Medieval Rhetoric and Poetic (to 1400)
Author | : Charles Sears Baldwin |
Publisher | : |
Total Pages | : 352 |
Release | : 1928 |
Genre | : Literature, Medieval |
ISBN | : |
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Author | : Charles Sears Baldwin |
Publisher | : |
Total Pages | : 352 |
Release | : 1928 |
Genre | : Literature, Medieval |
ISBN | : |
Author | : Charles Sears Baldwin |
Publisher | : |
Total Pages | : 321 |
Release | : 1959-01-01 |
Genre | : Literature, Medieval |
ISBN | : 9780844610436 |
Author | : Charles Sears Baldwin |
Publisher | : |
Total Pages | : 340 |
Release | : 2012-07 |
Genre | : Literature, Medieval |
ISBN | : 9781258438340 |
Author | : Charles Sears Baldwin |
Publisher | : |
Total Pages | : 329 |
Release | : 1928 |
Genre | : |
ISBN | : |
Author | : Martin Camargo |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2018-02-06 |
Genre | : Literary Criticism |
ISBN | : 1351219367 |
Originally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.
Author | : Charles Sears Baldwin |
Publisher | : |
Total Pages | : 280 |
Release | : 1959 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Interprets the rhetoric and poetry of the Renaissance afresh from typical theory and practice as the first step toward interpreting those traditions of criticism which were most influential in the middle ages.
Author | : Jeffrey Walker |
Publisher | : Oxford University Press |
Total Pages | : 411 |
Release | : 2000-07-13 |
Genre | : Language Arts & Disciplines |
ISBN | : 0195351460 |
This book offers a counter-traditional account of the history of both rhetoric and poetics. In reply to traditional rhetorical histories, which view "rhetoric" primarily as an art of practical civic oratory, the book argues in four extended essays that epideictic-poetic eloquence was central, even fundamental, to the rhetorical tradition in antiquity. In essence, Jeffrey Walker's study accomplishes what in the world of rhetoric studies amounts to a revolution: he demonstrates that in antiquity rhetoric and poetry could not be viewed separately.
Author | : James Jerome Murphy |
Publisher | : Univ of California Press |
Total Pages | : 418 |
Release | : 1981-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780520044067 |
Follows the threads of ancient rhetorical theory into the Middle Ages and examines the distinctly Medieval rhetorical genres of perceptive grammar, letter-writing, and preaching. These various forms are compared with one another and placed in the context of Medieval society. Covering the period 426 A.D. to 14.
Author | : James Jerome Murphy |
Publisher | : University of Toronto Press |
Total Pages | : 228 |
Release | : 1989-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780802066596 |
The history of medieval rhetoric can be understood only as part of medieval efforts to understand the manifold uses of language.
Author | : Scott D. Troyan |
Publisher | : Psychology Press |
Total Pages | : 280 |
Release | : 2004 |
Genre | : English language |
ISBN | : 9780415971638 |
A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.