Gentse bijdragen tot de kunstgeschiedenis en oudheidkunde
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Total Pages | : 320 |
Release | : 1996 |
Genre | : Archaeology |
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Author | : |
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Total Pages | : 320 |
Release | : 1996 |
Genre | : Archaeology |
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Total Pages | : 246 |
Release | : 1969 |
Genre | : Archaeology |
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Author | : |
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Total Pages | : 736 |
Release | : 1981 |
Genre | : Art |
ISBN | : |
Author | : |
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Total Pages | : 246 |
Release | : 1969 |
Genre | : Archaeology |
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Total Pages | : 0 |
Release | : 1952 |
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Author | : Clara Eugenia Núñez |
Publisher | : Universidad de Sevilla |
Total Pages | : 196 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9788447204403 |
Analiza aspectos económicos del Arte: mercados, relación con la producción, barómetro del bienestar, precios, comercio, ventas públicas, demandas de Cortes, etc.
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Total Pages | : 232 |
Release | : 1981 |
Genre | : Art |
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Author | : Hans Vlieghe |
Publisher | : Yale University Press |
Total Pages | : 356 |
Release | : 1998-01-01 |
Genre | : Art |
ISBN | : 9780300104691 |
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
Author | : Thomas P. Campbell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 575 |
Release | : 2007 |
Genre | : Design |
ISBN | : 1588392309 |
Author | : Susan Merriam |
Publisher | : Routledge |
Total Pages | : 223 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549065 |
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.