Lighting for Imaging
Author | : Norman Kerr |
Publisher | : |
Total Pages | : 195 |
Release | : 1994 |
Genre | : Photography |
ISBN | : 9780964000346 |
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Author | : Norman Kerr |
Publisher | : |
Total Pages | : 195 |
Release | : 1994 |
Genre | : Photography |
ISBN | : 9780964000346 |
Author | : Michael Freeman |
Publisher | : Sterling Publishing Company, Inc. |
Total Pages | : 230 |
Release | : 2007 |
Genre | : Photography |
ISBN | : 9781579908850 |
A comprehensive guide to lighting techniques in digital photography covering topics including working with artificial light and daylight.
Author | : Erik Reinhard |
Publisher | : |
Total Pages | : 502 |
Release | : 2006 |
Genre | : Computer vision |
ISBN | : |
Author | : Rick Sammon |
Publisher | : John Wiley & Sons |
Total Pages | : 277 |
Release | : 2011-03-21 |
Genre | : Photography |
ISBN | : 0470570431 |
Improve your photography with more than 200 lighting tips from a top photographer Written by Canon Explorer of Light Rick Sammon and leading fashion and studio photographer Vered Koshlano, this guide is packed with professional advice on the essential element of photography: lighting. It provides detailed information and insider secrets that are bound to make you a better photographer. You'll learn the basics of studio lighting as well as how to achieve special effects. A 90-minute DVD is included, with additional tips on using reflectors, diffusers, accessory flashes, and more. Explores the basics of studio lighting in various situations Features more than 200 lighting tips and secrets for planning and taking the most impressive digital images in the studio Compares available camera equipment, accessories, software, and printing options Covers post-shoot digital darkroom techniques and workflow tips and tricks Companion DVD includes advice on making the most of accessories such as diffusers, reflectors, and accessory flashes Written by two top professional photographers and illustrated with full-color examples Studio and Location Lighting Secrets provides information from the pros to improve your photograpic skills. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
Author | : P. Bodrogi |
Publisher | : John Wiley & Sons |
Total Pages | : 403 |
Release | : 2012-07-23 |
Genre | : Technology & Engineering |
ISBN | : 3527650741 |
This much needed, comprehensive and modern reference on display technology, illumination sources and color imaging focuses on visual effects and how reproduced images are best matched to human visual features. As such, it teaches readers how to exploit the knowledge of human color information processing to design usable, ergonomic, and pleasing displays or visual environments. The contents describe design principles and methods to optimize self-luminous visual technologies for the human user, including modern still and motion image displays, and indoor light sources. Design principles and methods are derived from the knowledge of the human visual system, with a special emphasis on color vision, color cognition, color harmony, color preference and visually evoked emotions. The expert authors include the most important and latest applications of the design principles and methods, forming a comprehensive view of human color information processing from the receptors through the retina via high-level visual perception right up to the level of cognition, preference, harmony, as well as visually evoked emotions. This book is included in the Wiley SID Series.
Author | : Joel Witwer |
Publisher | : |
Total Pages | : 120 |
Release | : 2016 |
Genre | : Art |
ISBN | : |
"Conservation prints of cultural heritage are often produced in order to preserve the appearance qualities of the cultural heritage. The standard workflow for creating these prints is to image the cultural heritage, or paintings in the case of this thesis, under a D50 light source and create a print optimized for viewing under illuminant D50. The goal of this thesis was to investigate whether incorporating an incandescent gallery light source into the workflow had the potential to better preserve the viewer experience when the artwork is seen in an incandescent gallery. Six prints were created through various combinations of a D50 capture, a gallery capture, a D50 optimized printing process, a gallery optimized printing process while using both complete and incomplete chromatic adaptation transforms as well as material adjustment transforms to transform between the various white points. Prints were compared through paired comparison in two experiments. The first experiment involved directly comparing the prints to the piece of cultural heritage under the gallery light source and making the judgment as to which one was the most similar to the painting. The second experiment had participants under a simulated fluorescent D50 light source making judgments as to which print looked the most similar to the painting based on their memory of the painting under a gallery light source. Participant's judgments were analyzed using Thurstone Case V in order to create an interval scale for the workflows. No single workflow was found to be scaled higher than the all the rest, but several were judged to be more similar to the original painting than others. The workflow that used the gallery lighting for both the capture and viewing and the workflow that used a chromatic adaptation to transform from a D50 capture environment to a gallery viewing environment were judged to be the most similar to the original painting in the direct comparison experiment. The workflow that used the gallery lighting for both capture and viewing, the workflow that used a chromatic adaptation transform to transform from a gallery capture environment to the simulated fluorescent D50 viewing environment, and the workflow that used a D50 capture environment and the simulated fluorescent D50 viewing environment were all judged to be the most similar, under the simulated fluorescent D50 light source, to the participant's memory of the original painting under the gallery light source."--Abstract.
Author | : Walter Nurnberg |
Publisher | : |
Total Pages | : 236 |
Release | : 1968 |
Genre | : Photography |
ISBN | : |
Author | : |
Publisher | : Amherst Media |
Total Pages | : 160 |
Release | : 2014-04-15 |
Genre | : Photography |
ISBN | : 1608956903 |
Light, vibrant and malleable, is the greatest tool at the disposal of portrait photographers. In this acclaimed book—with over 50,000 copies in print—Christopher Grey walks you through studio portrait lighting from start to finish. Dozens of image sequences and before/after pairings show you precisely how each change of light position and modifier affects the look of the lighting on the subject. From classic portrait lighting patterns to unexpected but powerful looks, Grey teaches you everything you need to know to control light effectively. Armed with these powerful skills, you’ll be able to create portraits that are more flattering, more marketable, and more creative.
Author | : David Prakel |
Publisher | : AVA Publishing |
Total Pages | : 179 |
Release | : 2007-05 |
Genre | : Art |
ISBN | : 2940373035 |
Basics Photography 02- Lighting by David Pr kel is an essential guide to the creative use of light in capturing photographic images. The book explains the theory of how light 'works' for the photographer, encouraging the reader to explore and experiment. It argues for an understanding of lighting as a fundamental quality of good photography. Technical concepts and the use of different varieties of light source are explained with the aid of clear diagrams and inspiring images. Lighting offers an essential introduction to the subject and represents a comprehensive reference for students and aspiring photographers.
Author | : Shrikar Bhave |
Publisher | : |
Total Pages | : 66 |
Release | : 2007 |
Genre | : Daylight |
ISBN | : |