A Heritage of Horror
Author | : David Pirie |
Publisher | : London : Gordon Fraser |
Total Pages | : 208 |
Release | : 1973 |
Genre | : Performing Arts |
ISBN | : |
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Author | : David Pirie |
Publisher | : London : Gordon Fraser |
Total Pages | : 208 |
Release | : 1973 |
Genre | : Performing Arts |
ISBN | : |
Author | : David Pirie |
Publisher | : I.B. Tauris |
Total Pages | : 280 |
Release | : 2008-01-15 |
Genre | : Performing Arts |
ISBN | : |
A book on the British horror movie to detect and analyse the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' It has revised author's original work, bringing the story into the 21st century.
Author | : Denis Gifford |
Publisher | : |
Total Pages | : 232 |
Release | : 1983 |
Genre | : Horror films |
ISBN | : 9780600373087 |
Author | : Jonathan Rigby |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Horror films |
ISBN | : 9781905287369 |
The British horror film is almost as old as cinema itself. 'English Gothic' traces the rise and fall of the genre from its 19th century beginnings, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930s, the lurid Hammer classics, and the explicit shockers of the 1970s.
Author | : |
Publisher | : |
Total Pages | : 32 |
Release | : 1990 |
Genre | : |
ISBN | : |
Author | : Mark A. Vieira |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2003-11-01 |
Genre | : Performing Arts |
ISBN | : 9780810945357 |
Celebrating one of the most popular cinematic genres, "Hollywood Horror" is an entertaining pictorial history of the classic American horror film from the silent era to the early 1970s, populated with vampires, monsters, mummies, zombies, and psychopaths.
Author | : Linnie Blake |
Publisher | : Manchester University Press |
Total Pages | : 263 |
Release | : 2013-07-19 |
Genre | : Literary Criticism |
ISBN | : 1847796850 |
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.
Author | : Francesco Pascuzzi |
Publisher | : Vernon Press |
Total Pages | : 299 |
Release | : 2020-01-16 |
Genre | : Art |
ISBN | : 1622738632 |
This volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In The Philosophy of Horror, Noël Carroll discusses the “geography” of horror as often situating the filmic genre in liminal spaces as a means to displace the narrative away from commonly accepted social structures: this use of space is meant to trigger the audience’s innate fear of the unknown. This notion recalls Freud’s theorization of the uncanny, as it is centered on recognizable locations outside of the Lacanian symbolic order. In some instances, a location may act as one of the describing characteristics of evil itself: In A Nightmare on Elm Street teenagers fall asleep only to be dragged from their bedrooms into Freddy Krueger’s labyrinthine lair, an inescapable boiler room that enhances Freddie’s powers and makes him invincible. In other scenarios, the action may take place in a distant, little-known country to isolate characters (Roth’s Hostel films), or as a way to mythicize the very origin of evil (Bava’s Black Sunday). Finally, anxieties related to the encroaching presence of technology in our lives may give rise to postmodern narratives of loneliness and disconnect at the crossing between virtual and real places: in Kurosawa’s Pulse, the internet acts as a gateway between the living and spirit worlds, creating an oneiric realm where the living vanish and ghosts move to replace them. This suggestive topic begs to be further investigated; this volume represents a crucial addition to the scholarship on horror film culture by adopting a transnational, comparative approach to the analysis of formal and narrative concerns specific to the genre by considering some of the most popular titles in horror film culture alongside lesser-known works for which this anthology represents the first piece of relevant scholarship.
Author | : Sarah Perry |
Publisher | : September Publishing |
Total Pages | : 149 |
Release | : 2017-09-28 |
Genre | : Fiction |
ISBN | : 1910463744 |
Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. 'An impressive line-up of established and emerging names.' The Sunday Times 'These eerie, unsettling stories are guaranteed to send shivers down your spine.' Daily Express Eight authors were given the freedom of their chosen English Heritage site, from medieval castles to a Cold War nuclear bunker. Immersed in the past and chilled by rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. 'Subtly evocative of human relations loss, grief, or the fear of loneliness.' TLS 'A satisfying and spooky read.' Sun Also includes a gazetteer of English Heritage properties which are said to be haunted.
Author | : Alison Peirse |
Publisher | : Edinburgh University Press |
Total Pages | : 256 |
Release | : 2013-03-14 |
Genre | : Performing Arts |
ISBN | : 0748677658 |
As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Thirst, A Tale of Two Sisters, and Phone, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway, Woman's Wail and The Fox With Nine Tails. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.