Adios, Happy Homeland!

Adios, Happy Homeland!
Author: Ana Menéndez
Publisher: Black Cat
Total Pages: 289
Release: 2011
Genre: Fiction
ISBN: 0802170846

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This critical look at the life of the Cuban writer pulls apart and reassembles the myths that have come to define her culture, blending illusion with reality and exploring themes of art, family, language, superstition, and the overwhelming need to escape--from the island, from memory, from stereotype, and, ultimately, from the self.

In Cuba I Was a German Shepherd

In Cuba I Was a German Shepherd
Author: Ana Menéndez
Publisher: Open Road + Grove/Atlantic
Total Pages: 244
Release: 2007-12-01
Genre: Fiction
ISBN: 1555847870

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Eleven short stories of the Cuban immigrant experience as characters adjust to life in the United Sates, from an award-winning author. From the prize–winning title story—a masterpiece of humor and heartbreak—unfolds a collection of tales that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once “tender and sharp-fanged” as Ana Menéndez evocatively charts the territory from Havana to Coral Gables, Florida, and explores whether any of us are capable, or even truly desirous, of outrunning our origins (LA Weekly). “With the grace of Margaret Atwood and the sensuality of Laura Esquivel,” Menéndez makes an unforgettable debut “rich in metaphor, wisdom, and delicious subtlety” (St. Petersburg Times).

Loving Che

Loving Che
Author: Ana Menéndez
Publisher: Open Road + Grove/Atlantic
Total Pages: 170
Release: 2007-12-01
Genre: Fiction
ISBN: 1555847889

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In this “evocative first novel,” an elderly woman looks back on the world of revolutionary Cuba as she recalls her intimate, secret love affair with Ernesto “Che” Guevara (Publishers Weekly). A young Cuban woman has been searching in vain for details of her birth mother. All she knows of her past is that her grandfather fled the turbulent Havana of the 1960s for Miami with her in tow, and that pinned to her sweater—possibly by her mother—were a few treasured lines of a Pablo Neruda poem. These facts remain her only tenuous links to her history, until a mysterious parcel arrives in the mail. Inside the soft, worn box are layers of writings and photographs. Fitting these pieces together with insights she gleans from several trips back to Havana, the daughter reconstructs a life of her mother, her youthful affair with the dashing, charismatic Che Guevara and the child she bore by the enigmatic rebel. Loving Che is a brilliant recapturing of revolutionary Cuba, the changing social mores, the hopes and disappointments, the excitement and terror of the times. It is also an erotic fantasy, a glimpse into the private life of a mythic public figure, and an exquisitely crafted meditation on memory, history, and storytelling. Finally, Loving Che is a triumphant unveiling of how the stories we tell about others ultimately become the story of ourselves. “A moving novel from a writer to watch.” —Publishers Weekly “Inventive and hypnotic . . . [An] artful and restless examination of the exile soul.” —Los Angeles Times “[Menendez] captures Cuba’s potential, its desperation and decay, and also its dark humor.” —The New York Times “The writing is consistently beautiful. Highly recommended.” —Library Journal

The Last War

The Last War
Author: Ana Menendez
Publisher: Harper Collins
Total Pages: 246
Release: 2009-05-26
Genre: Fiction
ISBN: 0061724769

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A powerful and haunting novel of love and war from the acclaimed author of "In Cuba I Was a German Shepherd" and "Loving Che."

Women of Florida Fiction

Women of Florida Fiction
Author: Tammy Powley
Publisher: McFarland
Total Pages: 234
Release: 2014-12-12
Genre: Literary Criticism
ISBN: 0786478942

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Florida as symbol and myth is the subject of this collection of new critical essays exploring fiction written by female Floridian authors. In the words of author Karen Russell, the Sunshine State is "virtually past-less, seasons are out of the question, and it's built on a primordial park full of monsters." Discussing the state as setting, the essayists--also Floridians--suggest that it is a creation of the stories told about it. Each of the book's 12 chapters covers one author, including a brief biography followed by one (and twice, two) essays on some of the author's works. The book's final section includes interviews with authors Lynne Barrett, Jeannine Capo Cruz, Vicki Hendricks and Angela Hunt.

Anxieties of Experience

Anxieties of Experience
Author: Jeffrey Lawrence
Publisher: Oxford University Press
Total Pages: 309
Release: 2018
Genre: Literary Criticism
ISBN: 0190690208

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Anxieties of Experience' offers a new interpretation of US and Latin American literature. Rereading a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolano's 2666, it traces the development and interaction of two distinct literary strains in the Americas: the "US literature of experience" and the "Latin American literature of the reader."

