Estampes and and Mod. and Dessins
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Release | : 1907 |
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Release | : 1907 |
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Author | : Tadamasa Hayashi |
Publisher | : Nabu Press |
Total Pages | : 520 |
Release | : 2013-09 |
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ISBN | : 9781289723224 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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Release | : 1853 |
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Release | : 2006 |
Genre | : Art |
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Author | : Sagot-Le Garrec |
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Release | : 2012 |
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Author | : Edmond de Goncourt |
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Total Pages | : 7 |
Release | : 1897 |
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Author | : Louis Thies |
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Total Pages | : 590 |
Release | : 1869 |
Genre | : Engravers |
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Author | : Arthur M. Hind |
Publisher | : Courier Corporation |
Total Pages | : 513 |
Release | : 2011-10-30 |
Genre | : Art |
ISBN | : 0486148874 |
British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.
Author | : Fogg Museum of Art |
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Total Pages | : 590 |
Release | : 1869 |
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Author | : Ruth E. Iskin |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 308 |
Release | : 2019-12-12 |
Genre | : Art |
ISBN | : 1501338501 |
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.