Futurism considered
Author | : Richard Gwatkin |
Publisher | : |
Total Pages | : 80 |
Release | : 1860 |
Genre | : Bible |
ISBN | : |
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Author | : Richard Gwatkin |
Publisher | : |
Total Pages | : 80 |
Release | : 1860 |
Genre | : Bible |
ISBN | : |
Author | : Giovanni Lista |
Publisher | : |
Total Pages | : 172 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
Published to accompany the exhibition held at the Estorick Collection of Modern Italian Art, London, 24 January - 22 April 2001.
Author | : Andrew Harrison |
Publisher | : Rodopi |
Total Pages | : 274 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9789042011953 |
The significance of D. H. Lawrence's reading of two Italian Futurist volumes in the summer of 1914 is widely acknowledged, but the nature of its significance has not been more closely examined, nor traced through his major fictional and discursive writings of the Great War and its aftermath. D. H. Lawrence and Italian Futurism addresses the oversight, firstly by examining the context to Lawrence's now famous June 1914 letters concerning Futurism; secondly, by placing Futurism - and Lawrence's interest in Futurism - in the light of the movement's intellectual indebtedness to nineteenth-century Naturalism; and, thirdly, by providing new readings of The Rainbow, Women in Love and Studies in Classic American Literature which draw on these contextual materials. The book's form will make it attractive to scholars and students of European modernism as well as to those interested in the works of D. H. Lawrence.
Author | : Geert Buelens |
Publisher | : Lexington Books |
Total Pages | : 445 |
Release | : 2012-08-31 |
Genre | : History |
ISBN | : 0739173871 |
Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
Author | : Günter Berghaus |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 984 |
Release | : 2018-12-17 |
Genre | : Art |
ISBN | : 311027356X |
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
Author | : David Mather |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 247 |
Release | : 2020-10-29 |
Genre | : Photography |
ISBN | : 1501343106 |
Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early 20th century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to the historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions.
Author | : Christine Poggi |
Publisher | : Princeton University Press |
Total Pages | : 418 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780691133706 |
In 1909 the poet Filippo Tommaso Marinetti published the founding manifesto of Italian Futurism, an inflammatory celebration of "the love of danger" and "the beauty of speed" that provoked readers to take aggressive action and "glorify war--the world's only hygiene." Marinetti's words unleashed an influential artistic and political movement that has since been neglected owing to its exaltation of violence and nationalism, its overt manipulation of mass media channels, and its associations with Fascism. Inventing Futurism is a major reassessment of Futurism that reintegrates it into the history of twentieth-century avant-garde artistic movements. Countering the standard view of Futurism as naïvely bellicose, Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists--toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.
Author | : R. Bruce Elder |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 591 |
Release | : 2018-06-30 |
Genre | : Performing Arts |
ISBN | : 1771122722 |
Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these were the issues that passed back and forth between the two. Cubism and Futurism: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism examines the similarity and differences between the two movements’ engagement with the new science of energy and shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.
Author | : Heike Paul |
Publisher | : Springer Nature |
Total Pages | : 334 |
Release | : 2019-12-02 |
Genre | : Social Science |
ISBN | : 3030289877 |
This volume provides the essential vocabulary currently employed in discourses on the future in 50 contributions by renowned scholars in their respective fields, which examine future imaginaries across cultures and time. Not situated in the field of “futurology” proper, it comes at future studies ‘sideways’ and offers a multidisciplinary treatment of a critical futures’ vocabulary. The contributors have their disciplinary homes in a wide range of subjects – history, cultural studies, literary studies, sociology, media studies, American studies, Japanese studies, Chinese studies, and philosophy – and critically illuminate numerous discourses about the future (or futures), past and present. In compiling such a critical vocabulary, this book seeks to foster conversations about futures in study programs and research forums and offers a toolbox for discussing them with an adequate degree of complexity.
Author | : |
Publisher | : BRILL |
Total Pages | : 398 |
Release | : 2016-08-09 |
Genre | : Art |
ISBN | : 9042027487 |
This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.