Faces of Tradition in Chinese Performing Arts

Faces of Tradition in Chinese Performing Arts
Author: Levi S. Gibbs
Publisher: Indiana University Press
Total Pages: 189
Release: 2020-02-11
Genre: Music
ISBN: 025304586X

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Faces of Tradition in Chinese Performing Arts examines the key role of the individual in the development of traditional Chinese performing arts such as music and dance. These artists and their artistic works–the "faces of tradition"–come to represent and reconfigure broader fields of cultural production in China today. The contributors to this volume explore the ways in which performances and recordings, including singing competitions, textual anthologies, ethnographic videos, and CD albums, serve as discursive spaces where individuals engage with and redefine larger traditions and themselves. By focusing on the performance, scholarship, collection, and teaching of instrumental music, folksong, and classical dance from a variety of disciplines–these case studies highlight the importance of the individual in determining how traditions have been and are represented, maintained, and cultivated.

Faces of Tradition in Chinese Performing Arts

Faces of Tradition in Chinese Performing Arts
Author: Levi S. Gibbs
Publisher: Indiana University Press
Total Pages: 126
Release: 2020-02-11
Genre: Music
ISBN: 0253045851

Download Faces of Tradition in Chinese Performing Arts Book in PDF, Epub and Kindle

Faces of Tradition in Chinese Performing Arts examines the key role of the individual in the development of traditional Chinese performing arts such as music and dance. These artists and their artistic works–the "faces of tradition"–come to represent and reconfigure broader fields of cultural production in China today. The contributors to this volume explore the ways in which performances and recordings, including singing competitions, textual anthologies, ethnographic videos, and CD albums, serve as discursive spaces where individuals engage with and redefine larger traditions and themselves. By focusing on the performance, scholarship, collection, and teaching of instrumental music, folksong, and classical dance from a variety of disciplines–these case studies highlight the importance of the individual in determining how traditions have been and are represented, maintained, and cultivated.

Rethinking Chinese Socialist Theaters of Reform

Rethinking Chinese Socialist Theaters of Reform
Author: Xiaomei Chen
Publisher: University of Michigan Press
Total Pages: 321
Release: 2021-03-01
Genre: Performing Arts
ISBN: 047207475X

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The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.

The Performing Arts in Contemporary China

The Performing Arts in Contemporary China
Author: Colin Mackerras
Publisher: Routledge
Total Pages: 232
Release: 2022-05-17
Genre: Social Science
ISBN: 1000583082

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The overthrow of the ‘gang of four’ in 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be seen more clearly than in the performing arts. Jiang Qing, Mao Zedong’s widow, was strongly interested in the performing arts and exercised great influence over them. Professor Mackerras describes this influence and the effects its removal had on the arts in the years after Mao’s death, as well as in the years following the Cultural Revolution. This book, first published in 1981, deals not only with opera, the spoken play, music and dance but also with cinema, describing how in all these cases the Chinese have adapted traditional art forms for political, social and propagandist purposes, both domestic and international. It charts the transformations that have taken place in all the multiple aspects of the performing arts and sets them against the development of Chinese society as a whole. It also looks at the role of the actor and performer in society, including their training, social status and livelihood.

Chinatown Opera Theater in North America

Chinatown Opera Theater in North America
Author: Nancy Yunhwa Rao
Publisher: University of Illinois Press
Total Pages: 434
Release: 2017-01-11
Genre: Performing Arts
ISBN: 0252099001

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Awards: Irving Lowens Award, Society for American Music (SAM), 2019 Music in American Culture Award, American Musicological Society (AMS), 2018 Certificate of Merit for Best Historical Research in Recorded Country, Folk, Roots, or World Music, Association for Recorded Sound Collections (ARSC), 2018 Outstanding Achievement in Humanities and Cultural Studies: Media, Visual, and Performance Studies, Association for Asian American Studies (AAAS), 2019 The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.

