The Black Side of the River

The Black Side of the River
Author: Jessica A. Grieser
Publisher: Georgetown University Press
Total Pages: 242
Release: 2022-02-01
Genre: Social Science
ISBN: 1647121531

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In The Black Side of the River, sociolinguist Jessi Grieser draws on ten years of interviews with dozens of residents of Anacostia–a historically Black neighborhood in Washington, DC–to explore the impact of urban change on Black culture, identity, and language. Grieser’s work is a call to center Black lived experiences in urban research.

Black on Both Sides

Black on Both Sides
Author: C. Riley Snorton
Publisher: U of Minnesota Press
Total Pages: 262
Release: 2017-12-05
Genre: Social Science
ISBN: 1452955859

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Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America’s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

The Beast Side

The Beast Side
Author: D. Watkins
Publisher: Simon and Schuster
Total Pages: 173
Release: 2016-09-27
Genre: Social Science
ISBN: 1510716408

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A New York Times Best Seller! To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order. Suddenly the entire country seemed to be awakened to a stark fact: African American men are in danger in America. This has only become clearer as groups like Black Lives Matter continue to draw attention to this reality daily not only online but also in the streets of our nation’s embattled cities. Now one of our country’s quintessential urban war zones is brought powerfully to life by a rising young literary talent, D. Watkins. The author fought his way up on the eastside (the “beastside”) of Baltimore, Maryland—or “Bodymore, Murderland,” as his friends call it. He writes openly and unapologetically about what it took to survive life on the streets while the casualties piled up around him, including his own brother. Watkins pushed drugs to pay his way through school, staying one step ahead of murderous business rivals and equally predatory lawmen. When black residents of Baltimore finally decided they had had enough—after the brutal killing of twenty-five-year-old Freddie Gray while in police custody—Watkins was on the streets as the city erupted. He writes about his bleeding city with the razor-sharp insights of someone who bleeds along with it. Here are true dispatches from the other side of America. In this new paperback edition, the author has also added new material responding to the rising tide of racial resentment and hate embodied by political figures like Donald Trump and Ted Cruz, and the impact this has had on issues of race in America. This book is essential reading for anyone trying to make sense of the chaos of our current political moment.

White Screens/Black Images

White Screens/Black Images
Author: James Snead
Publisher: Routledge
Total Pages: 176
Release: 2016-07-22
Genre: Social Science
ISBN: 1135199590

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Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture.

The Black Side of the River

The Black Side of the River
Author: Jessica A. Grieser
Publisher: Georgetown University Press
Total Pages: 242
Release: 2022
Genre: History
ISBN: 1647121523

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Introduction : "I expected the streets to be paved with gold": Anacostia and Washington, DC in the Black Imagination -- Racializing Gentrification through Discourse -- Repositioning Anacostia : Circulating Insider Discourses to Counteract Outsider Views -- "They Ain't Make Improvements for Us" : Place-making with African American Language -- Race, Geography, and Agency East of the River -- Conclusion : Bridging the River.

The Black Side of the Fence

The Black Side of the Fence
Author: Myrtha McKinney
Publisher: AuthorHouse
Total Pages: 123
Release: 2014-11-25
Genre: Poetry
ISBN: 1496951840

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The Black Side of the Fence is a book spanning over twenty years of her life experiences.

Blood Runs Cold on the Black Side of the Mountain

Blood Runs Cold on the Black Side of the Mountain
Author: Corinne F. Gerwe
Publisher: Algora Publishing
Total Pages: 227
Release: 2013
Genre: Biography & Autobiography
ISBN: 1628940050

