Change at Shebika
Author | : Jean Duvignaud |
Publisher | : |
Total Pages | : 348 |
Release | : 1977 |
Genre | : Social Science |
ISBN | : 9780292710412 |
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Author | : Jean Duvignaud |
Publisher | : |
Total Pages | : 348 |
Release | : 1977 |
Genre | : Social Science |
ISBN | : 9780292710412 |
Author | : Jane E. Goodman |
Publisher | : Indiana University Press |
Total Pages | : 262 |
Release | : 2005-11-03 |
Genre | : Social Science |
ISBN | : 9780253111456 |
"[S]ure to interest a number of different audiences, from language and music scholars to specialists on North Africa.... a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." -- John Bowen, Washington University In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved global visibility.
Author | : Russell Stone |
Publisher | : State University of New York Press |
Total Pages | : 364 |
Release | : 1976-06-30 |
Genre | : Social Science |
ISBN | : 1438421397 |
An interdisciplinary study of various aspects of Tunisian culture.
Author | : Hsain Ilahiane |
Publisher | : University Press of America |
Total Pages | : 250 |
Release | : 2004 |
Genre | : Philosophy |
ISBN | : 9780761828761 |
This ethnography studies how, when, and under what circumstances culture change occurs. It is author Hsain Ilahiane's conviction that culture change directly affects resource use and community building processes. This study investigates the relationship between ethnicity and agricultural production at the household level, as well as the result of recent ethnic transformations in the restructuring of patterns of land access and social mobility within ethnically stratified communities. Ilahiane focuses specifically on the intensive farming systems of Morocco's Ziz Oasis, a 250 km long expanse watered by the Ziz River. Surrounded by Saharan desert, the valley houses a dense, rapidly grown, and ethnically diverse population of Arabs, Berbers, and Haratine (blacks). The author employs a varied body of data collected during fieldwork, including ethnographic accounts, oral histories and colonial archival records, and socio-economic and ecological findings based on a household questionnaire strategy.
Author | : |
Publisher | : |
Total Pages | : 362 |
Release | : 1984 |
Genre | : Cross-cultural studies |
ISBN | : |
Author | : Robert D. Lee |
Publisher | : Routledge |
Total Pages | : 192 |
Release | : 2018-02-12 |
Genre | : Political Science |
ISBN | : 0429978154 |
“Authenticity” has begun to rival “development” as a key to understanding the political aspirations of the Islamic world. Almost everywhere modernity has laid waste to tradition, those habits and practices deemed to be timeless and true. Imperialism carried European notions of progress into Muslim-dominated parts of the globe, and subsequently Muslims themselves espoused Western practices, techniques, and philosophies. Regimes calling themselves liberal, socialist, and Arab nationalist all embraced modernity as their principal objective. Most of these regimes failed to create the promised better lives their citizens desired. Moreover, ordinary Muslims felt despair as modernity ripped apart families, exposed youngsters to the materialism and hedonism of Western entertainments, heightened social expectations, and undermined religious belief. Even though tradition has proved itself incapable of staving off modernity, the promises and premises of modern development literature have been called into question. Where is the truth around which Muslims can rally? Does modernity require a rejection of tradition? Does the embrace of Islamic ideas necessitate turning away from modernity? Robert D. Lee explores these compelling questions by presenting four contemporary Muslim writers—Muhammad Iqbal, Sayyid Qutb, ‘Ali Shari’ati, and Mohammed Arkoun—all of whom have refused to bow to such a dichotomy of modernity and tradition. This study examines their efforts, deeply influenced by European thinking, to find a truth beyond tradition and modernity—an “authentic” understanding of Islam upon which Muslims can build a future. All four thinkers believe such an authentic understanding can serve as the foundation for a new politics. Lee argues, however, that each of these versions of authenticity suffers shortcomings and falters in its efforts to move from the particularity of culture onto a grander scale of political organization appropriate for the modern world.
Author | : University of Texas Press |
Publisher | : University of Texas Press |
Total Pages | : 228 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780292785380 |
50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing.
Author | : Karl G. Heider |
Publisher | : University of Texas Press |
Total Pages | : 181 |
Release | : 2009-04-20 |
Genre | : Performing Arts |
ISBN | : 0292779399 |
From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
Author | : Donald Black |
Publisher | : Oxford University Press |
Total Pages | : 303 |
Release | : 2011-02-01 |
Genre | : Social Science |
ISBN | : 0199750726 |
Conflict is ubiquitous and inevitable, but people generally dislike it and try to prevent or avoid it as much as possible. So why do clashes of right and wrong occur? And why are some more serious than others? In Moral Time, sociologist Donald Black presents a new theory of conflict that provides answers to these and many other questions. The heart of the theory is a completely new concept of social time. Black claims that the root cause of conflict is the movement of social time, including relational, vertical, and cultural time--changes in intimacy, inequality, and diversity. The theory of moral time reveals the causes of conflict in all human relationships, from marital and other close relationships to those between strangers, ethnic groups, and entire societies. Moreover, the theory explains the origins and clash of right and wrong not only in modern societies but across the world and across history, from conflict concerning sexual behavior such as rape, adultery, and homosexuality, to bad manners and dislike in everyday life, theft and other crime, racism, anti-Semitism, anti-Americanism, witchcraft accusations, warfare, heresy, obscenity, creativity, and insanity. Black concludes by explaining the evolution of conflict and morality across human history, from the tribal to the modern age. He also provides surprising insights into the postmodern emergence of the right to happiness and the expanding rights of humans and non-humans across the world. Moral Time offers an incisive, powerful, and radically new understanding of human conflict--a fundamental and inescapable feature of social life.
Author | : Ruth M. Stone |
Publisher | : Routledge |
Total Pages | : 923 |
Release | : 2010-04-02 |
Genre | : Music |
ISBN | : 1135900000 |
The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.