David Askevold
Author | : David Askevold |
Publisher | : |
Total Pages | : 47 |
Release | : 1980 |
Genre | : |
ISBN | : |
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Author | : David Askevold |
Publisher | : |
Total Pages | : 47 |
Release | : 1980 |
Genre | : |
ISBN | : |
Author | : Tony Oursler |
Publisher | : |
Total Pages | : 6 |
Release | : 2011 |
Genre | : Conceptual art |
ISBN | : 9781907208195 |
Author | : David Askevold |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9780864926593 |
David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre's formative texts and exhibitions. This illustrated volume takes readers on an eclectic journey through the various strains of Askevold's pioneering practice -- sculpture/installation, film and video, photography and photo-text works, and digital imagery. David Askevold moved from Kansas City to Halifax in 1968 to lecture at the Nova Scotia College of Art and Design. During the early 1970s, his famous Projects Class brought such artists as Sol Lewitt, Vito Acconci, John Baldessari, Dan Graham, and Lawrence Weiner to work with his students, focusing critical attention on his adopted city and on his own unorthodox approach to making art. He quickly became on one of the most important conceptual artists practicing in Canada and throughout his career he remained at the vanguard of contemporary practice. David Askevold: Once Upon a Time in the East features essays by celebrated writer-curators Ray Cronin, Peggy Gale, Richard Hertz (author of The Beat and the Buzz), and Irene Tsatsos as well as several of Askevold's contemporaries including Aaron Brewer, Tony Oursler, and Mario Garcia Torres. It accompanies an exhibition that will open at the National Gallery of Canada in October 2011 and will tour thereafter to the Confederation Centre of the Arts in Charlottetown and the Art Gallery of Nova Scotia in Halifax.
Author | : David Askevold |
Publisher | : |
Total Pages | : |
Release | : 1974* |
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ISBN | : |
Author | : David Askevold |
Publisher | : |
Total Pages | : 6 |
Release | : 2004 |
Genre | : Performance art |
ISBN | : |
Author | : Rosalind E. Krauss |
Publisher | : MIT Press |
Total Pages | : 324 |
Release | : 1986-07-09 |
Genre | : Design |
ISBN | : 9780262610469 |
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Author | : David Askevold [1940-] |
Publisher | : |
Total Pages | : 52 |
Release | : 1980 |
Genre | : Artists' books |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 0 |
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Author | : Terry Graff |
Publisher | : Charlottetown, P.E.I. : Confederation Centre Art Gallery & Museum |
Total Pages | : 86 |
Release | : 1998-01-01 |
Genre | : Art |
ISBN | : 9780920089521 |