extentsIncludes key popular movies, independent films as well as serial televisionCombines serious film analysis with ethical-political questions and historically and theoretically informed researchExpands on the latest developments of comparative media scholarship, and integrates the nostalgic, material and affective "e;turn."e; Academic work on the subject of torture tends to mirror public debates on its presumed utility, to focus on its historically 'correct' representation or on profilmic structures of identification. This book moves beyond these ideologically charged questions to explore how contemporary films have responded to a growing popular distrust in visual evidence when referencing factual cases of torture. Two cases studies - the United States around 2004 and Chile from 1973 until the end of the dictatorship - provide either an abundance or lack of such visual evidence. Drawing on films and television series such as Zero Dark Thirty (2012), NO (2012), Homeland (2011-) and Los 80 (2008-14), amongst many others, this book analyses the visible components of torture but also its invisibilities. By casting a wider net on the definition of torture, the author promotes a radical, theoretical reframing of our concept of torture and suggests that audiovisual products can help broaden our comprehension of torture as an event which includes collective and emotional dimensions and long-term social effects.

The Naked Communist:Cold War Modernism and the Politics of Popular Culture

The Naked Communist:Cold War Modernism and the Politics of Popular Culture
Author: Roland Vegso
Publisher: Fordham Univ Press
Total Pages: 257
Release: 2013
Genre: History
ISBN: 082324556X
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The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti-Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.