Art in Turmoil

Art in Turmoil
Author: Richard King
Publisher: UBC Press
Total Pages: 318
Release: 2010
Genre: Art
ISBN: 0774815426

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Chapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution decode the rhetoric of China's turbulent decade. The many illustrations in the book, some familiar and some never seen before, also offer new insights into works that have transcended their times."--BOOK JACKET.

Chinese Performing Arts

Chinese Performing Arts
Author: Source Wikipedia
Publisher: University-Press.org
Total Pages: 80
Release: 2013-09
Genre:
ISBN: 9781230609270

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 78. Chapters: Chinese dancers, Chinese drama, Chinese opera, Chinese plays, Dances of China, Performing arts in Hong Kong, Theatre in China, Xiangsheng, Zhang Ziyi, Culture of the Song Dynasty, Lion dance, Han Geng, Nuo opera, Shadow play, Kouji, Li Jinhui, Dashan, Dragon dance, Four Arts of the Chinese Scholar, Sun Rui, Victoria Song, Romance of the West Chamber, Anson Hu, Zhao Yongxin, Xiao Shunyao, Theatre of China, Han Lao Da, Tan Jianci, Chi YueHan, Chungliang Al Huang, Li Cunxin, The Hong Kong Academy for Performing Arts, Circle of Chalk, Taiwanese opera, ZNS, Karjam Saeji, Lisa Lu, Liao Zilan, Qinqiang, Sichuan opera, Bian lian, Huangmei opera, Kunqu, Chinese variety art, Ma Ji, The Other Shore, Yuan Xuefen, Jia Ruhan, Quyi, Pingshu, Orphan of Zhao, Yangge, Chinese television drama, Secret Love for the Peach Blossom Spring, Huaguxi, Guo Degang, Performance art in China, Nanxi, Hou Yaowen, Shuochang, Ma Sanli, Jiju, Yang Liping, Huju, Wang Shaotang, Hai Rui Dismissed from Office, Chen Shi-Zheng, Feng Gong, The Injustice to Dou E, Yueju opera, Gaojia opera, CCTV-11, Pear Garden, The Fragrant Companion, Hong Took Tong Chinese Dramatic Company, Rhinoceros in love, Liyuan opera, Henan opera, Hebei bangzi, Min opera, Er ren zhuan, Jiangsu Province Kunqu Theatre, Chen Ailian, Tim Wong, Shulaibao, Wuju, Four Great Characteristic Melodies, Huiju, Suzhou Museum of Opera and Theatre, Tea-picking opera, Baishou Dance, Yunbai, Pingju, Luju, Puju, Longjiang opera, Luju, Dunhuang dance, Ouju. Excerpt: The Song Dynasty (960-1279 AD) was a culturally-rich and sophisticated age for China. There was blossoming of and advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while...

Performing Images

Performing Images
Author: Judith T. Zeitlin
Publisher: Smart Museum of Art, the University of C
Total Pages: 0
Release: 2014
Genre: Art and society
ISBN: 9780935573558

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Writing in the early nineteenth century, the French traveler and cleric Abbé Huc exclaimed: "There is, perhaps, not a people in the world who carry so far their taste and passion for theatrical entertainments as the Chinese.” This taste and passion for the theater was not restricted to the stage, but permeated the visual and material world of everyday life from the village to the court. The visual spectacle of this theater is well known, displayed primarily through colorful costumes, props, and face painting. What is less known is the extent to which operatic characters and stories were favored as pictorial and decorative motifs across the full spectrum of visual mediums, from courtly scroll paintings, popular New Year prints, illustrated woodblock books and painted fans to carved utensils, ceramics, textiles, and dioramas.

Chinese Theatre

Chinese Theatre
Author: Jin Fu
Publisher: Cambridge University Press
Total Pages: 145
Release: 2012-03-09
Genre: Drama
ISBN: 0521186668

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Chinese opera has a history of over 800 years. However, since the early twentieth century, following increased contact with the West, drama without music has also become popular in China. The development and prosperity of modern drama has created a new landscape for Chinese theater, which, as a whole, has become more diverse.