Catalogue

Catalogue
Author: H. Baron (Firm)
Publisher:
Total Pages: 222
Release:
Genre: Booksellers' catalogs
ISBN:

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The Complete Classical Music Guide

The Complete Classical Music Guide
Author: DK
Publisher: Penguin
Total Pages: 354
Release: 2020-08-11
Genre: Music
ISBN: 0744033470

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Packed with photographs, composer biographies, analyses of major works, and essential information on every musical genre, style, form, instrument, and ensemble, DK's Complete Classical Music Guide is a portable encyclopedic guide to more than one thousand years of Western classical music. From Bach to Berlioz, Glinka to Gershwin, Stravinsky to Shostakovich, and everyone in between, the Complete Classical Music Guide contains more than three hundred composer profiles, and offers a clear definition of the particular styles and characteristics of seven key eras: Early Music (1000-1600); The Baroque Era (1600-1750); The Classical Era (1750-1820); The Romantic Era (1810-1920); Romantic Opera (1810-1920); National Schools (1830-1950); and Modern Music (1900-). The Complete Classical Music Guide also includes a timeline that charts the evolution of musical styles and forms, instruments, and provides explanations of the building blocks of music — melody, harmony, rhythm, texture, form, tempo, and dynamics. Previously published as Eyewitness Companion: Classical Music, this book has been reformatted and designed and now comes packaged in an exclusive presentation slipcase.

Francis Poulenc

Francis Poulenc
Author: Sidney Buckland
Publisher: Routledge
Total Pages: 0
Release: 2020-11-25
Genre: Music
ISBN: 1351566644

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This collection of essays provides vivid new insights into Poulenc‘s world, his particular rapport with painters, writers and fellow musicians, and with the socialte who promoted his music through their salons. Contributions from international Poulenc scholars include the influence of various artists on his music, the nature of his affinity for Eluards poetry, his response to texts by Cocteau and Bernanos, and his constant search for suitable libretti. New light is thrown on two friendships, the first with his childhood friend Raymonde Linossier who introduced him to the world of books, the second to his teacher Charles Koechlin who greatly influenced his choral style. A detailed study is also provided of Poulenc‘s four choral works with orchestra. Finally, the reader is allowed a rare view of Poulenc at the microphone, not as interviewee but as radio presenter, in his 1947-1949 series of programmesA bâtons rompus.

The Operas of Maurice Ravel

The Operas of Maurice Ravel
Author: Emily Kilpatrick
Publisher: Cambridge University Press
Total Pages: 287
Release: 2015-10-29
Genre: Music
ISBN: 1316395707

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Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.

Or Che in Cielo (

Or Che in Cielo (
Author: Gaetano Donizetti
Publisher:
Total Pages: 8
Release: 1835
Genre: Barcaroles
ISBN:

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Le Tumulte Noir

Le Tumulte Noir
Author: Jody Blake
Publisher: Penn State Press
Total Pages: 232
Release: 1999-01-01
Genre: Art
ISBN: 9780271017532

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Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.