Henry Moore, Sculpting the 20th Century

Henry Moore, Sculpting the 20th Century
Author: Dorothy M. Kosinski
Publisher: Yale University Press
Total Pages: 332
Release: 2001-01-01
Genre: Art
ISBN: 0300089929

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Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.

Becoming Henry Moore

Becoming Henry Moore
Author: Henry Moore
Publisher: Art / Books
Total Pages: 128
Release: 2017
Genre: Sculptors
ISBN: 9781908970329

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Coinciding with the fortieth anniversary of the Henry Moore Foundation, and accompanying an exhibition of the same name, Becoming Henry Moore tells the story of the artist's creative journey between 1914 and 1930, from gifted schoolboy to celebrated sculptor. Displaying artistic skill and ambition from a young age, Moore spent his early years studying the art of the past and of his contemporaries, absorbing a wide variety of sculptural ideas and forms as he developed his own individual and now iconic style. Sebastiano Barassi presents a lively account of this formative period, from Moore's time at Castleford Secondary School, where his talent was first spotted, through his active service in the First World War and student life at Leeds School of Art, and culminating with his move to the Royal College of Art in London and subsequent entry into the world of contemporary sculpture. What is revealed is a rich story of friendships, mentors, collectors and a range of artistic influences, from classical and non-Western art to Renaissance and modern masters and dialogues with other leading figures from the British and European avant-gardes. Moore's encounters with collections both public and private and the importance of ancient art in his development are brought to life by contributions from Tania Moore and Jon Wood, who show not only how these experiences were critical in the formation of the artist's early style, but also how they continued to inform his work for the rest of his career. Richly illustrated with sculptures, drawings and photographs from his life, and including a chronology of the early years, this book shows the myriad influences at play as Henry Moore took his first steps on the path to becoming Britain's foremost modern sculptor.

Henry Moore

Henry Moore
Author: Henry Moore
Publisher:
Total Pages: 0
Release: 1963
Genre:
ISBN:

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Bill Brandt | Henry Moore

Bill Brandt | Henry Moore
Author: Martina Droth
Publisher: Yale University Press
Total Pages: 0
Release: 2020
Genre: Art
ISBN: 9780300251050

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Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021.

Henry Moore's Sheep Sketchbook

Henry Moore's Sheep Sketchbook
Author: Henry Moore
Publisher:
Total Pages: 112
Release: 2009
Genre: Sheep in art
ISBN: 9780500600382

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In February 1972 Henry Moores sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition in Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme a large form sheltering a small one which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moores sheep are created through a network of swirling and zigzagging lines in the rapid (and in Moores hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lord Clark comments, We expect Henry Moore to give a certain nobility to everything he draws; but more surprising is the way in which these drawings express a feeling of real affection for their subject.

Henry Moore Textiles

Henry Moore Textiles
Author: Anita Feldman
Publisher: Lund Humphries Publishers
Total Pages: 168
Release: 2008
Genre: Art
ISBN:

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Henry Moore Textiles is the first publication of the twenty-eight designs commissioned by the Czech refugee, Zika Ascher from Moore during the last years of the Second World War and the early years of the 1950s. The images are newly photographed for this book and do justice to his abstract and popular patterns. Illustrations of subjects as diverse and random as safety pins or wavey landscapes pepper his accessible work. Issued to accompany an exhibition. Henry Moore Textiles reveal an entirely new dimension to this well-known artist.

A Living Work of Art

A Living Work of Art
Author: Norton Simon Museum (Pasadena, Calif.)
Publisher: Lucia Marquand
Total Pages: 0
Release: 2015
Genre: Sculpture gardens
ISBN: 9780989195614

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A Living Work of Art: The Norton Simon Museum Sculpture Garden tells the fascinating story of the evolution of the Museum property into the lush and inspiring garden it is today. After a rich history as a California landmark and art institution, the Museum and garden underwent a major renovation in the late 1990s under the direction of architect Frank Gehry. As part of the Museum's renovation, landscape designer Nancy Goslee Power reimagined the property, transforming it into a verdant park inspired by Monet's garden at Giverny. The spectacular pond and year-round palette of color delight visitors, as do the monumental sculptures that greet visitors at the entrance, and then surprise those exploring the meandering paths in the main garden: works by Aristide Maillol, Auguste Rodin, Henry Moore, Barbara Hepworth, Robert Rauschenberg, and others. The lower garden, with Indian and Cambodian sculptures, provides a contemplative backdrop for the Museum's South and Southeast Asian collection. Contents: Acknowledgments; Foreword; Introduction by Sally A. Swaney; The Garden by Nancy Goslee Power; American and European Sculpture by Leah Lehmbeck, Tom Norris and Gloria Williams Sander; Indian and Southeast Asian Sculpture by Melody Rod-ari; Selected Bibliography; Index; Image Credits and Permissions.

Lyme in Mind

Lyme in Mind
Author: Florence Griswold Museum
Publisher:
Total Pages: 68
Release: 2009
Genre: Art
ISBN:

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"This catalogue was published in conjunction with the exhibition Lyme in Mind: The Clement C. Moore Collection at the Florence Griswold Museum, Old Lyme, Connecticut, July 18-October 18, 2009."

Circles and Squares

Circles and Squares
Author: Caroline Maclean
Publisher: Bloomsbury Publishing
Total Pages: 320
Release: 2021-05-27
Genre: Art
ISBN: 1526643693

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A spellbinding portrait of the Hampstead Modernists, threading together the lives, loves, rivalries and ambitions of a group of artists at the heart of an international avant-garde. Hampstead in the 1930s. In this peaceful, verdant London suburb, Barbara Hepworth and Ben Nicholson have embarked on a love affair – a passion that will launch an era-defining art movement. In her chronicle of the exhilarating rise and fall of British Modernism, Caroline Maclean captures the dazzling circle drawn into Hepworth and Nicholson's wake: among them Henry Moore, Paul Nash, Herbert Read, and famed émigrés Walter Gropius, founder of the Bauhaus, and Piet Mondrian, blown in on the winds of change sweeping across Europe. Living and working within a few streets of their Parkhill Road studios, the artists form Unit One, a cornerstone of the Modernist movement which would bring them international renown. Drawing on previously unpublished archive material, Caroline Maclean's electrifying Circles and Squares brings the work, loves and rivalries of the Hampstead Modernists to life as never before, capturing a brief moment in time when a new way of living seemed possible. United in their belief in art's power to change the world, her cast of trailblazers radiate hope and ambition during one of the darkest chapters of the twentieth century.

Studio Lives

Studio Lives
Author: Louise Campbell
Publisher: Lund Humphries Publishers Limited
Total Pages: 0
Release: 2019
Genre: Architecture
ISBN: 9781848223134

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By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.