Exploring Movie Construction and Production

Exploring Movie Construction and Production
Author: John Reich
Publisher: Open SUNY Textbooks
Total Pages:
Release: 2017-07-10
Genre:
ISBN: 9781942341475

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Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Aspects of Film Series

Aspects of Film Series
Author: Garth S. Jowett
Publisher:
Total Pages:
Release: 1978-09
Genre:
ISBN: 9780405111259

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Introduction to XXX (film series)

Introduction to XXX (film series)
Author: Gilad James, PhD
Publisher: Gilad James Mystery School
Total Pages: 79
Release:
Genre: Fiction
ISBN: 7490339324

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XXX is an action film series that follows the adventures of Xander Cage, a rebellious and adventurous extreme sports athlete who is recruited by the National Security Agency to become an undercover agent. The first film was released in 2002, starring Vin Diesel as Xander Cage and directed by Rob Cohen. The film received mixed reviews from critics, but was a box office success. It was followed by a sequel, XXX: State of the Union, released in 2005 and starring Ice Cube as the protagonist. The film was not as well received by critics and did not perform as well at the box office as its predecessor. In 2017, a third installment of the series, titled XXX: Return of Xander Cage, was released, again starring Vin Diesel as Xander Cage. The film received mixed reviews from critics and was moderately successful at the box office. Despite the mixed reception of the series, XXX has developed a loyal fanbase and is known for its high-octane action sequences, over-the-top stunts, and larger-than-life characters.

Film and Stereotype

Film and Stereotype
Author: Jörg Schweinitz
Publisher: Columbia University Press
Total Pages: 382
Release: 2011
Genre: History
ISBN: 0231151497

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Since the early days of film, critics and theorists have contested the value of formula, cliché, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jörg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Béla Balázs, Hugo Münsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as René Fülöp-Miller and Gilbert Cohen-Séat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.

Film Music: A Very Short Introduction

Film Music: A Very Short Introduction
Author: Kathryn Kalinak
Publisher: Oxford University Press
Total Pages: 162
Release: 2010-03-11
Genre: Performing Arts
ISBN: 0199707979

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Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Film Facts

Film Facts
Author: Patrick Robertson
Publisher:
Total Pages: 256
Release: 2001
Genre: Motion pictures
ISBN: 9781854106544

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The biggest, the smallest, the longest, the shortest, the first, the latest,he best, the worst. Film Facts contains the answer to every imaginableuestion about films, stars, directors, producers, writers, and the 110-yearistory of cinema.

Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies

Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies
Author: Seçmen, Emre Ahmet
Publisher: IGI Global
Total Pages: 283
Release: 2024-07-17
Genre: Art
ISBN:

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The study of ideology and narratology in film reveals intricate layers of meaning and cultural significance embedded within cinematic narratives. This exploration delves into how ideologies are conveyed, reinforced, or challenged across multiple installments of a film franchise. By analyzing the narrative structures, character developments, and thematic continuities, scholars can uncover the underlying messages and societal implications that shape audience perceptions. Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies explores the complex narrative and ideological dimensions within multi-installment cinematic works. It investigates how sequential storytelling in film not only entertains but also reflects and shapes cultural, social, and political ideologies. By examining narrative structures in film series and franchises, this book reveals the subtle ways in which ideologies are constructed, perpetuated, or subverted. Covering topics such as narrative complexity, psychoanalytical analysis, and ideology, this book is a valuable resource for academicians, researchers, post-graduate students, educators, sociologists, and more.

Film Studies

Film Studies
Author: Ed Sikov
Publisher: Columbia University Press
Total Pages: 236
Release: 2010
Genre: Performing Arts
ISBN: 9780231142939

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American film scholar Ed Sikov discusses all aspects of narrative films, describing mise-en-scéne, the significance of montages, editing, lighting, the use of color and sound, and related topics; and providing practical advice, suggested assignments, and other resources.

A Short Guide to Writing about Film

A Short Guide to Writing about Film
Author: Timothy Corrigan
Publisher:
Total Pages: 0
Release: 2015
Genre: Language Arts & Disciplines
ISBN: 9780321965240

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This best-selling text is a succinct guide to thinking critically and writing precisely about film. Both an introduction to film study and a practical writing guide, this brief text introduces students to major film theories as well as film terminology, enabling them to write more thoughtfully and critically. With numerous student and professional examples, this engaging and practical guide progresses from taking notes and writing first drafts to creating polished essays and comprehensive research projects. Moving from movie reviews to theoretical and critical essays, the text demonstrates how an analysis of a film can become more subtle and rigorous as part of a compositional process.

Film Studies, second edition

Film Studies, second edition
Author: Ed Sikov
Publisher: Columbia University Press
Total Pages: 236
Release: 2020-06-09
Genre: Performing Arts
ISBN: 0231551568

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Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director’s use of camera movement. Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the reader’s understanding of the formal language and anatomy of film and the techniques of film analysis. The second edition of this best-selling textbook adds two new chapters: “Film and Ideology,” which covers how to read a film’s political and social content, and other key topics in film theory, and “Film Studies in the Age of Digital Cinema,” which explores the central problems of studying film when “film” itself is no longer the medium.