Anselm Reyle: Streifenbilder 2003-2013
Author | : |
Publisher | : |
Total Pages | : 30 |
Release | : 2015-09-28 |
Genre | : |
ISBN | : 9783864421556 |
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Author | : |
Publisher | : |
Total Pages | : 30 |
Release | : 2015-09-28 |
Genre | : |
ISBN | : 9783864421556 |
Author | : Clare Lilley |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2017-10-02 |
Genre | : Art |
ISBN | : 9780714874609 |
A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.
Author | : Bridget Riley |
Publisher | : David Zwirner Books |
Total Pages | : 184 |
Release | : 2014-10-31 |
Genre | : Art |
ISBN | : 0989980979 |
Published on the occasion of Bridget Riley’s major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif. Riley has devoted her practice to actively engaging viewers through elementary shapes such as lines, circles, curves, and squares, creating visual experiences that at times trigger optical sensations of vibration and movement. The London show, her most extensive presentation in the city since her 2003 retrospective at Tate Britain, explored the stunning visual variety she has managed to achieve working exclusively with stripes, manipulating the surfaces of her vibrant canvases through subtle changes in hue, weight, rhythm, and density. As noted by Paul Moorhouse, “Throughout her development, Riley has drawn confirmation from Euge`ne Delacroix’s observation that ‘the first merit of a painting is to be a feast for the eyes.’ [Her] most recent stripe paintings are a striking reaffirmation of that principle, exciting and entrancing the eye in equal measure.” Created in close collaboration with the artist, the publication’s beautifully produced color plates offer a selection of the iconic works from the exhibition. These include the artist’s first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so-called “Egyptian” palette—a “narrow chromatic range that recalled natural phenomena”—and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen. A range of texts about Riley’s original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist’s wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic. Additionally, the book features little-seen archival imagery of Riley at work over the years; documentation of her recent commissions for St. Mary’s Hospital in West London, taken especially for this publication; and installation views of the exhibition itself, installed throughout the three floors of the gallery’s eighteenth-century Georgian townhouse located in the heart of Mayfair.
Author | : Louise Bonnet |
Publisher | : Holzwarth Publications |
Total Pages | : |
Release | : 2020-11-10 |
Genre | : |
ISBN | : 9783947127238 |
On the joyfully cartoon-like and formally masterful paintings of Louise Bonnet Treading a fine line between beauty and ugliness, the paintings of Swiss-born, Los Angeles-based artist Louise Bonnet (born 1970) feature voluptuous torsos and bulbous extremities, odd-looking noses, nipples and wig-like clusters of mostly blonde hair. With her eclectic approach to the figure, Bonnet challenges ideas of identity and representation.
Author | : Glenn Brown |
Publisher | : |
Total Pages | : 170 |
Release | : 2021-05-31 |
Genre | : |
ISBN | : 9783947127313 |
Glenn Brown's swirling, grotesque figures emerge from uncanny manipulations of old and new masters In this volume, British artist Glenn Brown (born 1966) presents a selection of recent works across painting, drawing and sculpture. Brown's work disarms common distinctions between beauty and abjection: he takes the protagonists of his paintings from old and new masters such as Raphael, Boucher, Delacroix or Baselitz, whose figures he alienates, mutilates, digitally manipulates and covers with seething color gradients and bands of swirling color. In Brown's drawings, the bodies and faces intertwine, bound together by looping lines, leaving the viewer with the uncanny impression of a "schizophrenic self," as the artist notes. In his sculptures, color grows into space: brushstrokes flee the plane into a third dimension, threatening to smother the antique bronze figurines they grow from. Conceptually distinct from appropriation art, Brown's artistic process demonstrates where his focus essentially lies; not in the base image, but rather in the possibilities that derive from it.
Author | : Bridget Riley |
Publisher | : |
Total Pages | : 48 |
Release | : 2018-09-25 |
Genre | : |
ISBN | : 9783947127061 |
For her 2017 exhibition at Galerie Max Hetzler in Paris, Bridget Riley (born 1931) installed eight canvases and two wall works--all part of her Disc Paintings series (2016-2017), in which colored discs are arranged in a diagonal grid, their palette--off-green, off-violet and off-orange--inspired by Seurat.
Author | : Ida Tursic |
Publisher | : |
Total Pages | : 238 |
Release | : 2020-03-24 |
Genre | : |
ISBN | : 9783947127207 |
Celebrating the freedom of painting, this book collects Tursic & Mille's recent forays into both abstract and figurative subjects In this survey of work since 2012, France-based artist duo Ida Tursic & Wilfried Mille (both born 1974) presents painting as a medium of freedom--figurative subjects such as portraits, landscapes, vintage porno and pets are balanced against or covered with colorful abstractions to rival the image overload of digital media.
Author | : Gesellschaft der Freunde des Skulpturenparks Köln |
Publisher | : |
Total Pages | : 230 |
Release | : 1999 |
Genre | : Outdoor sculpture |
ISBN | : |
Author | : Éric de Chassey |
Publisher | : |
Total Pages | : 78 |
Release | : 2021-02-28 |
Genre | : |
ISBN | : 9783947127252 |
"Published by the Trustees of the National Galleries of Scotland to accompany the exhibitions: "Bridget Riley," held at the Scottish National Gallery, Edinburgh, from 15 June to 22 September 2019. "Bridget Riley," held at Hayward Gallery, London, from 23 October 2019 to 26 January 2020. This exhibition is organised by the National Galleries of Scotland in partnership with Hayward Gallery."--Colophon.
Author | : JRMY. DEMESTER |
Publisher | : |
Total Pages | : 62 |
Release | : 2018-06 |
Genre | : Installations (Art) |
ISBN | : 9783947127030 |
This book presents a show of interrelated paintings and sculptures by French artist Jérémy Demester (born 1988). An essay by psychoanalyst Annabelle Gugnon, exploring the mythical themes of his work, accompanies images of "undead still lifes," sky paintings and totemlike sculptures.