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| Author | : Hasan Kuruyazıcı |
| Publisher | : |
| Total Pages | : 172 |
| Release | : 2010 |
| Genre | : Architects |
| ISBN | : |
Architecture, Armenian; Istanbul (Turkey); architecture; history; exhibitions.
| Author | : Hasan Kuruyazıcı |
| Publisher | : |
| Total Pages | : 167 |
| Release | : 2010 |
| Genre | : Architects |
| ISBN | : |
| Author | : Alyson Wharton |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2015-02-26 |
| Genre | : Political Science |
| ISBN | : 0857738135 |
The Balyan family were a dynasty of architects, builders and property owners who acted as the official architects to the Ottoman Sultans throughout the 18th and 19th centuries. Originally Armenian, the family is responsible for some of the most famous Ottoman buildings in existence, many of which are regarded as masterpieces of their period – including the Dolmabahçe Palace (built between 1843 and 1856), parts of the Topkap? Palace, the Ç?ra?an Palace and the Ortaköy Mosque. Forging a unique style based around European contemporary architecture but with distinctive Ottoman flourishes, the family is an integral part of Ottoman history. As Alyson Wharton's beautifully illustrated book reveals, the Balyan's own history, of falling in and out of favour with increasingly autocratic Sultans, serves as a record of courtly power in the Ottoman era and is uniquely intertwined with the history of Istanbul itself.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : |
| ISBN | : 9789609982702 |
| Author | : Evinc Dogan |
| Publisher | : Transnational Press London |
| Total Pages | : 222 |
| Release | : 2016-07-31 |
| Genre | : Political Science |
| ISBN | : 1910781266 |
Istanbul “took the stage” as one of the three European Capital of Culture (ECoC) cities in 2010. In this spectacle, the urban spaces were projected as the theatre décor while residents and visitors became the spectators. The images of Istanbul pile up in videos and posters to show the city in every aspect in which everything becomes mishmash and the message gets lost in the chaos. While Istanbul is depicted as a mystified city through Orientalist representations, this image of Istanbul moves between the opposite ends of the contrasting pairs, and in contestation. “Culture, defined as making sense of the world (Hall, 1997: 2), is an integral part of branding a place, which involves cultural exchange (Anholt, 2005: 140). Mega-events may be used as forms of advertising for city marketing and branding, where the signification is not only about production of meaning but also staging of the meaning. The cities hosting mega-events can be turned into the protagonists of the spectacle by showcasing their cultural products as well as cultural being. Thus, what staged there are the city, its image as well as the events. The mega-events are helpful to spread the word about the city, but the meaning is created also through imaging the city and positioning this image in the minds of the people.” CONTENT IntroductionChapter 1: Understanding and dissecting the city imageChapter 2. Marketing the city and the city imageChapter 3. Istanbul: European Capital of Culture 2010Chapter 4. Posters of Istanbul 2010Chapter 5. Istanbul in betweenConclusion
| Author | : AhmetA. Ersoy |
| Publisher | : Routledge |
| Total Pages | : 334 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351576011 |
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.
| Author | : Paolo Girardelli |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 301 |
| Release | : 2019-01-29 |
| Genre | : Art |
| ISBN | : 1527527239 |
This volume represents the first scholarly work in English devoted to the experience of Italian architects and builders in Turkey, as well as in many of the lands once belonging to the Ottoman Empire. Covering a complex cultural and political geography spanning from the Danubian principalities (today’s Romania) to Anatolia and the Aegean region, the book is the result of individual research experiences that were brought together and debated in an international conference in Istanbul in March 2013, organized in collaboration with the Italian Institute of Culture and Boğaziçi University. Grounded on a flexible notion of identitarian boundaries, the book explores a rich transcultural field of encounters and interactions, analyzed and evaluated by scholars from six different countries on the basis of hitherto uncovered archival materials. Forms, ideas, individual mobility of actors and materials, networks of patronage, material and political constraints, and religious and cultural difference all play a significant role in shaping the landscapes, buildings and architectural projects presented and discussed here. From late 18th and early 19th century experiences of interaction between neo-classical backgrounds and westernizing Ottoman forms to the Italian proposals for a Turkish republican iconic landmark like the Ataturk mausoleum in Ankara; from the design of the first Ottoman university building to Ottoman varieties of Art Nouveau and Art Deco, and to the infrastructures and urban developments of the 1950s in Turkey, the book is both a richly illustrated and documented overview of relevant cases, and a critical introduction to one of the most enticing areas of encounter in the global history of 19th and 20th century architecture and design.
| Author | : Özlem Belçim Galip |
| Publisher | : Springer Nature |
| Total Pages | : 226 |
| Release | : 2020-12-12 |
| Genre | : History |
| ISBN | : 3030594009 |
This book explores and comparatively assesses how Armenians as minorities have been represented in modern Turkey from the twentieth century through to the present day, with a particular focus on the period since the first electoral victory of the AKP (Justice and Development Party) in 2002. It examines how social movements led by intellectuals and activists have challenged the Turkish state and called for democratization, and explores key issues related to Armenian identity. Drawing on new social movements theory, this book sheds light on the dynamics of minority identity politics in contemporary Turkey and highlights the importance of political protest.
| Author | : Fatma Müge Göçek |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 448 |
| Release | : 2017-06-30 |
| Genre | : Political Science |
| ISBN | : 1786732289 |
The most significant political development of the post-Cold War era was, arguably, the diffusion of neoliberalism across the globe. Yet behind the illusion of abundance and development, the 'rule of the market' can be violent and destructive, exploiting the environment, dismissing cultural or historical conservation and ignoring individual rights. This book now examines the emergence and consequences of neoliberalism in Turkey. Of particular importance to the study are the contested spaces - those sites of struggle and protest - where the impact of this economic system is challenged or negotiated. The contributors look beyond the neoliberal cities of the West - Istanbul and Ankara - to take into account the rest of the country and the groups that are most negatively affected: such as the Kurds, women and migrants. Chapters consider the complexity of neoliberalism in Turkey, where the power of the market, the agenda of the state, and significantly, the country's past, are shown to have shaped current economic practices and policies. Contested Spaces in Contemporary Turkey sheds new light on the societal processes that are re-shaping modern Turkey, a subject which is of increasing importance considering Erdogan's new model for an Islam-based state and in the aftermath of the July 2016 military coup attempt. It is at the cutting edge of research on urban history and social space and will be a significant resource for scholars of Turkish Studies and Kurdish Studies.
| Author | : Christina Maranci |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2018-09-14 |
| Genre | : Art |
| ISBN | : 019093588X |
Though immediately recognizable in public discourse as a modern state in a political "hot zone," Armenia has a material history and visual culture that reaches back to the Paleolithic era. This book presents a timely and much-needed survey of the arts of Armenia from antiquity to the early eighteenth century C.E. Divided chronologically, it brings into discussion a wide range of media, including architecture, stone sculpture, works in metal, wood, and cloth, manuscript illumination, and ceramic arts. Critically, The Art of Armenia presents this material within historical and archaeological contexts, incorporating the results of specialist literature in various languages. It also positions Armenian art within a range of broader comparative contexts including, but not limited to, the ancient Mediterranean and Near East, Byzantium, the Islamic world, Yuan-dynasty China, and seventeenth-century Europe. The Art of Armenia offers students, scholars, and heritage readers of the Armenian community something long desired but never before available: a complete and authoritative introduction to three thousand years of Armenian art, archaeology, architecture, and design.
