Metaphysical and Mid-Late Tang Poetry: A Baroque Comparison

Metaphysical and Mid-Late Tang Poetry: A Baroque Comparison
Author: Pengfei Wang
Publisher: Vernon Press
Total Pages: 126
Release: 2020-03-05
Genre: Literary Criticism
ISBN: 1622739221

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Wishing to expand on the minimal scholarship on the topic of Metaphysical and Mid-Late Tang poets under the general category of Baroque, this book offers a comparative analysis of poems from the Metaphysical poets John Donne, Andrew Marvell and Richard Crashaw and a selection of Tang poetry by Meng Jiao, Li He and Li Shangyin. By following Nietzche’s definition of Baroque as a poetic “style” found in any period and country, and the concept of art as allegory, the author approaches the analysis of these poems using allegorical reading. The application of this non-traditional method of investigation and analysis has produced ground-breaking implications in the area of literary criticism, paving the way for future additions to the growing body of work on Baroque poetry. Therefore, it is likely to hold great appeal to literature researchers and scholars, as well as those studying Tang poetry, Metaphysical poetry and Comparative Studies.

John Donne and Baroque Allegory

John Donne and Baroque Allegory
Author: Hugh Grady
Publisher: Cambridge University Press
Total Pages: 237
Release: 2017-08-10
Genre: Literary Criticism
ISBN: 1107195802

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Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.

A protestant baroque poet

A protestant baroque poet
Author: Ralph M. Hester
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 212
Release: 2019-01-29
Genre: Language Arts & Disciplines
ISBN: 3111729583

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Maurice Scève Poet of Love

Maurice Scève Poet of Love
Author: Dorothy Gabe Coleman
Publisher: Cambridge University Press
Total Pages: 226
Release: 2010-06-24
Genre: Literary Criticism
ISBN: 9780521154727

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A study of Maurice Scève's sequence of love poems, the Délie - the first French canzoniere. There are two main themes: Scève's rendering of the intensity and complexity of the human experience of love, and secondly, his exploitation of the European tradition of love poetry. Dr Coleman tackles broad issues concerning appreciation of poetry, and more particularly, difficult poetry. Comparing individual poems by Horace, Scève and Mallarmé, she pinpoints the task of a serious reader: to experience sensitively and intellectually human emotions couched in artistic form. The book does not offer doctrines about Scève's love. instead, it looks at the contextual linguistic formulae which create love within the poems themselves: the allusiveness, the intellectual rigour, the tautness, the juxtaposition of words, combine with the voluptuousness and simplicity of the images, rhythm and sound, to make out of the poems a timeless an intensely personal experience.