Demonic

Demonic
Author: Ann Coulter
Publisher: Crown Forum
Total Pages: 370
Release: 2012-08-07
Genre: Political Science
ISBN: 0307353494

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The demon is a mob, and the mob is demonic. The Democratic Party activates mobs, depends on mobs, coddles mobs, publicizes and celebrates mobs—it is the mob. Sweeping in its scope and relentless in its argument, Demonic explains the peculiarities of liberals as standard groupthink behavior. To understand mobs is to understand liberals. In her most provocative book to date, Ann Coulter argues that liberals exhibit all the psychological characteristics of a mob, for instance: Liberal Groupthink: “The same mob mentality that leads otherwise law-abiding people to hurl rocks at cops also leads otherwise intelligent people to refuse to believe anything they haven’t heard on NPR.” Liberal Schemes: “No matter how mad the plan is—Fraternité, the ‘New Soviet Man,’ the Master Race, the Great Leap Forward, the Cultural Revolution, Building a New Society, ObamaCare—a mob will believe it.” Liberal Enemies: “Instead of ‘counterrevolutionaries,’ liberals’ opponents are called ‘haters,’ ‘those who seek to divide us,’ ‘tea baggers,’ and ‘right-wing hate groups.’ Meanwhile, conservatives call liberals ‘liberals’—and that makes them testy.” Liberal Justice: “In the world of the liberal, as in the world of Robespierre, there are no crimes, only criminals.” Liberal Violence: “If Charles Manson’s followers hadn’t killed Roman Polanski’s wife, Sharon Tate, Clinton would have pardoned him, too, and he’d probably be teaching at Northwestern University.” Citing the father of mob psychology, Gustave Le Bon, Coulter catalogs the Left’s mob behaviors: the creation of messiahs, the fear of scientific innovation, the mythmaking, the preference for images over words, the lack of morals, and the casual embrace of contradictory ideas. Coulter traces the history of the liberal mob to the French Revolution and Robespierre’s revolutionaries (delineating a clear distinction from America’s founding fathers), who simply proclaimed that they were exercising the “general will” before slaughtering their fellow citizens “for the good of mankind.” Similarly, as Coulter demonstrates, liberal mobs, from student radicals to white-trash racists to anti-war and pro-ObamaCare fanatics today, have consistently used violence to implement their idea of the “general will.” This is not the American tradition; it is the tradition of Stalin, of Hitler, of the guillotine—and the tradition of the American Left. As the heirs of the French Revolution, Democrats have a history that consists of pandering to mobs, time and again, while Republicans, heirs to the American Revolution, have regularly stood for peaceable order. Hoping to muddy this horrifying truth, liberals slanderously accuse conservatives of their own crimes—assassination plots, conspiracy theorizing, political violence, embrace of the Ku Klux Klan. Coulter shows that the truth is the opposite: Political violence—mob violence—is always a Democratic affair. Surveying two centuries of mob movements, Coulter demonstrates that the mob is always destructive. And yet, she argues, beginning with the civil rights movement in the sixties, Americans have lost their natural, inherited aversion to mobs. Indeed, most Americans have no idea what they are even dealing with. Only by recognizing the mobs and their demonic nature can America begin to defend itself.

Palmerino

Palmerino
Author: Melissa Pritchard
Publisher:
Total Pages: 0
Release: 2014
Genre: Fiction
ISBN: 9781934137680

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O, The Oprah Magazine "Title to Pick Up Now" American Library Association "Over the Rainbow List" selection Welcome to Palmerino, the British enclave in rural Italy where Violet Paget, known to the world by her pen name and male persona, Vernon Lee, held court. In imagining the real life of this brilliant, lesbian polymath known for her chilling supernatural stories, Melissa Pritchard creates a multilayered tale in which the dead writer inhabits the heart and mind of her lonely, modern-day biographer. Positing the art of biography as an act of resurrection and possession, this novel brings to life a vividly detailed, subtly erotic tale about secret loves and the fascinating artists and intellectuals--Oscar Wilde, John Singer Sargent, Henry James, Robert Browning, Bernard Berenson--who challenged and inspired each other during an age of repression. Melissa Pritchard is the author of eight books of fiction, including The Odditorium, a San Francisco Chronicle Best Book of the Year. Among other honors, her books have received the Flannery O'Connor, Janet Heidinger Kafka, and Carl Sandburg awards, and two of her short fiction collections were New York Times Notable Book and Editors' Choice selections.

Identity, Diaspora and Return in American Literature

Identity, Diaspora and Return in American Literature
Author: Maria Antònia Oliver-Rotger
Publisher: Routledge
Total Pages: 235
Release: 2014-09-19
Genre: Literary Criticism
ISBN: 1317818210

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This volume combines literary analysis and theoretical approaches to mobility, diasporic identities and the construction of space to explore the different ways in which the notion of return shapes contemporary ethnic writing such as fiction, ethnography, memoir, and film. Through a wide variety of ethnic experiences ranging from the Transatlantic, Asian American, Latino/a and Caribbean alongside their corresponding forms of displacement - political exile, war trauma, and economic migration - the essays in this collection connect the intimate experience of the returning subject to multiple locations, historical experiences, inter-subjective relations, and cultural interactions. They challenge the idea of the narrative of return as a journey back to the untouched roots and home that the ethnic subject left behind. Their diacritical approach combines, on the one hand, a sensitivity to the context and structural elements of modern diaspora; and on the other, an analysis of the individual psychological processes inherent to the experience of displacement and return such as nostalgia, memory and belonging. In the narratives of return analyzed in this volume, space and identity are never static or easily definable; rather, they are in-process and subject to change as they are always entangled in the historical and inter-subjective relations ensuing from displacement and mobility. This book will interest students and scholars who wish to further explore the role of American literature within current debates on globalization, migration, and ethnicity.

At Night We Walk in Circles

At Night We Walk in Circles
Author: Daniel Alarcón
Publisher: Penguin
Total Pages: 269
Release: 2013-10-31
Genre: Fiction
ISBN: 1101622989

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A breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall, from the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos. Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.