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Professional bear hunter and woodsman Bobby Burris was raised to hunt and poach on the famous Biltmore Estate lands and forest located adjacent to his family's homestead near Asheville, North Carolina. He was ruled by a tyrannical father who taught him to ignore the law and engaged him in an array of illegal activities from an early age, at which time he witnessed a notorious still-unsolved crime and murder. He was forced to participate in other crimes and retaliations during his adolescence under his father's direction. Rebelling against him, Bobby became a young renegade and formed his own small criminal organization in Asheville that extended beyond the region with links to the Italian and Mexican mafias and drug trafficking routes from Los Angeles to Philadelphia. His life from childhood into adulthood, under a Machiavellian authority, eventually led to his arrest and incarceration in a Federal prison where he by mere chance became a bodyguard for a mob boss of a major New York crime family. His road to perdition was interrupted by a vision that transformed him in the midst of this setting and began within him a process of rebelling once more against a life of crime that he'd been forced into since childhood. The story takes place against a backdrop of mountain wilderness and people with a long history of isolation, independence, and rebellion against authority. From a family of moonshine bootleggers, a legacy of crime developed from father to son that began with illegal poaching on the vast acreage of the magnificent Biltmore Estate and its forestlands, hunting parties with politically connected cronies from Asheville's "old boy"network, a series of hidden crimes, cruelties, and cover-ups that led to the monstrous formation of a young man with the brutalized heart of a stone cold killer. This story inflects the true crime genre with a psychological perspective, revealing unsolved mysteries, secret societies, bold adventure set within regional history, and family drama with a focus on the father/son relationship involving murder, sin and redemption. Bobby's journey from the black side of the mountain through a wilderness of transforming enlightenment is an exciting, intriguing, and inspiring story of physical and psychological survival. The book glows with a loving appreciation for the good that lies deep within some of the most hardened hearts, just as the setting, deep in the Appalachian Mountains, is shown bursting with images of spectacular beauty and the rich bounty of nature even while danger may lurk at every turn.

The Other Side of Terror

The Other Side of Terror
Author: Erica R. Edwards
Publisher: NYU Press
Total Pages: 408
Release: 2021-08-10
Genre: Literary Criticism
ISBN: 1479808407

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WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

A White Side of Black Britain

A White Side of Black Britain
Author: France Winddance Twine
Publisher: Duke University Press
Total Pages: 325
Release: 2010
Genre: Family & Relationships
ISBN: 0822348764

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An ethnographic analysis of the racial consciousness of white transracial women who have established families and had children with black men of African Caribbean heritage in the United Kingdom.

Sure, I'll Be Your Black Friend

Sure, I'll Be Your Black Friend
Author: Ben Philippe
Publisher: HarperCollins
Total Pages: 322
Release: 2021-04-27
Genre: Humor
ISBN: 0063026457

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It is a truth universally acknowledged that a good white person of liberal leanings must be in want of a Black friend. In the biting, hilarious vein of What Doesn’t Kill You Makes You Blacker and We Are Never Meeting in Real Life comes Ben Philippe’s candid memoir-in-essays, chronicling a lifetime of being the Black friend (see also: foreign kid, boyfriend, coworker, student, teacher, roommate, enemy) in predominantly white spaces. In an era in which “I have many black friends” is often a medal of Wokeness, Ben hilariously chronicles the experience of being on the receiving end of those fist bumps. He takes us through his immigrant childhood, from wanting nothing more than friends to sit with at lunch, to his awkward teenage years, to college in the age of Obama, and adulthood in the Trump administration—two sides of the same American coin. Ben takes his role as your new black friend seriously, providing original and borrowed wisdom on stereotypes, slurs, the whole “swimming thing,” how much Beyoncé is too much Beyoncé, Black Girl Magic, the rise of the Karens, affirmative action, the Black Lives Matter movement, and other conversations you might want to have with your new BBFF. Oscillating between the impulse to be "one of the good ones" and the occasional need to excuse himself to the restrooms, stuff his mouth with toilet paper, and scream, Ben navigates his own Blackness as an "Oreo" with too many opinions for his father’s liking, an encyclopedic knowledge of CW teen dramas, and a mouth he can't always control. From cheating his way out of swim tests to discovering stray family members in unlikely places, he finds the punchline in the serious while acknowledging the blunt truths of existing as a Black man in today’s world. Extremely timely, Sure, I’ll Be Your Black Friend is a conversational take on topics both light and heavy, universal and deeply personal, which reveals incisive truths about the need for connection in all of us.