International Music and Recording Industry Year Book
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Release | : 1981 |
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Release | : 1981 |
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Author | : Pekka Gronow |
Publisher | : A&C Black |
Total Pages | : 254 |
Release | : 1999-07-26 |
Genre | : Social Science |
ISBN | : 9780304705900 |
This book explores the fascinating world of the record business, its technology, the music and the musicians from Edison's phonograph to the compact disc. The great artists - Caruso, Toscanini, Louis Armstrong, Elvis Presley and their successors - all achieved fame through the medium of records, and in turn have influenced the recording industry. But just as important are the record producers, those invisible figures who decide from behind the scenes how a record will sound. The history of recording is also the history of record companies: the book follows the vicissitudes of the multinational giants, without neglecting the small pioneering labels which have brought valuable new talents to the fore.
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Total Pages | : 562 |
Release | : 1988 |
Genre | : Music trade |
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Genre | : Music trade |
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Author | : Kemps international |
Publisher | : |
Total Pages | : 548 |
Release | : 1989-02-01 |
Genre | : Business & Economics |
ISBN | : 9780862591373 |
Author | : |
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Total Pages | : 494 |
Release | : 1990 |
Genre | : Music trade |
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Author | : David I. Price |
Publisher | : |
Total Pages | : 372 |
Release | : 1978 |
Genre | : Sound recordings |
ISBN | : 9780905255309 |
Author | : The Kemps Group (Printers & Publishers) Ltd, London |
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Total Pages | : 236 |
Release | : 1976 |
Genre | : Music trade |
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Author | : Lee Marshall |
Publisher | : Routledge |
Total Pages | : 242 |
Release | : 2013 |
Genre | : Art |
ISBN | : 0415603455 |
The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry’s content, attitudes and practices have regularly been under the microscope. Much of this discussion, however, is dominated by US and UK perspectives and assumes the ‘the recording industry’ to be a relatively static, homogeneous, entity. This book attempts to offer a broader, less Anglocentric and more dynamic understanding of the recording industry. It starting premise is the idea that the recording industry is not one thing but is, rather, a series of recording industries, locally organised and locally focused, both structured by and structuring the international industry. Seven detailed case studies of different national recording industries illustrate this fact, each of them specifically chosen to provide a distinctive insight into the workings of the recording industry. The expert contributions to this book provide the reader with a sense of the history, structure and contemporary dynamics of the recording industry in these specific territories, and counteract the Anglo-American bias of coverage of the music industry. The International Recording Industrieswill be valuable to students and scholars of sociology, cultural studies, media studies, cultural economics and popular music studies.
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Release | : 1980 |
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