Mozarts Requiem
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Author | : Christoph Wolff |
Publisher | : Univ of California Press |
Total Pages | : 280 |
Release | : 1994 |
Genre | : Biography & Autobiography |
ISBN | : 9780520213890 |
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"'When was the score of the Requiem completed?' is a question that everyone has asked; . . .but Wolff goes on to ask: 'Where do the technical and stylistic premises for the Requiem lie, and to what extent could these be taken into account after Mozart's death?' This question is rich in implications, central to the uniqueness of the work, and virtually undiscussed in the Mozart literature."—Thomas Bauman, co-author of Mozart's Operas
Author | : Christoph Wolff |
Publisher | : Univ of California Press |
Total Pages | : 284 |
Release | : 1994 |
Genre | : Biography & Autobiography |
ISBN | : 9780520077096 |
Download Mozart's Requiem Book in PDF, Epub and Kindle
"'When was the score of the Requiem completed?' is a question that everyone has asked; . . .but Wolff goes on to ask: 'Where do the technical and stylistic premises for the Requiem lie, and to what extent could these be taken into account after Mozart's death?' This question is rich in implications, central to the uniqueness of the work, and virtually undiscussed in the Mozart literature."--Thomas Bauman, co-author of Mozart's Operas
Author | : Christoph Wolff |
Publisher | : |
Total Pages | : 288 |
Release | : 1994 |
Genre | : Music |
ISBN | : |
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This volume contains the authentic score of the Requiem, supplemented by crucial fragments from Suessamayr's 1792 Requiem completion, plus a critical introduction to the work which attempts to untangle its genesis and structure. Christoph Wolff surveys Suessamayr's contribution, and provides a musical analysis of Mozart's composition, including contextual, structural and interpretative aspects. This is followed by an annotated collection of the principal literary documents (1791-1839) that illuminate the puzzling early history of the work.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2012-06-28 |
Genre | : Music |
ISBN | : 1139536036 |
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Presenting a fresh interpretation of Mozart's Requiem, Simon P. Keefe redresses a longstanding scholarly imbalance whereby narrow consideration of the text of this famously incomplete work has taken precedence over consideration of context in the widest sense. Keefe details the reception of the Requiem legend in general writings, fiction, theatre and film, as well as discussing criticism, scholarship and performance. Evaluation of Mozart's work on the Requiem turns attention to the autograph score, the document in which myths and musical realities collide. Franz Xaver Süssmayr's completion (1791–2) is also re-appraised and the ideological underpinnings of modern completions assessed. Overall, the book affirms that Mozart's Requiem, fascinating for interacting musical, biographical, circumstantial and psychological reasons, cannot be fully appreciated by studying only Mozart's activities. Broad-ranging hermeneutic approaches to the work, moreover, supersede traditionally limited discursive confines.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2012-06-28 |
Genre | : Music |
ISBN | : 0521198372 |
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A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.
Author | : David Dutkanicz |
Publisher | : Courier Dover Publications |
Total Pages | : 51 |
Release | : 2020-02-12 |
Genre | : Music |
ISBN | : 0486838986 |
Download Mozart's Requiem for the Beginning Pianist Book in PDF, Epub and Kindle
With these manageable arrangements, beginning pianists of all ages can play selections from Mozart's final masterpiece. The score has been expertly simplified and augmented with performance suggestions by the editor.
Author | : Heinz Gärtner |
Publisher | : |
Total Pages | : 248 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : |
Download Constanze Mozart Book in PDF, Epub and Kindle
Om Constanze Mozarts (1762-1842) liv efter ægtefællen Wolfgang Amadeus Mozarts (1761-1826) død
Author | : Michael Ostrzyga |
Publisher | : Bärenreiter-Verlag |
Total Pages | : 166 |
Release | : 2024-02-19 |
Genre | : Music |
ISBN | : 3761873042 |
Download Fakt und Fiktion – Das Requiem Mozarts Book in PDF, Epub and Kindle
Diese Einführung befasst sich im ersten Teil eingehend mit Geschichte und Rezeption des Requiems. Daran an schließt sich eine ausführliche Dokumentation der Requiem-Edition Ostrzygas. Darüber hinaus stellt diese Einführung die erste umfassende analytische Studie zum Requiem dar, die auf historisch informierter Musiktheorie und künstlerischer Praxis (vor allem in Komposition, Instrumentation, Arrangieren) basiert. Sie räumt kritisch mit zahlreichen, auch in der Fachliteratur verbreiteten Vorurteilen gegenüber Süßmayrs Arbeit auf und erörtet zudem Probleme bisheriger Ergänzungs- und Bearbeitungsversuche.
Author | : William Pole |
Publisher | : London ; New York : Novello, Ewer |
Total Pages | : 108 |
Release | : 1879 |
Genre | : |
ISBN | : |
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Author | : C. R. F. Maunder |
Publisher | : Oxford University Press, USA |
Total Pages | : 250 |
Release | : 1988 |
Genre | : Music |
ISBN | : |
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When Mozart died in 1791, he left unfinished the score of his Requiem. At the request of his widow, the work was completed by Mozart's pupil and assistant, Franz Xaver Süssmayr. Unfortunately, Süssmayr was a musician of limited technique and ability--his poor orchestration has frequently been criticized, and considerable controversy has surrounded the question of whether the movements missing from Mozart's autograph were entirely Süssmayr's work, or whether he might have based them on Mozart's sketches or oral instructions. This book is an intensive new study of the background to the Requiem and the music itself. Maunder, who after many years' research has recently completed a new edition of the Requiem that attempts to be more faithful to Mozart's original intentions, presents detailed arguments concerning the authenticity of the doubtful movements, the editorial decisions he faced in preparing the new edition, the settings by other composers that may have influenced Mozart, and the problems of performance practice. He concludes that Süssmayr probably did write the disputed movements, but may have used a now-lost Mozart sketch in composing the Agnus Dei. This fascinating new study of one of classical music's best-loved works will interest a wide range of music students and scholars, and general readers.